A podcast from the QI offices in which the writers of the hit BBC show huddle around a microphone and discuss the best things they've found out this week. Hosted by Dan Schreiber (@schreiberland) with James Harkin (@eggshaped), Andrew Hunter Murray (@andrewhunterm), Anna Ptaszynski and an assortment of other elves.

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“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

My names Bassic and I'm an aspiring techno producer. Since i was a kid growing up in the 90's, I've had a love for all types of music, but i was really drawn to the industrial, electronic rock scenes that started out in the 90's, with bands such as Nine Inch Nails, and The Prodigy. As i got older my love for electronic music grew stronger, as i found myself getting into more underground artists and styles such as hard style, house, trance/psy trance, and dubstep. With todays advancement of technology and music, i knew the techno/ electro scene is where i wanted to be as an artist. Thanks for visiting my profile.

Fat Wreck Chords is an indie label co-founded in San Francisco by NOFX frontman Fat Mike (Michael Burkett) and Erin Kelly-Burkett, in 1990. The first wave of bands signed to FAT (No Use For A Name, NOFX, Propagandhi, Lagwagon, and more) shaped what became known as the Fat Wreck sound. FAT continues to be an artist-friendly label and has a unique business model of signing bands to one record deals. Going on its third decade, FAT boastfully remains a 100% independently owned and operated company.

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Weekly science conversation, on everything from archaeology to zoology, from abacus to the antipodean rodent zyzomys, by way of meteorites. Presented by Quentin Cooper, and airing every Thursday, 4:30 pm on BBC Radio 4. 

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Gregory Freeze is following