Hip Hop.

Leftys 5

Grindin' reissues Dialectrix's "Satellite" EP this time including the exclusive bonus cut of "What Is This World Coming To?" Remix featuring Essa from the UK and Jamall Bufford from the US on the digital download. 

First released in February 2013 each track showcased an overseas producer while Dtrix exhibited the hunger and versatility the Sydney wordsmith is known for. 

"Stop" brings a barrage of braggadocio-battle raps intertwined with self assured ridiculousness that screams of live rowdiness over a smacking beat from Germany's Suff Daddy with the additional finesse of one of Australia's greatest turntablists DJ Bonez on the cut. Dialectrix shows an introspective view to his inner thoughts on the smooth and esoteric "Enjoy The Music" featuring the UK's shining producer Eric Lau with fellow Blue Mountains brethren DJ Morgs of the Thundamentals appearing for a cameo scratch. 

Dialectrix then goes in with a vicious delivery and a no holds barred attitude over former Scratch Pervert Mr Thing's (UK) gigantic "What Is This World Coming To?". From the media/social systems to his vehement disappointment in the music industry and the world in general, he leaves no stone unturned as to who and what are ruining the world around him. "Sydney Psychosis" is a tainted homage to the city over a rolling, hypnotic beat supplied courtesy of New Zealand's Haz Beats of the notorious Home Brew Crew with cuts executed by the world renowned DJ Revolution. 

The title track "Satellite" is spearheaded by one of LA's finest beatsmiths Exile delivering his classic soulful chops as Dtrix alikens his position in the world to a satellite bunker with music being his main source to communicate abroad. The "Satellite" EP is a unique one off approach to mustering an eclectic and foreign soundscape while remaining underpinned with Dialectrix's familiar and technical flow.

Buy the "Satellite" EP here - https://grindin.bandcamp.com/album/satellite-ep

Dialectrix "Satellite" EP

Laugh Now, Die Later

STRIKE WON - INTERSTATE CONNECT FT. NTER, SKEAMO AUTISM..PROD. BY DJ GUTTERTRASH

https://plutoniclab.bandcamp.com/

The official free digital release of the single “Look Alive” & incredibly sexy Limited edition transparent green vinyl 7” containing vocal on side A and instrumental on the flip.
Vinyl is strictly limited to 250 copies

This is the third release on the Plutonic Lab imprint “Shark Repellent”.
credits
released 12 December 2013
Produced, Engineered & Mixed by Plutonic Lab
Mastered by Joseph Carra at Crystal Mastering Melbourne
Artwork by April 77

Copyright Plutonic Lab/Shark Repellent 2013 

Look Alive (ft. Dialectrix)

For the soul crew. https://markrae.bandcamp.com/

Free Download

Life Is So Amazing

Strike Won - HerOwnGame PROD. SKTZO

Dialectrix - "Satellite" (Produced by Exile / Cuts by Exile)

Dialectrix - "Sydney Psychosis" (Produced by Haz Beats / Cuts by DJ Revolution)

Dialectrix - "What Is This World Coming To?" (Produced by Mr. Thing / Cuts by Mr. Thing)

Dialectrix - "Enjoy The Music" (Produced by Eric Lau / Cuts by DJ Morgs)

Dialectrix - "Stop" (Produced By Suff Daddy / Cuts by DJ Bonez)

Pre-Order "Mr Wonderful" here: http://smarturl.it/MrWonderful
Album available March 24th.
http://www.twitter.com/actionbronson
http://instagram.com/bambambaklava

Baby Blue (feat. Chance The Rapper)

Baby Blue (feat. Chance the Rapper)

GREELEY - G'DAY

featuring Nate Deezy on the chorus additional vocals
produced by sinemabeats
recorded by Cortext
In memory of Edward Peck and Caroline Maree L'Hoste


Greeley - For My Friends

Off my Goldrush EP 
Father can you hear me

Produced alongside with Cliff Hotten (Hot10Music)

Go check him out!!!

Naomi "Namz" Elliott - Gold Rush - Father Can You Hear Me - 2

Adieu

The Next Level

Time 4 Luv

New joint featuring the man Greeley, on some reminiscing tip, D-Town cats will appreciate this one...DS FAM

