Fuck sake im dancing round like its 2016 and im in a skeleton costume all over again.... YES YES the greg fella 👏🏻👏🏻👏🏻

This will always be one of my fav edits! So many good memories every time you played this track at the nest and lost village! Haha banger

Unreleased or vinyl only Greg Wilson edits and mash-ups.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Edits & Mash-Ups

I’m going to get some more edits/reworks uploaded in the coming months, starting off with one I did in conjunction with Henry Greenwood, a rework that was getting a major response until the pandemic went and spoilt the party. 

Recorded by Brooklyn’s Linda Clifford for Curtis Mayfield's Curtom label and mixed by Jim Burgess, ‘Runaway Love’ was somewhat overshadowed by her Disco take on ‘If My Friends Could See Me Now’, from the ‘60s Broadway musical/film, ‘Sweet Charity’. Although ‘Runaway Love’ and ‘Gypsy Lady’ were also listed when the album of the same name topped the US Disco chart, ‘If My Friends Could See Me Now’ was very much the lead track. ‘Runaway Love’ however was the choice cut in the R&B realm where, having been issued as a single, it reached #3.

As big as it was in the Stateside clubs I can’t ever remember ever hearing a DJ in this country playing ‘If My Friends Could See Me Now’ – it was all about ‘Runaway Love’ here, which, from the moment the LP came in on import in ’78 the specialist DJs seized upon. It could have been a UK hit, but was only issued on the flip side of ‘If My Friends Could See Me Now’. Besides, it was all about the full-length 12” version, the truncated 7” compromising its wonderful flow and build. The single stalled at #50 – the fact it got as high as that was all to do with the B Side.

To my ears it’s a track that should be as familiar as Rufus & Chaka Khan’s ‘Ain’t Nobody’, but ‘Runaway Love’ is a hidden classic far too rarely heard. This prompted me to team up with Henry Greenwood to put together a DJ friendly rework that retained the song in all its glory, whilst providing a mix in and out and adding contemporary weight to its already infectious groove. I couldn’t have wished for a better outcome, the audience response the proof in the pudding.

The third in a trio of late-‘70s reworks I’ve collaborated on with Henry, following on from Marshall Hain ‘Dancing In The City’ & El Coco ‘Mondo Disco’, which were pressed back to back on limited vinyl as part of the A&R Edits series.

Linda Clifford 'Runaway Love' (greg wilson & henry greenwood rework)

…fully tested at festivals all summer, we're throwing this stick of 🧨 FMB TNT 🧨 out there to light up as many dancefloors as possible

Y'diggg -------------------

DJ testimonials:

🔥 Damian Harris (Midfield General) - "Lush... as you'd expect"
🔥 Severino Panzetta (Horse Meat Disco) - "coooooooooool"
🔥 Paul Takahashi (Sarcasticclothing.com) - "hope to see you in LA!"
🔥 Monsieur Seb - "FMB can do no wrong!"
🔥 Jamie Larnach (Dastardly Bounder, Splore Festival) - "Hot, funky and fun. Another scorcher"
🔥 Christian Homan (RTE Ireland) - "great as always"
🔥 Mark E (ireallylovemusic)  - "ooh yes, yet more excellence from you guys"
🔥 Gavin Lucas (Amateurism) - "Another ridiculous edit from the FMB boys!"
🔥 Matthew Hamilton (AOR Disco) - "Great!"
🔥 George (Quality Music Lovers) - "Killer tune"
🔥 Andy Taylor (We Are The Sunset) - "Another FMB banger"
🔥 Rupert Pay (Uncle Ru) - "Epic! F**kin' love this!!!"
🔥 Oisin Lunny (TEDx / SXSW / Forbes / Guardian) - "TNT AF!"
🔥 Phil Lamb - "Wallop! Another FMB belter. Let me just pull on my suede tassel jacket and adopt the peacock strut. Bosh. Looks like we're going out out!"
🔥 Simon Lloyd - "yes yes all over this!!"
🔥 Michael Allegan - "SO GOOD"
🔥 Steve Gladdis (Smashed Atoms) - "Highly groovy"
🔥 Chris de Buerre (Eagle London) - "Great sleazy geeetar rock and roll for dusty discos off the highway. Like it"
🔥 Julien (Young Pulse) - "Hot shit !"

Buy track

Midnite Dynamite

http://www.trentemoller.com/

https://www.gourangamusic.com
https://www.facebook.com/ilovegouranga
https://www.instagram.com/gouranga_music

Trentemøller - Dubby Games

The Rolling Stones Miss You (Em Vee Edit)

Miss You (Em Vee Edit)

Apologies for the extended leave of absence. Bad health has clipped my musical wings a tad in 2015. Anyway, really proud to finally be able to give this a public airing, I'll let the promo blurb say the rest.

