@thir13enhasmusic

It's not often you see someone rise up the label ranks this quickly, but if the production is as banging as THIR13EN's it's very much understandable. In less than one year, Kirill Popov went from starting his production journey as THIR13EN to releasing on some of the best Neurofunk labels in the scene, including ProtoCode, Kill Tomorrow and Subplate Recordings. Unsurprisingly, the Neuropunk team soon got interested in the Moscow-based producer's output, both for the infamous Neuropunk podcast a few months ago and soon after for the label itself, as part of the NEUROPUNK FORGE! Presenting: THIR13EN and his UNDER CONTROL EP!

Remember 5 years ago, when that pesky Covid pandemic disrupted our lives like nothing else that came before it? Who knows what would have happened without that one freak accident on Christmas Eve of 2022 at the Frostify ice factory that finally gave us the cure once and for all! Armed with that new medication, we as the human race could finally collectively tell the virus "You won't take my live UNDER CONTROL anymore". However, it still lingers on in our world. 

Once we got our normal lives back, the government ordered a group of scientists to continue experimenting on the virus. Officially, they wanted to improve our understanding of the genome so we could handle future outbreaks more effectively. In reality, they had more sinister plans. The scientists were pressured to keep developing stronger and stronger versions of the virus. With each iteration it became harder to keep the security measures up, so the lab was relocated into a nearby cave system, which is why they nicknamed the project "CAVID".

However, the scientists were right to be nervous. After a few weeks they were testing out a version of the virus far deadlier than ever before, nicknamed THE ONE. The In Vitro tests were successful, but in turning the virus more deadly they also unknowingly increased its transmissibility to the point where even the air carried a deadly viral load. In no time the virus spread all over the cave, infecting everyone working inside. In mere minutes the first people started dying, but the remaining few still managed to activate the cave's emergency airpump system so the virus would at least not be able to get out if someone tries to enter.

Every now and then, everyone from government officials to curious hikers try their luck and go into the cave, but no one has ever returned alive. We can only hope the security measures stay intact.

Under Control

THIR13EN - Cavid

L 33 - Last Signal [2022 Re-Fix] Patreon Exclusive

Frosper ft. ExR - The Path

This song was made with Suno AI
The Lyrics were written by me @XAQT3D

Monsters V0 R

Gridlok & Hybris - Bad Mouth / More Darker - P51-35

Our debut album 'My Galactic Tale' is OUT NOW on Blackout Music!

Grab it at your favourite digital store/streaming service:
bit.ly/1Zmfjjm

#mygalactictale



My Galactic Tale

Triple B

Buy / Stream

Neonlight - Bad Omen

Follow Instinkt
Soundcloud: https://soundcloud.com/instinkt-dnb
Facebook: https://www.facebook.com/instinktdnb

Follow Humanon
Soundcloud: https://soundcloud.com/humanon
Facebook: https://www.facebook.com/humanondnb

Follow Santoku Records
Soundcloud: https://santoku-records
Facebook: https://www.facebook.com/santoku.records
Twitter: https://twitter.com/SANTOKURECORDS
Web: https://www.santokurecords.com

Santoku has already dominated US waters with their take on drum & bass, setting a standard within the American scene which has also infiltrated its sounds across the Atlantic. For the label’s next release, Instinkt steps forward after becoming a renowned name on imprints such as Red Light, Kill Tomorrow, Methlab, Lifestyle, Delta 9 and more pivotal record labels which have helped to define the underground scene. The trio bring their individual skills sets together, from their hometowns in Germany and Denmark, to present a cross pollination of styles which highlights just how diverse the drum & bass genre has become since its inception. Humanon also jumps on board, with one member of Instinkt joining the Slovakian and Czech team in destroying dancefloors with their own hard lined offering on Santoku’s forthcoming ‘Not Human’ EP. With an added collaboration from Interzeptor, a brand new outfit from Vienna, it’s one of the imprint’s most versatile, European deliveries to date.

