Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/artist/2355987-Ed-Wizard-Disco-Double-Dee


Check out my label's music at: https://superweirdsubstance.bandcamp.com

Ed Wizard & Disco Double Dee 'Flip Da Beat' (greg wilson version 2011)

DJ Netz and Beatfanatic: This Is What You Need

Follow me:
Instagram: https://www.instagram.com/gregor.niine/
YouTube: https://www.youtube.com/@grexmex
TikTok: https://www.tiktok.com/@gniine_
Twitter: https://x.com/grexmex_

Loved You Since I Saw You

Written by Tansing
Ramshackle My Disco
The Disco Insiders

Feelin' Alright

Feelin' Alright (Sketch)(2007)

Download

New York [Free Download]

I Want U Back In My Bed [LNTG Rework] (Parts 1 & 2)

LOVE LOVE LOVE THIS TRACK!!! PLEASE SUPPORT!!

Here is my new remix of the Kings of Tomorrow's "I Want You For Myself!

I put a crazy amount of work into this track (106 revisions) working from the Julie McKnight acapella and adding elements of the 1979 George Duke original.

Look out for the last third with some extra layered percussion which builds up and up.. please hit the like and share button on SoundCloud and show your support. I'd really appreciate it! 

Check my other re-edits & remixes @ djsimonc.com

Original artwork courtesy of Vanessa Thomas.

Kings of Tomorrow Ft Julie McKnight - I Want You For Myself (2018 Coney Island Remix by DJ SimonC)

Little chunky rework of a lesser known Chic track......new drums, Fx, bass, and keys........

Chic - What About Me (What About Pete's Rework)

An EP of collaborations, featuring a beautiful vocal from Kathy Diamond, and a track I worked on with the mysterious Backdoor Man.  Hot Gorilla chief Andy Buchan is on remix duties.  Released on Hot Digits Music on 2nd November (HOTDIGIT077).  Early support from Bill Brewster and Fingerman.

Buy from Bandcamp

Smashed Atoms Feat Kathy Diamond - Lifted (Original Mix) - released 2.11.20

a new Disco production on which your feet will can't stop dancing ! ..
The full extended version in HD quality is available on BANDCAMP here :
https://doctorsoul.bandcamp.com/track/i-like-the-way-you-move-doctorsoul-dancin-for-your-great-luv-re-therapy
 many thanks for your support 👍

I Like The Way You Move (DoctorSoul Dancin' For Your Great Luv Re - TherapyBANDCAMP release

Another tasty joint off the new 'Funk Nuggets' EP available now over on Bandcamp for all those looking to add some funky gems to their collection -

Bandcamp - fvuk.bandcamp.com/album/dj-xs-funk-nuggets-ep

Lots of new music dropping over the next couple of months, some of it previewed on my December mixtape still heating things up on Youtube - youtu.be/LTtFxFDwGis

Bandcamp DL

Dj XS - Don Just Can't Stay Away (Funk Nuggets EP)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.