Support from Maceo Plex, Laurent Garnier, Mano Le Tough, Pan-Pot, Nick Curly, Sian, Riva Starr, Alan Fitzpatrick, Tiga, Sam Paganini, Stephan Bodzin and many more!

With his new artist album “Quiet Distortion” ready for release this summer, Gregor Tresher once again sets sail to break new soil, proving why he is considered to be one of the most consistent artists in the universe of Techno music.  "About A Good Place”, “Neon”, “A Thousand Nights”, “Full Range Madness” or his recent “Goliath”  amongst many others - the list of Tresher's tracks that have turned into modern classics is more than impressive.
Now, with this new installment of 12 tracks and once again  accompanied by forward-thinking artwork by long-time collaborating 3D-artist  Dennis Richter, it seems that Gregor managed to bridge the gap to his early releases by transforming their original, uncompromising sound into the here and now. Gregor puts it this way: “I am aiming to ﬁnd the right balance in-between the vibe of some of my early music and the kind of modern Techno I like to play as a DJ, but at the same time I do not want to stand still but evolve as a musician. The goal I try to reach is to create something that will hopefully stand the test of time.“ 
Enjoy these 3 teasers “Surrender”, ''Depend'' and “Tyrant” that instantly set the tone for what we consider to be Tresher´s most complete piece of work to date. Accompanying the release, Gregor embarks on another extensive  album tour from May on spanning over six months. It will include a mixture of exclusive live erformances as well as DJ-gigs kicking off at the end of May and touching down on some of the most proliﬁc music festivals and clubs around the world.

Check:
https://www.facebook.com/breaknewsoil
https://www.facebook.com/gregortresherofficial


Gregor Tresher - Depend (Break New Soil)

🔌⛽️🔥💊👀👂🎶🎶🎶💿lov♥️techno  🤟🤟

                ❌ TeChnLoVeR 🔥🔥🔥
    
            ❌ Vigo 🎄 Galicia 🦀🦀🦀🦀

I'm born 1984 in East Germany. 1989 the Berlin Wall was History. When I was 6, my parents moved with me to a small Bavarian village. My passion for Music starts with MTV and VIVA… and my deep love for electronic Music began early. On my daily walk to School, tracks by Faithless-Insomnia, U96-das Boot or the Prodigy- Firestarter played blaringly on my Walk or Disc man. Lifetime flew by nothing When I was 14 me & some Friends went to the Love Parade for the first time. Our Parents did not know anything on off course there were Consequences after all, but …as if that had bothered us. I, or rather we, grew older and celebrated Techno in Clubs like Ultraschall / Munich, Alcatraz / Landau, Treibhaus / Meilenhofen, Airport / Würzburg, Rakete & Hirsch / Nuremberg, and Ohrakel in Ingolstadt. We celebrate excessive and surreal Party's with Sound from DJs like Sven Väth, Gayle Sun, Dave Clarke, Jay Denham, Chris Liebing, DJ Rush, DJ Hell, Monika Kruse, Ben Sims, Gary Beck, Richie Hawtin, Mark Reeve, Tapesh, Pig and Dan. Gaiser, Pan Pot, James Ruskin, Karotte, Adam Beyer, Josh Wink, Frank Lorber, Luke Slater, Steve Rachmad, Marco Bailey and many more…. In the early 2000s, I finished my apprenticeship as a Baker and went on a journey abroad for work. Started with Shanghai, Hurghada, Las Vegas, and at least London. I've been to many Clubs all over the World, but London, especially at the End of 2000, was a special peak Time of my Life. The Fabric Sound system and weekly Line up from WYS with top Headliners and DJs like Cormac, Peter Pixzel, and Jacob Husley was a Mecca for Techno every Sunday Night. The years abroad build & teach me in everything as a Human and who I am today. I saw and learned a lot about different Cultures, People, and the World as it once was. The rest is History.

Peace

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

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