Title-track ‘Not Human’ rolls out first, bringing together Humanon and Instinkt for a cut throat exploration of both outfit’s production standards. Its snaking LFO and clashing drums bring you into its heart, showing how both sets of artists go in hard and without limitations. Instinkt comes through next with the infamous Lifesize MC, who once again offers up his growling vocals throughout the tearaway record ‘Fiend’. You’re then introduced to ‘Fiend (VIP)’, which exhumes a welcome twist on the already snapping original, moving you into deeper waters whilst also rerouting the mix and pushing you through segments of antiquated, neuro infused breakdowns.

Finally you’re drawn into ‘Squad’ from both Instinkt & Interzeptor. It continues the EP’s hard lined approach, punching quicker layer after layer before it totally envelops you in its chaotic ways. With clanking percussion and a rhythm which chops and changes between every steppy set of drums, it’s the only way to end an EP which doesn’t turn down the volume from beginning to end. And that’s what makes this addition to Santoku’s discography so memorable. It not only presents the darker side of its talented roster, but also its expansion into the drum & bass world’s every corner.

Not Human EP

Not Human

Instinkt & Humanon - Not Human

OUT NOW: http://hyperurl.co/EsymEliteEP

Socials:
@esymdnb
www.facebook.com/EsymDnB/
www.instagram.com/esymdnb/

@Instinkt-dnb
https://www.facebook.com/instinktdnb

@Victim
https://www.facebook.com/victimnz

@protocodemusic
www.facebook.com/ProtoCodeMusic
www.instagram.com/protocodemusic
twitter.com/ProtoCodeMusic/

Elite EP

Esym - Elite (Instinkt & Victim Remix)

//artist
@redpilldnb
facebook.com/redpilldnb/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

Most people don’t think too much about their food. It’s understandable really, we humans as a species don’t like to think when we’re hungry. After all, that’s energy that could be spent chowing down on whatever happens to be put in front of us at the time. There’s something special about food and what it does to our brain, how happy it makes us to do such a simple thing as refueling our bodies. Everyone’s got their favorites, delectable delicacies of which they just can’t get enough. All of these preferences are all well and good, but I must confess that I consider them a bit inferior. I am of course a connoisseur for whom only the best will do, not only just for dinner but for lunch and breakfast too.

As far back as I can remember I’ve always craved new tastes, new flavors to excite my tongue and make my heartbeat race. As a child I loved the usual things like candy and dessert, but such simple things get old when you eat them all the time. Though I even ate my vegetables and found their flavours fine, my boredom with these basic tastes inched closer every day. I tried the foods of other countries, even haggis and its ilk, but still I was not satisfied with these tastes from far away. What I craved was something more, something viscerally exciting, a meal I could make myself without a recipe in writing. It needed to be bold in taste with complexity of texture, with the slightest hint of savagery and a pinch of salt for flavor. You see I’ve finally found it, a meal that I can savor, and its standing right before me exhibiting curious behavior. Now’s the best part, my favorite time of the day. Twelve o'clock on the dot, it’s LUNCHTIME. Won’t you stay?

REDPILL serves up a delicious new EP on EATBRAIN with the release of LUNCHTIME, following up the Call of the Warchief EP which started the year for him on the label. The five track EP features his uniquely horror infused sound in full, as well as a collaboration with neurofunk champion MERIKAN aptly entitled CHILDREN OF CHAOS, which rages upon the strength of its furious bassline and fast paced snares. The titular LUNCH TIME features monstrous vocal intoned with evil intent, whilst the syncopated rhythms of BOOM BOOM create explosive shockwaves as the EPs second track. AND THE HERO WILL FALL narrates a tragic epic with its grand arpeggios and harmonic bass and is followed by the aforementioned collaboration before FUSION synthesizes the disparate aspects of the EP within a single track. Placing singular focus on his sinister sound, LUNCHTIME shows REDPILL operating at peak performance.

