Xenolith

DEFY SUBJUGATION

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First Class to Oblivion

"Shadows of Fury" represents another evolution in my AI-powered instrumental journey, featuring an unexpected but powerful combination - electric guitar and 6-string electric violin working together to create something truly cinematic. Rather than competing against each other, these instruments form a dramatic alliance where each brings its own strengths to build an emotional arc over nearly five minutes.

The track unfolds like a film score, with the guitar providing the structural foundation and rhythmic power while the violin serves as the emotional voice soaring above. From the atmospheric intro where clean guitar arpeggios set the mood and the violin enters with haunting sustained notes, the piece builds through distinct phases - sometimes the guitar dominates with palm-muted chugging and aggressive riffs, other times the violin takes center stage with tremolo runs, glissandi, and those screaming high notes that cut through the mix like a metal vocalist.
What makes this track special is how the instruments complement rather than compete. The guitar grounds everything with power chords and rhythmic drive, while the 6-string electric violin explores the full emotional spectrum - from lyrical melodic passages to frantic rapid-fire bowing that matches the guitar's intensity. The violin's extended range allows it to harmonize with the guitar in the lower registers while still reaching those soaring heights that define the track's most dramatic moments.

The climactic sections showcase both instruments at peak intensity, creating massive walls of sound where the violin's sustained vibrato rides over the guitar's relentless assault. By the outro, the violin carries the final emotional weight with haunting sustains while the guitar resolves to clean tones, ending the journey where it began - in atmospheric shadows.

Working with AI to orchestrate this blend was incredible because I could layer these contrasting textures exactly as I heard them - the percussive attack of the guitar balanced by the violin's expressive sustain, creating something that feels both heavy and cinematic. "Shadows of Fury" proves that metal instrumentals can be about emotional storytelling, not just technical showmanship.

Shadows of Fury - Instrumental

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Seven-String Torment

DISTORT. DISTRUST. DESTROY.

#Deathcore #Metalcore #NuMetal #AmbientMetal #AXAXC #FromTheVoid #HeavyMusic #Screamo #InstrumentalMetal #Monday #DistortDistrustDestroy

Fireblood

WELSHWOLF CONTENT

The Lions Roar

This album by Captain Dreadbone describes a tragedy.

Across the rim of the galaxy, two brothers walk opposite sides of the law — one bound by duty, the other by desire.
Blood and Stardust follows their trail through five chapters: the hunt through the void, a near-fatal standoff, a return from the brink, the final duel beneath Io’s cold suns, and a quiet reckoning in a cell among the stars.


Lyrics

They found him broken in the dust and flame,
Bleedin’ out, whisperin’ one last name.
Pulse flatlined, then sparked again,
A heartbeat crawlin’ out of sin.

Doctors said, “You won’t walk no more.”
He laughed blood right onto the floor.
Said, “You patch the flesh, I’ll mend the rest—
there’s a ghost I ain’t laid to rest.”

They call me the man who wouldn’t die,
Burned in the dark, still too damn dry.
Stars can fade and suns can fry,
But you can’t kill the will in a lawman’s eye.

Out on the rim, the outlaw sang,
Burned three towns and robbed a gang.
Thought the past was ash and gone,
Didn’t know the law rode on.

News came quiet, like a ghost in smoke,
“Someone shot the Black Comet bloke.”
The outlaw grinned, raised his glass,
“Here’s to the dead that never last.”

They call me the man who wouldn’t die,
Burned in the dark, still too damn dry.
Stars can fade and suns can fry,
But you can’t kill the will in a lawman’s eye.

Then one night, in a bar off Io,
Neon hummin’, the whiskey low,
A mirror flashed a familiar scar—
The lawman waitin’ by the bar.

I’m the man who wouldn’t die,
Bleed or burn, I still get by.
He looked up slow, met my eye—
Said, “Guess I’m buyin’ your goodbye.”

No halo here, no heaven’s light,
Just two men meetin’ in endless night.
And somewhere past the neon sky,
Justice walks — and don’t ask why.

First Class to Oblivion

Grey Reprieve

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