“Andy Whitby is not just a hard house DJ, he is an experience.

He is a state of mind.

He is the transporter of minds and souls to an amazing frantic paradise that, while leaving you knackered, strangely also leaves you feeling re-invigorated.

At 6ft tall and broad-shouldered, with his trademark shaved head, a chunky ostentatious chain around his neck, and immaculate dress sense (if its not designer, it doesnt go anywhere near him) he makes an imposing figure who commands respect.

His confident appearance is matched by his masterful control of a good mixing desk. Before each set he always powers down the previous track and leads the packed dance floor in a show of appreciation for the out-going DJ, before kick-starting his performance into a blaze of visuals, an orchestra of special effects which extracts every quality beat of each track as he begins his show.

To watch Andy DJ is part of the Whitby experience. Cocky? Perhaps, but certainly not arrogant, Whitby is now in control of the minds and bodies of his audience. A very precise and confident body language gives a visual indication to what he is playing as he acts out each track.

Yet, he is not dancing; this is something far more emotional. Imagine watching a porn star having hot, rough, yet passionate but dominating sex to a breathless, wailing lover which, in this case, comes in the shape of a mixing desk. Forceful, dominant, aggressive yet somehow tender and caring. The visual impact allows your body to further immerse itself in the ecstasy he is submitting you to; your ears alone cannot possibly absorb everything that he is throwing at you.

As for his sound, imagine every track as a partially completed canvas. Through the use of effects on the mixing desk, Andy adds his own colour, texture and feel as he maximises every beat of every track to create the unique Whitby sound. His precision mixing at incalculable speeds is part of the show; as each track mixes in you can positively feel the dance-floor going up a notch to keep up with the frantic and energetic DJ that has them all by the balls.

Since his early childhood in Frankfurt, LPs and singles have been his favorite toys. His family's interest in music has played an important role in the growth of his love for music. In 1985, his family decided to move to Istanbul, where Tarkan continued playing his vinyls and recording tapes after coming home from school.

His professional music career started after he finished university and became a resident at Power FM. Right after showing up in the music scene as a radio DJ, he started to perform at the biggest clubs in Istanbul. Running fast in his music career,

Tech house is a subgenre of house music that mixes elements of techno with house music. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house.[1][2] The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.[2] In the mid to late 1990s a scene developed in England around club nights such as The Drop run by Mr.C & Plink Plonk, Heart & Soul, and Wiggle run by Terry Francis and Nathan Coles.[1] Other DJs and artists associated with the sound at that time included Charles Webster, Bushwacka!, Dave Angel, Herbert, Funk D'Void, Ian O'Brien, Derrick Carter, and Stacey Pullen.[1][2] By the late 90's London nightclub The End, owned by the former Shamen rapper Richard West (Mr C) and Layo Paskin, was considered the home of tech house in the UK

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