//Release Date
Beatport - 19.11.18
Worldwide - 03.12.18

Lunch Time EP

Get Lunch Time EP

Redpill - And The Hero Will Fall (Eatbrain070)

// artist
@l-33-1
facebook.com/L33music/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release dates 
Beatport Exclusive - 07.09.20; 
Worldwide - 21.09.20

A string of digital digits ran across the face of the clock above me as my foot hovered above the gas pedal, spiraling downwards towards the zero that was my beginning. I’d done this before, but that very fact made me even more nervous as my vehicle sat alone on the racetrack. I looked back up, and saw the clock tick forwards one second. Cursing myself for losing that precious second, I rocketed forwards along the track, slamming myself into my seat with the near instantaneous acceleration. Then to my right I saw it. The hologram projection of my previous run taking the corner a half car length ahead of me, ruthlessly efficient in its angle of attack as I knew myself to be. Cursing a different past self this time, I diverged, angling for the next curve that I knew to be approaching.

Though I had lost ground to myself on the first turn, we were once again tied as we came out of the second corner. My mind spun at the speed of my wheels as I shot down the course’s straightaway, moving towards the final section of tightly wound turns that would lead myself and I to what would surely be a photo finish. I’d taken the turns perfectly the first time, could I really do so again? The stakes were too high for me not to beat myself, as I’d wagered my entry into the race series on doing so. Then I remembered what I’d thought as I looked upon those banked turns for the first time, how I had slowed ever so slightly to hit them perfectly as I considered their possible other use. Therein was my shot, the boxcar roll that could still yet win me my wager. Thus it was that I drove my pedal to the floor as I approached the first bank, flinging myself and my vehicle into the air as I launched from what I had also seen as a ramp. There in the air there was no looking back, for I’d wagered it all to win the TIME ATTACK.

EATBRAIN mainstay L 33 surges forth from the starting line with his latest EP, TIME ATTACK. Following in the wake of recent releases on the label as a part of his duo with MC Coppa, Lights Out, L 33 returns for a solo EP driven by his markedly high octane sound and the bassweight roars which its speed produces as he races to the fore for the EATBRAIN horde.

Time Attack

Time Attack EP

L 33 - Don't Move! (Eatbrain 110)

A true pioneer of the Drum and Bass sound, Gridlok remains one of the most highly regarded artists in the industry. With a discography spanning over a two decades and featuring classics such as ‘Moodswings’, ‘Bottomfeeder’, and ‘Standing Room Only’, it’s little wonder that the Gridlok name has become synonymous with timeless Drum and Bass.

Involved with music from an early age, Ryan Powell aka Gridlok picked up a variety of instruments, but it was after experimenting with a cheap radio shack microphone paired with a 4-track tape recorder that he soon found himself in the murky world of production. Now with the use of a computer and an E-mu sampler along with an ever-changing combination of analogue gear and production techniques, this West Coast producer has led by example, constantly exploring new ways of injecting emotion and attitude into his art. 

The grimy uncompromising style that Gridlok has developed forms the foundation for his glittering career, gaining him the attention of his peers with household names such as Shy FX, Pendulum, and Dom and Roland lining up to work with the American producer. Acknowledged by artists in and out of Drum and Bass, Gridlok has put his spin on other genres, remixing for the likes of electronica giant Josh Wink and house legend Sasha. Gridlok’s original music and remixes have also branched into other media, with his work appearing in titles such as Konami’s Dance Dance Revolution and MTV’s Challenge series. Covering a wide spectrum within Drum and Bass, Gridlok’s versatile production has allowed him to release on a diverse range of labels, spanning from Ram Records and Playaz to Commercial Suicide and Moving Shadow, whilst maintaining his signature sound....

...find the rest on Facebook.

Gridlok & Hybris - Bad Mouth / More Darker - P51-35

GRIDLOK