Re-UP

extended edit i did a while back....

Gil Scott Heron  - The Bottle (Disco Tech edit)

Songs administered by Unidisc Music from a variety of catalogs of Funk, Rock, Soul, R&B, Dance and more. For licensing inquiries contact Laurie Labrecque at llabrecque@unidisc.com who'll be happy to help you. 

Get ready to groove! 

Your Love Is a Life Saver

Gayle Adams - Stretchin' Out

Donna Summer

Love Is in Control (Finger on the Trigger)

Rise

Rotation

Chakachas ‘Jungle Fever’ (greg wilson edit)

99 bpm

Previously limited vinyl only 2010.

Following on from last week’s Crystal Grass upload, here’s the track that appeared on the other side of GW Ruff Edits #4, ‘Jungle Fever’ by Chakachas (aka ‘Belgian Jungle’), a deliciously wicked downtempo groove that’s been described as ‘one of the first Disco records’. Somewhat bizarrely, this was a Latin combo from Belgium, who’d been recording since the 50’s. Chakachas (or The Chakachas, as there name also appeared) were certainly unlikely Disco pioneers, but ‘Jungle Fever’ became a UK Top 30 hit in 1972, and would no doubt have climbed much higher had it not been pulled off the BBC airwaves because the sighs and heavy breathing were deemed too risqué for the British public’s sensibilities (Donna Summer’s ‘Love To Love You Baby’ still more than 3 years away). However, it was in the US where it found its greatest success – a massive hit, it reached #8 on the US Pop chart, and #11 R&B, selling a million copies in the process. 

As with Crystal Grass, the reason I edited it was purely to extend the length, adding over 2 minutes to the original version. The first time I remember playing it out was at Café Mambo in Ibiza in 2009, which was also the first mix I ever uploaded to SoundCloud:
http://soundcloud.com/gregwilson/cafe-mambo-ibiza-27-09-09-greg-wilson-dj-mix/ 

Greg Wilson – November 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Chakachas 'Jungle Fever' (greg wilson edit)

Playlist of new & re-connected joints that made their way into my headphones as well as my hardrive, from anytime during the week of 1/22/12-1/28/12, though not a continuous mix, still, sort of mixed 

Carly Simon - Why

Pimpin' Willie MIXING & DISCOTHIZING SOULFUL & DEEP HOUSE JAMS - A selection of best DISCO-FUNK FIRED HOUSE MIXES..... 
Regrooved and Re-Rubbed FOR THE CLUB / A Selection of Main Room + Peak Hour MIXES & CUTS
THE FUTURE SOUND OF DISCO: plenty of colourful funk cuts and summery remixes

The Compilation is stacked with exclusive remixes, bootlegs and DJ friendly edits retaining most of the original's old-school disco feel
Defiant, avant-garde, deviant, and more punk than punk recognizability, avoiding anything that might be featured on a generic wedding playlist. 
The quintessential "Underground Sound" — lilting strings and soulful horns. If there were a great, accurate scripted film about disco (there isn't), this should be its soundtrack.

Mixed With LOVE by Pimpin' Willie
Black Label Selection

Lonnie Liston Smith ‎- Expansions (Pimpin Willie DEEP Cosmic Mix)

Il Meglio

Miss Broadway

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.