Living Room n°54 ~ @andriy_k

q. pls introduce yourself
a. My name is Andriy Kostyukov, dj, producer and co-curator of Motsion audio-visual collective.
From my perspective, I can introduce myself as a music enthusiast that works in the fields of experimental and bass music.
I'm originally from Kyiv, now based in Prague.

q. is there a story behind the mix?
a. It’s a deep listening story about light, melancholy, wind-blown leaf supported by favored Ukrainian and worldwide experimental communities.
The leaf is bleeping, leaping…

q. what's the best way to enjoy your mix?
a. Just stay in one place, try to feel your body, feel your body deeply as the mix gives you the deepest sound characters and tunes, close your mind and just look around your whole life.

q. describe a favorite object in your living room...
a. I love my sofa because it’s the perfect place to take a rest and dig for some music.

q. are you working on any projects right now (music or not music)?
a. For the last few days I am preparing a new live performance for the upcoming summer season, especially for off-ICKPA concert, which is on the 21st of June in Arkaoda bar (Berlin).
Also writing new tracks, as usual, beloved trip routine.

Living Room n°54 ~ Andriy Kostyukov

@dekalbworks
@29-speedway

BC: https://29speedway1.bandcamp.com/album/for-barney-who-was-a-bad-dog-but-a-good-boy-and-very-much-loved

“For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.” comes from Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D). The record summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.

pi pi pi premiere: Dekalb Works -  Trinity Interlude (29 Speedway)

Session #5 - NKNWN

Ivan Robirosa @ Spanners, 16.03.24

"Motýl is a brand new creative coming together from DYL and Moll+ and this new cassette has been conceived as a soundtrack to go with a book of 'night' themed poetry and imagery. It's an immersive and evocative blend of ambience, field recordings and moody sound collages that range from serene and peaceful to much more ominous and dark". Juno Records
detachrecordings.bandcamp.com/album/noc

bandcamp

'Noc' Side B (Preview)

Kopfkino, gefangen in einer Welt, die mal war oder wieder kommt auf einen anderen Planeten.

Utopische Welt-1

Hanging by Threads

Back in 2019 me and my wife were traveling through South East Asia (and eventually got ‘stuck’ in Australia because of the world famous pandemic but that’s another story) and I recorded a bamboo water tumbler (if that’s the correct word for it) in Pam Bok near Pai in Thailand. I always wanted to use the sound of the tumbler (and the small creek it was standing in) but couldn’t find the right spot for it. Now I finally found use for it in this little meditative sounding ambient song. The title is a (rough) translation of how the locals call this bamboo bridge ([Boon] Kho Ku Sui or Kho Ku So).

Bridge Of Merit

The Bridge Of The Devils

@specialguest-dj

ys - scrambler interpreter
phil struck - weiher
bookworms - garden of filth (ft. via app)
kitty slave - retrflexus big fuck version
pent - hyper 
exael - ghoul search 
autobouncer620 n shell binna holes bar fisty “smoke mix”
ol nichego remix 100 bpm 
ura blueing
MORENITA (AUTOBOUNCER620 _MAX DRUM_ VERSION)

Special Guest DJ - the key to joy is disobedience

Pontiac Streator - 'Triz'
Format: 2XLP, Digital
 Release Date: July 16, 2020
Distribution: Rubadub 
Front sleeve art: Desiree Monique
Back sleeve art: Shy (uon)

"I'm stuck in a cave, what's happening?"

PRE-ORDER:

https://www.rubadub.co.uk/records/catalog/product/view/id/12170/s/triz/

https://motionward.bandcamp.com/album/pontiac-streator-triz

https://boomkat.com/products/triz



https://soundcloud.com/pontiacstreator

MW008: Pontiac Streator, 'Triz'

The dirty asphalt, wet from that sweet-smelling, sometimes chemical-like detergent that reminds you of when you were little and everything was a little cleaner, just like that sidewalk in that moment.

The Bridge Of The Devils

Grievance