Man Parrish & The Beat Boys ‘Hip Hop Be Bop Rock’ (greg wilson mash-up)

115 bpm

Never previously shared.

With my appearance alongside Afrika Bambaataa at London’s Garage, for Fred Perry’s Sub-Culture event, coming up on April 20th, I thought it would be a good time to share something on the Electro tip. I’ve blogged about the Sub-Culture night here:
http://www.gregwilson.co.uk/2012/04/sub-sonic-force/

There's also an interview here in The Independent:
http://blogs.independent.co.uk/2012/04/05/greg-wilson-creating-visuals-with-snippets-of-bygone-eras/ 

One of the hottest new imports of November 1982 was, without any question of a doubt, ‘Hip Hop Be Bop (Don’t Stop)’ by Man Parrish, which, along with tracks like ‘Planet Rock’ by Bambaataa & The Soul Sonic Force, ‘E.T Boogie’ by the Extra T’s, ‘The Smurf’ by Tyrone Brunson, ‘Magic’s Wand’ by Whodini and ‘Dirty Talk’ by Klein & MBO’ defined the early Electro sound.

It quickly blew up big time on the specialist scene, resulting in a UK release in March ’83. It would just miss the top 40 of the chart here, peaking at #41 - a pretty impressive position for what was essentially an underground club track with minimal radio support.

As it crossed over to the more adventurous mainstream DJ’s, the black music specialists had already well moved on, with new imports to play, as was the way given the upfront nature of the scene. However, as the original was climbing the UK chart, a new US version by The Beat Boys, using exactly the same backing track, whilst adding a rap over the top, was giving it a renewed lease of life in the underground clubs. This was called ‘Be Bop Rock’.

I put together a version that incorporated the Man Parrish original and The Beat Boys, which I first played back in 2005 at parties including Manchester’s Electric Chair and Whistlebump in London. I recently dug it out again and it features in my recent mix from the Queen Of Hoxton in London:
http://soundcloud.com/gregwilson/queen-of-hoxton-london-23-03 

Greg Wilson – April 2012

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Man Parrish & The Beat Boys 'Hip Hop Be Bop Rock' (greg wilson mash-up)

DJ SkogRå born on the 20.11.1978 in Basle-Town/BS, Switzerland/CH recorded as DJ Speed a few Mixtapes from 1994-1995.
Rave Mix by Speed
Hard Style Mix & Techno-Trax Mix by DJ Speed etc.

1996 he bought 2 Technics SL-1210 MK 2 Turntables.

As “Remix” (Artist Name) he made his first Tracks/Songs in 1996 on the 13th November with a Roland MC-303 Groovebox.

He played as DJ Remix from 1996-1999 @ various Parties in Basle-Town (Ritual Tumult, Jugendkeller Stephanus), Gewölbekeller Riehen & Allschwil (Experience Disco Team) & recorded a few Mixtapes from 1994 till 1998.

As Rotary Tab he recorded one Techno, Hardtrance, Acid Mixtape in 1996.

As 3-Re-0-Mix-3 he made one Live-Act with the Roland MC-303 Groovebox @ Basle/BS Sylvester 1996 (31.12) @ “Ritual Tumult” Organization Party.
He was also Founder, Member, Organizer & Resident DJ of “Ritual Tumult”.

From 1997 till 2001 as Goa DJ Tarantula he played @ Red Didge Productions (later EOS), Germany/DE + Blue Butterfly Goaparties & Psytrance Openairs in Basle-Town & around.
Goa café @ toncarton 18.11.2000
Seynabou @ Plattform 2000
Psy Lords 02.12.2000
Sylvester Party @ carambar 31.12.2000

He helped the Organizations EOS & Bluebutterfly.

As DJ Psy aka Tarantula he played from 1999 till 2002 in Basle-Town @ Verein Plattform (SaTronix), nt Areal (TripHop to DnB), toncarton, Cargo Bar (Mondo Universale) with Project Sirius Back2back.

September 2000 he was Resident DJ & Organizer of SaTronix every Saturday with Djane Mithras (Rubinia Djanes) & DJ Lionfish & Guest Djs.

Restaurant Alter Zoll with Project Sirius 24.08.2001

As Djane Aurora she played @ OpenAireal 2002 @ nt/Areal, Basel. Sa. 06.07.2002

In the Year ???? he played at Devilˋs Cave - Metal- & Bikerbar Fridays in BS.

In 2005 on the 18th May he produced the Song: “Die Raben” with the Roland JV-90 Synthesizer & his Voice.

2012 he moved to Réclère, Haute-Ajoie, Jura/JU in Switzerland near the French Border & changed his Producer/Artist Name to SkogRå & the Deejay Name to DJ SkogRå.

In Undervelier/JU he played in the Restaurant Croix-Blanche as DJ Rémy Reggae, Electro etc. Fridays @ 2015.11.20, 2015.11.27, 2015.12.04 & 2015.12.11.

In his own Club “SkogRåtelier” for Members only he DJ since 2017 (?) via Livestream, Facebook Live & Twitch (since 2021) to Viewers Worldwide.

The Drumming Track “Drum Meditation” he played Live spontaneously @ his DJ & Musicstudio “SkogRåtelier” [2017.07.04] get released by *SkogRå Productions* Label soon.

The Song “Fly to Space” he made @ 2018.06.30 .

2020 he was on the Decks @ plug.dj Community [R.I.P.].

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.