any chance to get a digital version of this? D:

Anyone who wants to share this download with me? Thank you in advance🙏

How can I get a copy of this one Greg? Thanks

Unreleased or vinyl only Greg Wilson edits and mash-ups.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Edits & Mash-Ups

A side

Cat No.: UNTZUNTZ003
Artist: RAYKO / THE GLUE
Title: DIE FOR YOU / A BROKEN HEART
Label: UNTZ UNTZ RECORDS
Format(s): LIMITED 12″ RED VINYL
Release Date: 20/05/2011

TRACK LISTING
A1. Rayko – Die For You
B1. The Glue – A Broken Heart

DESCRIPTION
This much hyped Rayko track gets a super cool 12″ split-release with the romantic newcomers The Glue on the flip. Believe the hype, this is a monster!
Untz Untz unleash their third release, and this time its a shiny red love disc.
First up is the spanish edit don Rayko, known from releases on labels such as Eskimo, Kojak Giant Sounds, Lumberjacks In Hell… and of course his own Rare Wiri label. He is known for crunching out 2-3 great edits every week. This edit must really have struck a chord with the Untz Untz guys leading to them begging on their knees for it the same day it appeared on his Soundcloud. On his ‘Die For You’ edit he slaps on a old school disco bassline on top of the purple smurf that we all love. Resulting in taking him straight to the club peak-time, saturday night style. This is made for a dancefloor!

On the flip we see the slow-mo-house-disco duo The Glue. Little is known about these mystic newcomers other than that they are based in Bergen, Norway and that they are very much into r’n'b and soul music. This edit came about after finding it in a box of 600 7″s from the 80s/90s that they bought for almost nothing at a flea market. On the ‘A Broken Heart’ edit they are carefully building up a cosy mood before dropping in the vocals half-way through this 9 minute heartbreaking song. And then finishing it of with a man softly cooing ‘I Love You, Don’t Ever Break My Heart’. Lets hope its not true that: A Broken Heart Can’t Mend.

The 12" has gotten thumbs up from among others:

Greg Wilson (UK) - "Nice release. Wouldn't mind a wav of the Rayko track"

Dr Dunks aka Eric Duncan (Rub N Tug/Still Going/DFA/NYC) - "Sound great!"

Sleazy Beats Recordings - "Slice of pure loveliness. Have a listen, and tell me - how can you just not love this?"

Duff Disco (UK) - "I like 'A Broken Heart'  nice edit there!"

Touchsoul (UK) - "Where to start. Rayko is on fire with this release. A mix Prince should be proud of and Alexander O'Neal's early 80's soul groover sublimely done to great slow mo disco effect by The Glue. Will be getting play from me and well worth the purchase..."

Dirk (Mindless Boogie/Smile) - "Aaahh, Killer edits!"

Juno Records (UK) - "Complementing the growling arpeggios of Rayko is The Glue, whose B Side bomb is strictly for the lovers!"

Piccadilly Records (UK) - "Untz Untz come up with two monster reworks back to back, and on red vinyl too! It's a big hurrah that these peeps still believe in vinyl, so make sure you grab a copy quick."

Justin Strauss (Whatever Whatever/NYC)
Drop Out Orchestra (Need Want/SWE)
Leftside Wobble (Trax/UK)
Balearic Mike (UK)
Skatebård (Kompakt/NOR)


Rayko - Die For You

I’m going to get some more edits/reworks uploaded in the coming months, starting off with one I did in conjunction with Henry Greenwood, a rework that was getting a major response until the pandemic went and spoilt the party. 

Recorded by Brooklyn’s Linda Clifford for Curtis Mayfield's Curtom label and mixed by Jim Burgess, ‘Runaway Love’ was somewhat overshadowed by her Disco take on ‘If My Friends Could See Me Now’, from the ‘60s Broadway musical/film, ‘Sweet Charity’. Although ‘Runaway Love’ and ‘Gypsy Lady’ were also listed when the album of the same name topped the US Disco chart, ‘If My Friends Could See Me Now’ was very much the lead track. ‘Runaway Love’ however was the choice cut in the R&B realm where, having been issued as a single, it reached #3.

As big as it was in the Stateside clubs I can’t ever remember ever hearing a DJ in this country playing ‘If My Friends Could See Me Now’ – it was all about ‘Runaway Love’ here, which, from the moment the LP came in on import in ’78 the specialist DJs seized upon. It could have been a UK hit, but was only issued on the flip side of ‘If My Friends Could See Me Now’. Besides, it was all about the full-length 12” version, the truncated 7” compromising its wonderful flow and build. The single stalled at #50 – the fact it got as high as that was all to do with the B Side.

