Original version of 'Places' from Escapades album with dialogue taken from the film 'Paris, Texas' ,spoken by Harry Dean Stanton. removed due to high cost of usage. Strictly for those who are interested in how it might have sounded. No copyright infringement intended

Places -with dialogue sample

https://stbbforever.com/viewtopic.php?f=2&t=1418&sid=859e94259ce5f8f3ea677cf49390c046

STBB | 893 -Hola-

For Disquiet Junto #disquiet0643, we were asked to create a piece of music inspired by a line of poetry from Yoko Ono: "Take the sound of a stone aging". Thus was born an ancient city, a blasphemous ruin of basalt, constructed at angles that defy geometry. We hear it rising from a raging ocean.

The unsettling whirring sound is a sample of a replica prehistoric stone woer-woer, or bullroar. The bell-like tapping is quantized but otherwise unprocessed field recordings of the "ringing rocks" in Buck County, Pennsylvania: so-called "sonorous stones" that ring like bells when struck with a hammer. One of the pads is based on a sample of my own voice. All of the ocean sounds (except in the outro) were created capturing a live performance of high- and low-pass filter sweeps on a pitched-down white noise source.

Best enjoyed with speakers with good bass response.

Recorded at NO SIGNAL Multimedia Labs in The Shambles, Chicago, USA. Don't be afraid to #makeunpopularmusic.

More about Disquiet Junto: https://disquiet.com/0643

Disquiet Junto

R'lyeh Rising (disquiet0643)

sound art for disquiet0643.

wobbled, rolled, scraped on the floor. no effects.

More on the 643rd weekly Disquiet Junto project, Stone Out of Focus — The Assignment: Make music inspired by a poem — at https://disquiet.com/0643/

This week’s project is based on a text by Yoko Ono, originally published in her book Grapefruit60 years ago, back in 1964.

contact mic on a hagstone (disquiet0643)

I think I have improved even if it is only very slightly, between now and last year. I don't think I could have played this piece last year. If there is a difference between my playing last year and this...it probably relates to the fact that I no longer attempt technically improbable ideas in real-time, unless the piece absolutely requires it. In other words, I no longer play fancy ornaments merely because I can. I  play them today, only when unavoidably necessary for that specific phrase in that particular piece.

Ritratto di farfalla - iv

I let go of explanations and expectations and found my Energy that Inner G Inner God who goes hand and hand with the Enemy the Inner me. Look up
PROD.Jakfor4

That Enemy Tha Energy

From Heaven to Hell (Long Play)

Buy on Bandcamp

DOWNLOAD LINK http://www.mediafire.com/?wqzd9obeugpqs2q

I took one of DJ Revolutions Coffee Breaks battle tools and ramped up the diss factor.


Demo's Battle Weapon (D/L Link in Track Description)

Greg Dread- writer,producer,drummer dj.
Soundcloud spot for Dreadzone remixes, rarities and dj mixes

Places -with dialogue sample

gregdread