The albums "S_Unfolding" and "Breaking Silence" were inspired by Liu Cixin's "Three Body Problem" trilogy and its sequel, "The Redemption of Time", written by Bao Shu.

发送信号的决定

Batla

Gribble Gribble Gribble Schnifter

from SVPACYBERIA's Disc■ntinuous + Ξxis†ence https://svpacyberia.bandcamp.com/album/disc-ntinuous-xis-ence (free download here)
art and mix: molly weaver

one for sorrow

Knifeplay

Lorem ipsum

ZeroXTEKK - Major Bass [BOH]

Part of KOMPUTING POWER V3 on Komputing Recs:
https://on.soundcloud.com/ctadiO1QHl42tzzGx4

Copped a ragga accapella pack and tried to make a oldschool raggacore jungle track

also used kicks from a frenchcore pack to make the kicks extra punchy :deval:

the mix is super muddy but just imagine it's been popped in the microwave

Microwave Beam Emitting Apparatus

The title translates to strawberry

Second track for the KOMPUTING POWER V3 compilation on Komputing Recs:
https://on.soundcloud.com/ctadiO1QHl42tzzGx4

I'm going to do a little track breakdown:

For the beginning i used a bell sound from serum with some flanger and a stock plugin called effector. The chords i made using a warm sounding organ that is a preset from analog lab v called migrating lead.

For the bossa nova part that starts at 0:11 I used a drum loop called SO_PD2_100_drums_purple_bossa to give it that bossa swing. Then comes a reggaeton rhythm, a genre i haven't tried utilizing before. For those heavier drum hits i used a kick, hat and snare, all from the SOPHIE splice pack. This reggaeton beat will be contious throughout the track. Here I also introduce some very whimsical sounds that comes from one of my favourite games Tomba for PSX. I ripped one video from youtube with a sound bank from the game and plucked out some random sounds.

Then comes the latin/bossa breakdown at 0:36 (I was very satisfied with that part) I used a bunch of different drum hits. One of the are snares and percussive hits from another splice pack, Andreas Klein Jazz Drums. The strange bass/horn notes are a serum sound called BA Snailed. There's vox-like synth sound that makes gives a toykeyboard choir sound (it's from Analog lab V but i dont remember what it's called). And the fast little synth riff is made with just the plain default sound from when you open up Serum.

The flute/alarm sound during the bridge is this small sound that i sampled as a one shot from this saves sound:

https://on.soundcloud.com/Pf3u1PoWhD3A1F8mMW

The heavy bass synth that I used for the later half of the track is also a preset made by him that I got from his vital sample pack. I have used those sounds alot, all the way back to when I made I was a leaf like you once. You can get the sample pack here:
https://saves.gumroad.com/l/legacy

Jordbær

Maliketh

From the future

I create songs in the genre I created, gribbleschnift. Why would I want to create a new genre? Partly for fun and partly simply because the world needs gribbleschnift. I look on the music subreddits and see page after page of people discussing nerdy details of mixing and mastering and prioritising perfectionism and a polished end product over style and originality. My approach to music is don’t bother learning how to work the equipment properly, throw a load of stuff at the page, see what sticks and create some entertaining chaos. This is the essence of gribbleschnift.

Here are the parameters of the genre: -

1. If there aren’t drums fucking everywhere and it doesn’t sound like two or more songs are playing at the same time, it isn’t gribbleschnift.

2. GS is a sample-based genre. If you’re bothered about infringing copyright, it isn’t the genre for you. There is no plagiarism in gribbleschnift. Want to rip off substantial chunks of other people’s songs? Feel free. If you’re the type of person who wants to make everything from scratch or even worse actually learn an instrument, GS isn’t for you. 

3. If you rigorously mix and master your songs or are bothered about the fine details like things looping properly then GS isn’t for you. 

4. GS should sound chaotic. It should also involve repetition. It’s about layering things and creating an interesting texture.

5. It should be listenable even if weird and chaotic. It’s music, not noise.

6. GS should take you on a journey - but not one with sign posts and maps, one where things just randomly turn up unannounced and you think wtf is that doing here?

7. These are not hard and fast rules, more the general spirit of GS.

Gribble Gribble Gribble Schnifter

TheGribbleschnifter