A Disco flavoured mix for Tokyo's C-Les Radio - Feb 2010.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

DISCO XI (by greg wilson for c-les / tokyo 2010)

I do not own rights to any of this music I
just have a Uncontrollable love of house, musi'll i cannot deny  I am from Chicago started off deep into house and disco at a very early age 10 yes old because I old all of that too my big brother dj drell or bam bam
who was of a part of Chicago gay Community  
from the early 80s who have been known aside other djs I will name later 




Cultivating tunes of the disco, funk, & house music varieties on this pale blue dot, one dance floor and living room at a time. 

Email loudifante@gmail.com for bookings and collaborations. 

🍌








Since it emerged in the 90s, progressive house has impacted the lives of countless people around the world. Heroes like Hernan Cattaneo, Nick Warren, Sasha, John Digweed, Lee Burrige, Anthony Pappa, Dave Seamen, Dmitry Molosh, Dicky Trisco, Greg Wilson, Andrew Weatherall, Carl Cox, Soulwax/ 2manydjs, The Chemical Brothers, Groove Armada, Harri & Domenic, Justice, Flight Facilities, WhomadeWho, The Prodigy, Aphex Twin,LF System, Moby, Daft Punk, Slam, The KLF, Orbital, Underworld, 808State and many more have been advocates of this unique brand of club music.

House music isn’t just about the dancing it’s straight from the soul… 

I had to steal the following paragraph from ERAN AVINER SIMPLY because it is 💯 % unarguably correct.. 

“Because absolutely nothing compares to music. This language, whose universal vibes can 
be understood by anybody, connects people around the globe be it religions, cultures or ethnicity. Great tunes turn strangers into friends. One note expresses more emotions than a thousand words. Music goes on where words fall short. It simply touches your soul.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.