"Leftside Wobble delivers an absolute monster that has been doing some serious damage with the few jocks who have fandangled a copy. Bill Brewster dropped it in his closing Wildlife set and Chris Duckenfield has been pressing the launch button. We’re talking a warehouse vibe with an arp riffed bass, plenty of reverb and the filtered, plaintive vocal giving it that emotional depth that all the best house music has. Make no mistake, this is one heavy remix."

Due out very soon, with excellent remixes from Peza, Sleazy McQueen, and Fingerman on the package (as well as the glorious original).

Leon Sweet - Sunny Bigler (Leftside Wobble Remix)

Psychemagik ‘Mink & Shoes’ (greg wilson edit)

*now available to download via Bandcamp: https://psychemagik.bandcamp.com/track/mink-shoes-ft-navid-izadi-greg-wilson-edit-psychemagik

115 bpm

Never previously shared.

I’m really into the latest Psychemagik single, ‘Milk & Shoes’, which features vocalist Navid Izadi over a solid mid-tempo acid groove – a section of the track originally surfacing on an ‘anti-hipster’ Smirnoff Vodka advert last year. It’s an impressive production and would certainly get my vote as one of the best dance tracks of 2015.

I put together my own edit to play out, as is my wont, which Dan & Tom from Psychemagik were happy for me to share on SoundCloud. It’s just a combination of vocal and dub versions really, plus some additional ambience via a scattering of samples I’ve introduced – that’s pretty much it, a less is more approach.

More at the blog: www.gregwilson.co.uk

The original versions are available via iTunes:
https://itunes.apple.com/gb/album/mink-shoes-ep/id1033546667 

Greg Wilson – November 2015

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Psychemagik 'Mink & Shoes' (greg wilson edit)

112 KBPS FILES - DON'T BE A DUNCE!!!

Hot on the heels of the "Hold On / Take It Slow EP" we've got a grip of new remixes of this pair of sun-drenched tunes by LUXXURY!

On the A-side Whatever/Whatever (Justin Strauss + Bryan Mette) work 'Hold On' into a piano house stomper, and A Vision Of Panorama filters 'Take It Slow' through beachy balearic optics. On the flip, Greg Wilson & Peza layer 'Hold On' in driving nu disco vibes, with just a touch of acid, and JKriv takes 'Take It Slow' into deep future funk territory.

Out April 13th on sunny yellow vinyl!!

Hold On / Take It Slow Remixes Vol. 2

BUY ON BANDCAMP

LUXXURY - Hold On (Greg Wilson & Peza Remix Feat. The Reynolds)

Here's a rework of a track by a particularly famous band that Peza and I did back in 2014. This is the first time its been uploaded.

Four Lads Who Shook 'The Word' (greg wilson & peza rework)

Dragging Around

Henry Greenwood and I have put together a couple of reworks, which I’ve been playing throughout the summer, both ‘70s tracks, one Disco, one Balearic in flavour. The first I’ve uploaded is the former.

The Los Angeles based songwriting and production team Laurin Rinder & W. Michael Lewis forged a distinctive Disco sound during the mid-late 70’s, drawing from their background as Rock and Soul session musicians, whilst playing all the instruments themselves, El Coco and Le Pamplemousse being their initial projects. They’d later record a series of albums under their own names, Rinder & Lewis, including the grandiose Disco concept album, ‘Seven Deadly Sins’. The smooth grooving and somewhat esoteric ‘Mondo Disco’ is one of their early tracks released under the El Coco moniker in 1976.

Available to pre-order on 12" here: https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

Pre-Order

El Coco 'Mondo Disco' (greg wilson & henry greenwood rework)

Here’s the second of the reworks I’ve recently put together with Henry Greenwood. This time it’s a brooding Balearic treasure from the late-‘70s, recorded by a group who experienced a fleeting moment of fame with this pop/rock treat and its addictive downtempo dance beat. It’s these qualities we’ve tried to enhance, making the track more contemporary for DJs to play out now, whilst retaining the distinctive essence of the original.

Before we set about the rework, I played it last year as my final track when I appeared at Glitterbox in Hi! Ibiza (I’m back this year for the closing party on Sept 28th). It was after hearing how well this worked as my Glitterbox finale (mix here: https://soundcloud.com/glitterboxibiza/greg-wilson-glitterbox-hi-ibiza-150917) that I approached Henry, who has a wonderful feel for downtempo grooves, to work on an update with me. Anyhow, I think it’s definitely mission accomplished, feedback since I’ve been playing it extremely positive.