To my ears it’s a track that should be as familiar as Rufus & Chaka Khan’s ‘Ain’t Nobody’, but ‘Runaway Love’ is a hidden classic far too rarely heard. This prompted me to team up with Henry Greenwood to put together a DJ friendly rework that retained the song in all its glory, whilst providing a mix in and out and adding contemporary weight to its already infectious groove. I couldn’t have wished for a better outcome, the audience response the proof in the pudding.

The third in a trio of late-‘70s reworks I’ve collaborated on with Henry, following on from Marshall Hain ‘Dancing In The City’ & El Coco ‘Mondo Disco’, which were pressed back to back on limited vinyl as part of the A&R Edits series.

Linda Clifford 'Runaway Love' (greg wilson & henry greenwood rework)

Shreddie Murphy - Kendrick Aint Stressed

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Fleetwood Mac - You Make Lovin' Fun (Trailmix)

Paul Simon - You Can Call Me Al (Flight Facilities Edit)

You Can Call Me Al (Flight Facilities Edit)

Psychemagik ‘Mink & Shoes’ (greg wilson edit)

*now available to download via Bandcamp: https://psychemagik.bandcamp.com/track/mink-shoes-ft-navid-izadi-greg-wilson-edit-psychemagik

115 bpm

Never previously shared.

I’m really into the latest Psychemagik single, ‘Milk & Shoes’, which features vocalist Navid Izadi over a solid mid-tempo acid groove – a section of the track originally surfacing on an ‘anti-hipster’ Smirnoff Vodka advert last year. It’s an impressive production and would certainly get my vote as one of the best dance tracks of 2015.

I put together my own edit to play out, as is my wont, which Dan & Tom from Psychemagik were happy for me to share on SoundCloud. It’s just a combination of vocal and dub versions really, plus some additional ambience via a scattering of samples I’ve introduced – that’s pretty much it, a less is more approach.

More at the blog: www.gregwilson.co.uk

The original versions are available via iTunes:
https://itunes.apple.com/gb/album/mink-shoes-ep/id1033546667 

Greg Wilson – November 2015

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Psychemagik 'Mink & Shoes' (greg wilson edit)

Free Download

Dance - D Gerrard & JC Gavri Transatlanic Workout **FREE WAV**

Here's a rework of a track by a particularly famous band that Peza and I did back in 2014. This is the first time its been uploaded.

Four Lads Who Shook 'The Word' (greg wilson & peza rework)

Henry Greenwood and I have put together a couple of reworks, which I’ve been playing throughout the summer, both ‘70s tracks, one Disco, one Balearic in flavour. The first I’ve uploaded is the former.

The Los Angeles based songwriting and production team Laurin Rinder & W. Michael Lewis forged a distinctive Disco sound during the mid-late 70’s, drawing from their background as Rock and Soul session musicians, whilst playing all the instruments themselves, El Coco and Le Pamplemousse being their initial projects. They’d later record a series of albums under their own names, Rinder & Lewis, including the grandiose Disco concept album, ‘Seven Deadly Sins’. The smooth grooving and somewhat esoteric ‘Mondo Disco’ is one of their early tracks released under the El Coco moniker in 1976.

Available to pre-order on 12" here: https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

Pre-Order

El Coco 'Mondo Disco' (greg wilson & henry greenwood rework)

Here’s the second of the reworks I’ve recently put together with Henry Greenwood. This time it’s a brooding Balearic treasure from the late-‘70s, recorded by a group who experienced a fleeting moment of fame with this pop/rock treat and its addictive downtempo dance beat. It’s these qualities we’ve tried to enhance, making the track more contemporary for DJs to play out now, whilst retaining the distinctive essence of the original.

Before we set about the rework, I played it last year as my final track when I appeared at Glitterbox in Hi! Ibiza (I’m back this year for the closing party on Sept 28th). It was after hearing how well this worked as my Glitterbox finale (mix here: https://soundcloud.com/glitterboxibiza/greg-wilson-glitterbox-hi-ibiza-150917) that I approached Henry, who has a wonderful feel for downtempo grooves, to work on an update with me. Anyhow, I think it’s definitely mission accomplished, feedback since I’ve been playing it extremely positive.

Released on EMI’s progressive label, Harvest, in 1978, Marshall Hain’s ‘Dancing In The City’ was a huge UK hit, reaching #3 on the singles chart, as well as scoring big in Europe, Australia and South Africa, and just missing out on the US top 40. 

