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SHAD3Z X TALISE HARRIS - MUSCLE MOMMY

Amidst the quiet calls of Chestnut-crowned Babblers, in this unedited excerpt from an overnight to morning recording, the singing of the Grey Shrike-thrush falls into two sections: in the first, the Shrike-thrush repeats a single familiar call, while in the second, it improvises more freely and lyrically. Some (not all) of the other birds heard include:  Australian Raven, Crested Bellbird, Emu, Galah, Grey Butcherbird, Spiny-cheeked Honeyeater, Striated Pardalote, Weebill....

Recorded with a pair of large-diaphragm condenser omnidirectional microphones in AB array with 62 cm spacing, with the microphones raised high on a lightweight lighting stand.

Recorded respectfully and mindfully on the land of the Meru and Danggali peoples.

Track image credit: Grey Shrike-thrush © Glenn Pure 2024 (https://birdlifephotography.org.au/). Used with permission.

2024.08.10 Grey Shrike-thrush with Chestnut-crowned Babblers. Morning. Winter's End.

A herd of red cows approaching us from front and passing by on a warm September noon of 2019 at the hills of Southern Urals. Lots of energetic mooing, shepherd shouts and whistles, some birds chirping and moderate wind. I love this recording for its brutal and raw energy.
Recorded with Nevaton VR FOA mic into Zaxcom Fusion 12, decoded to binaural with Harpex-X plugin. Please listen on headphones for correct spatial reproduction.

Red Cows at Southern Urals_BINAURAL

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LIGHT ME UP

Cracking trees in Pine Forest

Winter Wind Nostalgia

Late autumn at the Adishi glacier.

Capturing the clean and quality sound of the glacier presents its unique challenges to overcome. One is the logistics and fitness of even reaching such a place, as they are mostly in high, remote mountains. Another is reaching the suitable area of the glacier, which is huge and presents a very demanding terrain that takes you time and energy to get to. Most easy access is at the front of it, the tounge where the ice ends, yet that is where the water comes running out of under the glacier. So in order to avoid the noise of the rushing water, I needed to reach a more upper stage of it, by following it along the edge. That presents another difficulty as the edges of a mountain are "eaten" by the glacier therefor they are completely crumbling and unstable with a high chance of collapse. You can hear stones falling down continuously. When finally reaching this narrow edge, I managed to come closer to the heart of this ice monster. This is where I was able to capture the ice avalanches and rock falls from much closer and farther away from the noise of the river. You can feel the vibrations and low rumble frequencies. Standing so close to it and witnessing its process is very different from anything else; it somehow feels like something extraterrestrial, something we are never used to witnessing in our lives. Yet it is a whole complex system by itself, existing there, doing its thing, basically just water.

Adishi Glacier / Avalanche - Georgia, Caucasus 2500m

Noise box v2 hydrofon contact mic led v vodi ura 14122025 H5zoom

Soundrecordist from small town under alps in Slovenia
Current project is recording sounds and design soundtories for agency I feel Slovenia
Project Sounds Like Slovenia - journey trough sound stories
https://open.spotify.com/artist/6RwhXSI9qlAlKxUT0hUEar

Instagram: https://www.instagram.com/vida_sounds_bygregorvida/

YouTube: https://www.youtube.com/channel/UCXJShm7wdmdq70_2_iq3yWQ

Noise box v2 hydrofon contact mic led v vodi ura 14122025 H5zoom

GregorVida soundrecording - Vida Sounds

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