2nd recording from Glastonbury 2013 - from Block 9 Genosys on 28.06.13.

Read the accompanying blog post, 'Glastonbury - The Greatest Show On Earth' here:
http://www.gregwilson.co.uk/2013/07/glastonbury-the-greatest-show-on-earth/ 

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GLASTONBURY BLOCK 9 GENOSYS 28.06.13 (greg wilson live mix)

The music that rocked our 30th Birthday Boat Party... the live recording.... Matt Brown & Jimmy K-Tel all night long... 😊

Our 30th Boat Party Celebration - April 30th 2023

Recording from Beat-Herder festival in Lancashire 21.07.24, where I closed out Smokey Tentacles on the final night.

SMOKY TENTACLES @ BEAT-HERDER FESTIVAL RIBBLE VALLEY 21.07.24 (greg wilson live mix)

Live recording from a special daytime event at The Social in London. 

I never normally record the audience in my mixes, but, for some strange reason, there seems to have been a mic active on my device picking up the crowd. My aversion to this is that, apart from the general ambience of the room, it also picks up people chatting in or around the booth, especially in a small compact space like we were in. I hope this isn’t distracting, but, weighing things up, it was such a good day, and its so long since I’ve uploaded a mix to SoundCloud, that I think it’s only right to share regardless.


AN AFTERNOON AT THE SOCIAL LONDON 01.03.25 (greg wilson live mix)

Era of Acid Vol.1 - is the first hit of a collection of hip acid in a tech or techno aspect. a collection primarily done analog, and using 808 and 909 drums. Trash Talk Ex is a standout single with Bam Sisco. Lead single - Flacid Butt is the hip take on 80s classic electro feeling. B sides - reng mod it and doobie walk hit hard in acid measure. stereoimagery shines on his dirty grit vocal techniques with jazz wedding singer. Distributed by Label Engine - www.label-engine.com

Love Ex Stereoimagery - Jazz Wedding Singer

Summer Died

*NOW AVAILABLE AS FREE DOWNLOAD*
A Short laid back Balearic-ish mix for - Sunday Rocks House @ Pikes Ibiza

Pikes Pool Mix

A very special, exclusive mixtape this week which comes from our April 18th headliner, San Francisco's Mark Farina!

Mark's headline performance for Lost in Music at Joshua Brook's in Manchester will not only be his first Manchester show in 13 years, but also his first UK performance in 2 years.


This is one not to be missed and tickets are available here >>> bit.ly/lostinmusicmcr

Mixtape #41 - Mark Farina

Exclusive Greg Wilson T-Shirts: https://discolypso.myshopify.com/products/greg-wilson-dj-revox-t-shirt-green

GREG WILSON
THE RABBIT HOLE @ GLASTONBURY 
29.06.19

DJ Legend Greg Wilson arrived on site at 3pm....he played The Beat Hotel from 5 -  7.30 ......The Rabbit Hole from 10 - 11...... then he crawled through the tunnel into Funkingham Palace, where he performed for two hours before Carl Cox closed the night. 

1. MFSB - ‘tsop (the sound of Philadelphia) (dr packer rework)
2. Peoples Choice - jam jam jam (all night long) (dj laurel edit)
3. Archie Bell & The Drells - let’s groove (v’s edit)
4. Bobby Thurston - check out the groove (dr packer rework)
5. Frank Hooker & The Positive People - this feeling (motor city drum ensemble rework)
6. Harvey Mason - groovin’ you (dr packer rework)
7. Teena Marie - I need your lovin’ (dr packer rework)
8. Todd Terje - standbar (disko)
9. Last Rhythm - last rhythm
10. Donna Summer - I feel love (patrick cowley remix)

http://gregwilson.co.uk
www.gourangamusic.com

Free Download

GREG WILSON - Live From The Rabbit Hole - Glastonbury 2019

The final of my four appearances at Glastonbury in 2019, recorded at Stonebridge on the evening of 30.06.19.

GLASTONBURY STONEBRIDGE 30.06.19 (greg wilson live mix)

Exclusive Greg Wilson T-Shirts: https://gouranga-music.myshopify.com/ 

Greg Wilson
"During the past decade The Rabbit Hole has gained a somewhat mythical status amongst Glastonbury’s bounteous array of attractions. It’s an off-the-beaten-track oasis, tucked away and difficult to access. There’s a festival facing space, diagonally opposite the Stonebridge tent in The Park area, which features bands and DJs, but that’s exactly what it is – the face of The Rabbit Hole. Finding your way into the main burrow, however, isn’t meant to be as straightforward.

Once you’re inside you’ll discover the delights of Funkingham Palace - a full-tilt dancing space with a delicious sound, courtesy of Sova Audio’s 4-point system, and an ever on-point DJ line-up.

I played there on the Saturday, directly after I’d finished my stint in The Rabbit Hole, and it turned out to be quite a night. The place was already jumping when I kicked-off soon after 11pm, and the vibes in there were palpable. I knew they had a special guest following me, but I wasn’t sure who it was until I was about to finish and checked if the next DJ was ready. Turned out that they’d pulled off quite a coup, with Carl Cox about to unleash a secret 3-hour set. It’s the first time I’ve played on a bill with Carl – I’ve only met him once previously, briefly on the Isle Of Wight with Nile Rodgers, but I was asked to DJ at his 50th birthday back in 2012, an offer I had to unfortunately decline as I was already booked that night. I really enjoyed watching him work close-up, the energy he emits is quite something, and this, of course, enraptures this audience, causing an active circuit between DJ and dancers.

It was a pleasure to play at both The Rabbit Hole and Funkingham Palace, so big thanks to Nick and Isaac from Gouranga for making things work out and providing such a great environment for me to spend a wonderous Saturday night in Somerset. Hoping we can do it again in 2020."

1.Chewy Rubs future freak
2.Change glow of love (dave gerrard rework)
3.Booker Newberry III love town (dr packer rework)
4.Chaka Khan I feel for you (dr packer rework)
5.Sister Sledge lost in music (dsd balearic mix)
6.Oliver Cheatham get down saturday night (dr packer rework)
7.Bobby Hebb sunny (pillow talk edit)
8.Hercules & Love Affair blind (frankie knuckles mix)
9.Idris Muhammed could heaven ever be like this (late nite tuff guy rework)
10.Paul Simon you can call me al (flight facilities rework)

GREG WILSON - Live From The Rabbit Hole's Funkingham Palace - Glastonbury 2019

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.