Full live recording from Festival No.6 in Portmeirion, North Wales, 14.09.13.

Accompanying blog post here:
http://www.gregwilson.co.uk/2013/09/festival-season-comes-to-a-close/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

FESTIVAL NO.6 PORTMEIRION 14.09.13 (greg wilson live mix)

This weeks Spin City Show aired on myhouseradio.fm 27th March.
I was on host duties for the first half of the show before handing over to Berlin based Dj/Producer and label boss, Delfonic. He put an amazing disco set together for us packed with unreleased edits by him, and never heard, until now. 

Goz Tracklist:


Lay Me - Goji Berry
Sugar Free - Rare Cuts
Slave (Fingermans Classic Edit) 
My Name Is Partytime - Hotmood
I Don't Know Why - Chuggin Edits
Let's Luv - The Silver Rider
Your Love Was Strange (MV Edit) - Massimo Vanoni
Per Due - Rafael Fernandez
Satisfied - DJ Steef
Making Music - Stephen Richards
Some Kinda Fool (Tiger & Woods remix) - Sunrise HWY

Delfonic Tracklist:
Crown Heights Affair -	Dance Lady Dance (Delfonic Rework)
Herbie Hancock - Tell Everybody [Disco Version]
Bricks - Dazz (Delfonic Rework)
Asphalt Jungle -	Freaking Time (Delfonic Rework)
Coffee -	I wanna be with you (Delfonic Rework)
Delfonic - Get Together / Kampana Records
The Meters - Handclapping Song (Delfonic Rework)
Steve Watson - Boogie (Delfonic Rework)
Rodney Franklin - 	I Like The Music Make it Hot (Delfonic Rework)
Vincent & Dagomba- Travel With The Music (Delfonic Rework)

Goz & Delfonic - Spin City

Welcome to the start of another new set of mixes dedicated to the Chug, a spaced out, sleezy, low tempo, hypnotic groove.

On this mix there are tracks by The Human League, Andrew Weatherall, Hardway Bros and The Asphodells plus many more.

This is a low slung groove of a mix put together with Love by @thefunkassassin 

'Once you have established the Groove, watch the hands go up'. Andrew Weatherall

There are more Electronic music sessions to come, Follow @thefunkassassin for all future mixes, there’s some fire on the way.

For all past mixes click here ==> soundcloud.com/thefunkassassin/sets/the-andy-haworth-mix-sessions

Instagram: www.instagram.com/the_funk_assassin/
Spotify: open.spotify.com/user/g2fac3ls3k8e1ucxe4fqe7g89
Facebook: www.facebook.com/TheFunkAssassin/

Recorded on Earth Day 2022.

Back2Electric 01 - The Human League, Andrew Weatherall, Hardway Bros, The Asphodells

Like what you hear? To buy us a coffee and help support LV Online via Ko-FI click: ko-fi.com/levisiteuronline

Check the full mix tracklist on LV online, the link is below.

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We have been fans of @casbah-73 for quite some time now so this mix is well overdue. We always like to wait for a good moment and the release of his brilliant new single Let's Invade The Amazon on @boogieangst felt like the perfect time to ask him to step up to the Le Visiteur decks.

As we have come to expect from Casbah 73 it's a fusion of cool as you like underground disco and soulful disco edged house keeping the energy high and the vibe super feel-good.

Casbah 73 is a seriously talented artist so it's a pleasure to have him grace the LV decks. Check out more on the mix the release on LV via: https://levisiteuronline.com/music/lv-disco-selectors-40-casbah-73/

LV Disco Selectors 40 - Casbah 73 [Boogie Angst]

Buy Invade The Amazon

This months mix features a lot of new tunes I've picked up recently, and couple of forgotten gems, which includes music from some of my favourite artists and remixes from some of my go to producers... Ron Basejam, Art of Tones, Ray Mang, Henrik Schwarz, Hot Toddy, Manuel Tur, and many more... Expect to hear quite a few of these at Campo Sancho, our small but perfectly formed festival at the end of July. Hope you enjoy..... Matt x

https://www.sanchopanza.org 
https://www.facebook.com/SanchoPanzaSoundsystem
https://www.mixcloud.com/mattsancho/

Matt Brown - DeepHouse Mix #02 May 2022

This weeks Spin City Show aired on myhouseradio.fm on 26th June 2022. I was back on hosting duties for the first hour, before passing over to one of the best in the game - De Gama. His set is absolutely brimming with quality, from start to finish, so you better get strapped in for the ride!

