Boz Scaggs ‘Lowdown’ (greg wilson edit)

115 bpm

Previously limited vinyl only 2008.

This is a straightforward, no added elements extension of ‘Lowdown’ that I knocked together back in 2004, and which would later be shared on limited vinyl in 2008 as ‘Blue Eyed Boz’, issued on the same 12” as ‘Adriano Italiano’ to launch the GW Ruff Edits series. It’s popped up in a few of my live mixes down the years, and features in the East Village London mix on here from last December.

'Lowdown' was released in the UK 35 years ago, in September 1976. Between January 2006 and September 2007 I compiled a series called Time Capsule for Samurai FM, where, month by month, I revisited the tracks I used to play in the clubs exactly 30 years earlier. It was a real labour of love, for not only did I have to research and often re-source the music included (I had a load of records stolen in 1985, so there were big holes in my collection), I also wrote an accompanying piece every month looking at the records featured, and how my fledgling DJ career was shaping up. 'Lowdown' was a single I used to play at the time in my New Brighton residencies, the Chelsea Reach and the Penny Farthing. Time Capsule covered the period I was at the Chelsea and the Penny, leading up to when I took over at the Golden Guinea, where I’d spend 3 memorable years before embarking on my Wigan / Manchester adventure in the early 80’s. 

I’d hoped to take Time Capsule all the way through 1977, but the workload became too much and I found myself unable to meet the monthly deadlines, so I reluctantly had to stop at Sept 77, with the intention of getting back to it in the future if I ever have sufficient time on my hands. Even if this turns out to be all I ever manage to do, Time Capsule, as I left it 4 years ago, still stands as a snapshot archive from a key moment in dance culture, as the Disco era gained full momentum and the 12” gradually began to take over from the 7” in the affections of British DJ’s.

All the programmes, plus ‘First Impressions’, which inspired the series, can be accessed here:
https://www.mixcloud.com/gregwilson/playlists/greg-wilson-time-capsule/

Here’s what I wrote about ‘Lowdown’ for the Sept 76 Time Capsule:
“Regarded as one of the classic Blue-Eyed Soul singles, 'Lowdown' by Boz Scaggs, despite its popularity on the UK club scene, peaked at a somewhat disappointing position of number 28 on the British chart. By contrast, the single had reached number 3 stateside, with the album it was taken from, 'Silk Degrees', becoming an American classic, which sold more than 5 million copies and spent over 2 years on the chart! Picking up a Grammy for Best Rhythm & Blues song, 'Lowdown' was recorded with a team of session musicians, who would later form the nucleus of the hit band Toto. In the early 60's, Scaggs, who was Ohio born, had left his Texas home to briefly join London's burgeoning R&B scene, returning to record his debut solo album, 'Boz' in 1965. He'd later appear on the first 2 Steve Miller Band LP's, 'Children Of The Future' (1968) and 'Sailor' (1969), before continuing his solo career with a series of albums for Atlantic Records. However, it wasn't until he signed to Columbia that the commercial acclaim, which had previously eluded him, finally came thanks to 'Silk Degrees'.”

Greg Wilson – September 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Boz Scaggs 'Lowdown' (greg wilson edit)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Originating from the underground music scene in Algeria, Darex boasts several years of experience. He has crafted a unique sound that blends captivating harmonies with hypnotic and cinematic sonic textures. His performances are an unforgettable experience, creating an immersive atmosphere that transports the audience on a captivating musical journey, plunging them into an enchanting sonic ambiance that fuses deep rhythms with electronic melodies. His distinctive and experimental style is designed to make you groove to the beat of music with a unique touch in electro, deep house, progressive house, and Nu disco genres, reflecting a fusion of cultures and influences evident in his sonic compositions.