The duo behind the track, keyboardist Julian Marshall and vocalist/bassist Kit Hain had met as pupils at Dartington Hall School in Totnes, Devon, just a few years beforehand, but their success would be short-lived. A follow-up, ‘Coming Home’, was less memorable, just about scraping into the top 40 before, as with the band itself, completely vanishing from the pop realm, indifference to their album, ‘Free Ride’, the final nail in the coffin.

Marshall would become a member of The Flying Lizards, whose oddball post-punk/avant-garde cover of the R&B classic, ‘Money (That’s What I Want)’, released on Virgin, went top 5 in 1979, before forming Eye To Eye, who released 2 albums for Warner Bros. in the early-‘80s. Hain pursued a solo career, recording the albums ‘Spirits Walking Out’ for Deram (1981) and ‘School For Spies’ for Mercury (1983), before subsequently moving to the US and turning her attention to songwriting.

Available to pre-order on 12" here: https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

Marshall Hain 'Dancing In The City' (greg wilson & henry greenwood rework)

Talking Heads ‘Psycho Killer’ (greg wilson edit)

118 bpm

Previously limited DJ only vinyl / CD 2007.

Pressed in 2007 as ‘Gotta Tape I Wanna Play', I originally put this together for my US debut in October 2005, at APT in NYC – recording here:
http://soundcloud.com/gregwilson/first-time-in-nyc-apt-21-10-05 

I was a big fan of ‘Stop Making Sense’, the Talking Heads concert from 1984, which was released as both a film and an album. It starts with David Byrne on an empty stage with just a ghetto blaster and acoustic guitar, performing one of the band’s best-known tracks, ‘Psycho Killer, which was originally released in 1977. The beats, courtesy of a Roland TR-808 drum machine, re-appear in extended form over the closing credits. The idea of an edit was there from the moment I bought ‘Stop Making Sense’ on VHS back in the 80’s, but the sound quality from the video wouldn’t have been up to scratch. However, when it was released on DVD later down the line, this was no longer a problem, and I was able to let the beats run on their own for a couple of minutes before the guitar enters and the track really kicks in.

The edit took off in a big way for me, and later with DJ’s including Andrew Weatherall and Optimo. It subsequently became a major festival tune for me and featured in my Essential Mix in 2009 (http://soundcloud.com/gregwilson/essential-mix-greg-wilson-mix-for-bbc-radio-1). More recently it appeared on my Festival Anthems mix (http://soundcloud.com/gregwilson/greg-wilson-festival-anthems), and given this, I thought it was a good time to share here.

There’s more info about ‘Stop Making Sense’ on the blog, as this was last month’s featured album:
http://www.gregwilson.co.uk/2012/05/living-to-music-talking-heads-stop-making-sense/ 

Greg Wilson – July 2012

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Talking Heads 'Psycho Killer' (greg wilson edit)

We first heard this Dub when Greg Wilson delivered his fantastic Chic Organization Mixtape earlier this year. https://soundcloud.com/gouranga/gouranga-mixtape-greg-wilsons-chic-selection-reworks-1977-79

Little is known about this mix or it's creator, but we thought it should be shared with our clan! Thanks again @gregwilson !

LOST IN MUSIC (DSD Balearic Mix)

My favourite Madonna song lovingly reconstructed from the original multi tracks in a full garage end of night lullabye.


Madonna - Borderline (Butch le Butch 5am Garage Rework)

Shine, sweet freedom
Shine your light on me!

Michael McDonald -Sweet Freedom Extended Bassline Dagfest Edit- FREE DL

Gwen Stefani ‘Rich Girl’ (greg wilson edit)

98 bpm

Previously limited vinyl only 2012.

‘Rich Girl’, Gwen Stefani’s worldwide hit from 2004, was originally recorded just over a decade earlier by London duo Louchie Lou & Michie One. Stefani’s version is underpinned by Dr Dre’s inimitable production, which is what attracted me to the track. Apart from a small section of vocal about two thirds of the way in, I concentrate purely on the instrumental aspects, stretching things out to maximise the tracks powerful groove appeal, whilst peppering in some additional sound textures along the way.

Having played it out to a big response ever since I put it together last summer, it was issued on limited vinyl in December 2012 on the KAT imprint, under the title ‘All The Riches’ – further info here: http://soundcloud.com/kat-records/kat016-gw-edits-low-bite-rate. 

Greg Wilson – February 2013

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Gwen Stefani 'Rich Girl' (greg wilson edit)

AND001 – limited vinyl on A&R Edits

Released: Monday 27th May, 2013

Side A: Buffalo Dance (Reworked by Henry Greenwood)

Selected by GW

Buffalo Stance (Henry's Rework) (preview)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Gwen Stefani 'Rich Girl' (greg wilson edit)

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