Goz Tracklist
Dub De Frente - Eddie C
Hey Santana - Les Inferno
Your Love - M.B. Edit
Amor Mio - Paul Older
Suddenly - Disco Lust
Love Express - Chris Grubizna
Happy Feet ( Shaka Loves You edit) - Randy Crawford
Super Dynamite - Ken@Work
Manhattan Groove - C. Da. Afro
Feelgood - Vaudafunk
Set Me On Fire - Hotmood
Like A Bird On A Cage - The Funk District


DeGAMA - tracklist

01. Peppe Citarella, Alejandro Alca - Juanito Alimaña (Tribute Mix 2022) [Union Records]
02. ROOTS2000, Coflo - Aye Afrika (Coflo Deep House Instrumental Mix) [Ocha Records]
03. The Deepshakerz - Kalimba (Original Mix) [Safe Music]
04. OVEOUS, Don Kamares - Legacy [Yoruba Records]
05. Tony Touch - Sacude 2021 (Louie Vega Brooklyn Mix) [Vega Records]
06. Gledd - Muni (De Gama Re-Groove) [Samosa Records]
07. AFRIKANO Vol.1 - Vagabundo Club Social - Mr. Mista [Samosa Records]
08. Da Lukas & Massimiliano Troiani - Ritmo Nera [LegoFunk]
09. Dirtyelements & Drunkdrivers - A. Rio Deja-vu (De Gama Re-Groove) [LegoFunk]
10. DJ Wady, Afroloko - Dice [Nervous]
11. Walter G - Brazileiro (Original Mix) [Catele Recordings]
12. Radio Mundo - Garango [Radio Mundo]
13. AFRIKANO Vol.1 - Lego Edit - Afromaniaco [Samosa Records]

Goz & De Gama - Spin City Ep.242

This weeks Spin City show saw Co-Runner and host Wahine take control of the first hour, with a set crammed full of amazing tunes, mixed as only she can.  In hour two, her guest for this week was the super talented Love Drop. He takes you on a journey through the genres with an outstading set.

Wahine Tracklist - @wahinedj

1	Trepidation (Kyodai Afro Mix) - Feiertag, Msafiri Zawose [Sonar Kollektiv]
2	LITE SPOTS (Original Mix) - Kaytranada	[XL Recordings]
3	The Universe - Lovedrop [GAMM Enterprises]
4	Paris Madness (Club Mix) - Samaran [Circa 99]
5	From Jamaica To Brasil Rework 2020 (Original Mix) - Silvano Del Gado	 [Del Gado Rec]
6	Bring U Up (Deetron Edit) - Romanthony	[Glasgow Underground]
7	Don Don Baby - The Funk District [Hive]
8	Soul Reader - DJ JES [Fresca Recordings]
9	The Hill We Climb (Acapella) - Amanda Gorman	
10	Jorge Ben - Xica Da Silva (Aroop Roy rework)
11	Rockin' (Dj XS Edit)	- Lee Alfred
12	Magic Theme (Original Mix) - The Magic Twins [Basic Fingers]
13	Put It In My Head - Lord Echo

Wahine & Love Drop - Spin City, Ep 243

Recorded at the ‘Credit To The Edit‘ album launch in The Dolphin, a proper East End London pub, on Sunday July 31st 2005, this appearance, in effect, completed the first phase of my comeback. It was obviously a special occasion for me, launching an album of my own edits, an idea that would have seemed ridiculous just a few years before, when I was still a somewhat lost soul from the past who’d rarely ventured inside a club during the previous decade. I’d certainly never have believed that being a DJ would once again become my profession, let alone find myself deemed relevant enough for a label at the centre of what is now referred to as the Disco (or, to some, Nu Disco) movement to so strongly endorse my reignited career. Tirk, run by Sav Remzi, and born out of the mightily influential London based Nuphonic imprint, which played a big part in helping build the foundations for what’s happening now on our side of the scene, would play a major role in my renaissance.

