Big Audio Dynamite - The Bottom Line (Seismic Mashup)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Goldfrapp 'Dreaming' (greg wilson version 2010 - unreleased)

Love at First Sight

Buy on bandcamp

Red Richards - Love at First Sight

Made this beat at 5AM — Cool, energetic and hypnotic. Inspired by that feeling when you're travelling.

💬 Drop a comment with your city if you’re vibing <3

Oita 161225

Echo & The Bunnymen - Bring On The Dancing Horses (Young Edits Mix)

It's been a blast working with Liz Fraser's incredible vocals on Massive Attack's masterful Teardrop for this remix. Cocteau Twins were one of the bands that inspired us to get creative with our gear and rig. Hopefully that blend of analogue synths and powerhouse voice comes through here!

It's free download (HQ 320 Kbps mp3). If you prefer a wav file just ask!:
contact[at]thepenelopes.com
Love, Axel&Vincent

www.thepenelopes.com
www.facebook.com/thepenelopesmusic
www.twitter.com/thepenelopes
www.instagram.com/thepenelopes

Massive Attack - Teardrop (The Penelopes Remix)[FREE DL]

Kate Bush - Running Up That Hill (Ashley Beedle edit)

30 years ago Bryan teamed up with Johnny Marr and wrote 'The Right Stuff'. Here Mr Somerset revisits the track, stretching it out and adding his trademark JS hypnotics. @johnsonsomerset

The Right Stuff (Johnson Somerset Remix)

...The Cure's fabulous 'Lullaby'....    ruined in an afternoon...  :)

The Cure - Lullaby (Boat Drinks! Version Excursion)

This started off as a 5.1 remix and was converted to stereo. It sounds awesome in 5.1. Michael Floyd came up with the initial idea for the remix and then we worked together on it. I got hold of the files for the original version of the song from Robert Smith because we briefly discussed doing a 5.1 remix version of the albums Disintegration and Wish. However the 5.1 format never really took off for music in a big way which is a great shame because it's awesome to mix in surround and the system in my studio sounds amazing. I have a SACD (Super Audio CD) 5.1 version of Dark Side Of The Moon which is glorious to listen to.


Pictures Of You (Mark Saunders/Michael Floyd remix)_The Cure

"I've been wanting to have a go at this hidden classic for years, and the tapes didn't disappoint. Hope you enjoy the remix. What a song!!"

Johnson Somerset

Bryan Ferry - Sensation (Johnson Somerset Remix)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.