Released on EMI’s progressive label, Harvest, in 1978, Marshall Hain’s ‘Dancing In The City’ was a huge UK hit, reaching #3 on the singles chart, as well as scoring big in Europe, Australia and South Africa, and just missing out on the US top 40. 

The duo behind the track, keyboardist Julian Marshall and vocalist/bassist Kit Hain had met as pupils at Dartington Hall School in Totnes, Devon, just a few years beforehand, but their success would be short-lived. A follow-up, ‘Coming Home’, was less memorable, just about scraping into the top 40 before, as with the band itself, completely vanishing from the pop realm, indifference to their album, ‘Free Ride’, the final nail in the coffin.

Marshall would become a member of The Flying Lizards, whose oddball post-punk/avant-garde cover of the R&B classic, ‘Money (That’s What I Want)’, released on Virgin, went top 5 in 1979, before forming Eye To Eye, who released 2 albums for Warner Bros. in the early-‘80s. Hain pursued a solo career, recording the albums ‘Spirits Walking Out’ for Deram (1981) and ‘School For Spies’ for Mercury (1983), before subsequently moving to the US and turning her attention to songwriting.

Available to pre-order on 12" here: https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

Marshall Hain 'Dancing In The City' (greg wilson & henry greenwood rework)

Paul Simon - Diamonds (Todd Terje Tangoterje Dub Remix)

Last year i stayed at my good friend Martin Blacks house, he played me the original of this beautiful track so i decided to do a re-edit for him. hope you like it too!

Now available exclusively to subscribers of my Bandcamp page. https://peza70.bandcamp.com/track/deep-inside-of-you-peza-edit

x

Deep Inside Of You - Gloria Ann Taylor -Peza Re - Edit

Vinyl@ Lumberjacks in Hell
+Barbara Keith - All along the Watchtower (rayko edit) by Rayko
<a href="http://www.juno.co.uk/products/418815-01.htm" rel="nofollow" target="_blank">http://www.juno.co.uk/products/418815-01.htm</a>
Amsterdam dwelling editor par excellence Em Vee took the solo reigns on the inaugural Lumberjacks In Hell - and truly excelled with a great reimagination of "Miss You". The second release on the label sees the German share duties with Spanish edit demon Rayko, with the Rare Wiri boss hogging the A Side. First up is an expert rearrangement of Candi Staton's cover of the Bee Gee's standard "Nights On Broadway" which strips the track of its orchestral leanings to focus on the groove! Following this is a meaty take on a classic, with Barbara Keith's cover of "All Along The Watchtower" reinforced with some bottom end bump. Em Vee spreads a special disco version of Alma Lee's late 70s Philly delight "Gimme Your Love" with an extended intro that fully displays his edit talents.
digital : <a href="http://www.junodownload.com/products/lumberjacks-in-hell-002/1772289-02" rel="nofollow" target="_blank">http://www.junodownload.com/products/lumberjacks-in-hell-002/1772289-02</a>/

#1 @ Juno Disco Best of 2011 Chart!!!!!!!!!
http://www.junodownload.com/charts/juno-recommends/629002-Juno_recommends_disco/529140-Chart/

Broadway (rayko edit) [Lumberjacks in Hell002]

112 kbps files for preview - don't be a dunce!

Early support from Maxxi Soundsystem, The Dead Rose Music Company, Andy Hart, OOFT!, Sleazy Beats, Satin Jackets, Nathan G, Kolour LTD & Undertones, Doc Martin, Sleazy McQueen, Only Children, Get Down Edits, Daniel Solar, Leftside Wobble, Grey Area, J Boogie, Stripped & Chewed, Trujillo, Daz-I-Kue, Debonair, Cole Medina, Rocco Raimundo, The Glue, Dave Allison, Caserta, Tortured Soul, Gigamesh, JimmyTheTwin, Free Magic (Discovery), Paul Raffaele, Marius Våreid, Monsoon Season...

JUNO: www.juno.co.uk/ppps/products/497061-01.htm

PICCADILLY: www.piccadillyrecords.com/products/Luv…e-91272.html

PHONICA: http://www.phonicarecords.com/product/view/115643

Check out more goodness from Luvless here: hhttps://soundcloud.com/luvless

Luvless - Castles In The Sky

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Psychemagik 'Mink & Shoes' (greg wilson edit)

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