I won’t go any further into the actual ‘Credit To The Edit’ compilation itself here, suffice to say that its release would follow in August ’05 and everything shifted up another level for me, my ever-expanding DJ horizons taking on an international dimension as the overseas bookings came in, enabling me to connect directly with people from different countries, from different continents. If you want the full lowdown on the album, there’s a section about C2theE at electrofunkroots: http://www.electrofunkroots.co.uk/credit_to_the_edit/index.html. 

I regarded that day at the Dolphin as a celebration amongst some my new found friends of the past few years, plus one or two older ones, including a guy called Shaun Anton, who I’d been at school with, but hadn’t seen since way back when. It was like he’d appeared as a messenger from the past, just to mark the moment, and it doesn’t surprise me that I haven’t seen him in the 6 years since then – sometimes these strange time warps open up!

Running for a whopping 193 minutes, give or take a couple of seconds (40 tracks in all), this mix originally came in 3 CD length parts, but I’ve uploaded here as a continuous whole (you’ll hear Pt2 opening with the Happy Mondays ‘WFL’ fading up, and Pt3 entering after the fade out on West Phillips ‘(I’m Just A) Sucker For A Pretty Face’.

The first section was pretty chilled-out, as people arrived early evening and I just played downtempo grooves – it was more about setting the vibe than filling the dancefloor at that point. I was also conscious of the fact that this provided me with the opportunity to make a few personal references that I wasn’t able to bring into play in a normal club setting. This is most noticeable with the Reggae selections I indulged myself in, including ‘This Is Reggae Music’ by Zap Pow, which always evokes teenage memories of my great friend Derek Kaye, who played a big part in my formative DJ years, and ‘Double Barrel’ by Dave & Ansil Collins, which I blogged about being ‘My Favourite Number 1’ recently:  http://www.gregwilson.co.uk/2011/10/my-favourite-number-1. I even managing to slip in a huge personal favourite forever associated with the time just after I’d stopped deejaying -  Was (Not Was) and ‘(Return To The Valley Of) Out Come The Freaks’, which was also, around this time, one of my 12x12 choices for the US magazine Wax Poetics: http://www.electrofunkroots.co.uk/lists/12x12.html 


From this chilled-out foundation, things gradually morphed into full-on party vibe. It was the perfect way to wet the baby’s head, so to speak. I played for around 4 hours, so over three quarters of my spot was recorded. Listening back I had a little smile to myself at the fact that there’s a live prototype,  towards the end of the second section, of what later became my signature track, ‘Two Sides Of Sympathy’, where I mix The PTA’s ‘Unfinished Thing’ into ‘One For The Devil’. Full lowdown / waveform for ‘Two Sides Of Sympathy’ here:  http://soundcloud.com/gregwilson/edit-the-edit-two-sides-of 

Lasermagnetic DJ’s, Neil Thornton  and Johnny ‘Chingas’ Hiller, also appeared, having done a top job of co-promoting the event with Tirk. All in all it was a very memorable occasion both on a personal level, and for those who packed into that groove jammed Hackney boozer.

Greg Wilson – December 2011


CREDIT TO THE EDIT LAUNCH @ THE DOLPHIN LONDON 31.07.05 (greg wilson live mix)

Joining the small number of DJs who have appeared on our mixtape page more than once, we are delighted to welcome back Get Down Edits.

TASCAM DR-05

Mixtape #46 - Get Down Edits

Daz [Get Down Edits] Classic Deep House - March 2020 Lockdown Mix 2

Full 3 hour recording from Loft Studios in London 20.04.13. I talk about the night in the 'Disco Now Disco Then' piece on the blog: http://www.gregwilson.co.uk/2013/05/disco-now-disco-then-2/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

THE DATE @ LOFT STUDIOS LONDON 20.04.13 (greg wilson live mix)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.