R.I.P. MATT WARHAM 1989 - 2007


LYRICS

CORTEXT
Cold mornings dreary days, looking out of my window pain-/
-Man I can hear the rain, falling in icy sheets again-/
-Sit in my unit on the couch and smoke a hundred cones-/
-Think back on times thats gone, let my mind wonder home-/
Back in 2000 when I, smoked bud, for the first time, at the skate park-/
-Got way too high, couldn't face my mum, so I sat down there, til it got dark-/
-Skip forward a few, 2002, when me and Matty used, to hit that/
New ceramic, billy-with-the skull and-the-knife, that he bought at spi-ders remember that/
Time when like, 10-of-us-were at your house a-cross, from-the-tav-/
And we were smoking out the back and ended up, gettin'-caught, by-your-dad-/
--We all just bailed it, shat and left you there to take the wrap-/
-I-was-hiding-in-the-bush, across from Jesses, 2, in the morning, blitzed and/
Stressin', or early morning, bakery lurkin', at the back door like/
Where's the goodness, Cali closed at 9, and we didn't have time-/
Time, that precious, commodity, accelerated by stress, and psychology-/
-So-I-take-a-step, back - sit down, light one re-lax, while-i-think-about-/

HOOK
--Yeah I been thinkin' of ya-/
--I smoke a cone and let the vapor make a signal for ya-/
--Yeah I been thinkin' bout ya-/
-Try not to miss, just reminisce, when ever-I, chill, I-be-thinkin' bout-/
--Yeah I been thinkin' bout the-/
Way we used to not give a fuck about, nothing yeah I was-/
--And I been thinkin' bout ya-/
-Try not to miss, just reminisce, whenever-it's-like, this, I-be-thinkin' bout-/

GREELEY
Used to wake up at 6, then head straight for the mix
Grab a bud, chop it up, pack a cone get a bong quick straight to my lips
yeah start taking a hit, all day till we were wasted as shit
sit around thinking bout ways we could change
even though we were both still taking the piss
but these days is differnt shit just aint the same as unless im
sittin with with you blazin but shit has changed and i never thought it 
we used to mission for it even if we cant afford it
back on the road then back to our home for a sesh but we better save some for the morning  
tick till the end of the week, so stoned were forgetting to speak
way back in the past tense wed catchup for a car shesh at the end of the beach
the billies rippin started trippin and then checkin the streets 
fuck letting it be we quickly figure out that we better get our shit together and leave
and i miss those times we were barely getting by
but at least we did it in a mist to try lift spirits high
for every minute i reminise about that simple life
ill smoke a spliff for you and keep on thinking about that time that i was 


Cortext - Smoking Weed With U ft. Greeley

FREE DOWNLOAD!! CLICK ON THE LINK!!

https://sidmercutio.bandcamp.com/album/rfrshd-remixes

Produced by SiD Mercutio for the facebook group, The Beat Inn http://www.facebook.com/groups/THEBEATINN/ . Therapy Chop 72.
 I really enjoyed this one. I've been wanting to do somthing with this acapella for awhile
Sample by Katherine
Vocals by Dwele from "Hold On"

Enjoy

Dwele - Hold On (SiD Mercutio Remix)

"Stop" brings a barrage of braggadocio-battle raps intertwined with self assured ridiculousness that screams of live rowdiness over a smacking beat from Germany's Suff Daddy with the additional finesse of one of Australia's greatest turntablists DJ Bonez on the cut. 

"Stop" is taken from Dialectrix's "Satellite" EP a limited edition vinyl release featuring production from Exile, Haz Beats (Home Brew), Suff Daddy, Eric Lau and Mr. Thing

You can help get the EP onto vinyl by making a pledge here - http://www.pozible.com/project/13348

Stop

"The Cold Light of Day" is the title of Dialectrix’s new album. Like "Audio Projectile" before it, the production is entirely handled by Plutonic Lab, and the cuts by DJ 2Buck.

A vernacular acrobat, Dialectrix combines rhythmic precision and variety, with content spawned from cathartic necessity. The album showcases his renowned technical skill and polish, and will undoubtedly reinforce his reputation as one of the best in the business.

The triad of skilled musicians set the release apart. All meticulous, almost slaves to perfection; the trio have found a remarkable wavelength based around shared standards. The result: a transcendent album, which pushes the boundaries of genre convention with purpose and conscientiousness.

“Sonically The Cold Light of Day sits alone as being musically diverse, while being rigorously grounded in the settings of traditional Hip Hop.” – Dialectrix

Still faithful to their roots, Plutonic Lab and Dialectrix have built on the foundations of traditional hip hop, revolutionising the genre by incorporating live instrumentation and electronic elements. DJ 2Buck’s selection of premium cuts always consummately timed, give the album character and scope.

Vocal guests on the include the legendary Def Wish, P-Smurf (Big Village), Chip Fu, Momo (Diafrix), and a verse from the dexterous 2Buck.

The LP’s main points of difference are the varied themes Dialectrix explores, and Plutonic Lab’s custom-made soundtrack.

“I keep working with Pluto because we make music like a band. There's a synergy and chemistry we get that you just can't buy or fabricate and I'd consider him one of my best friends.“ –Dialectrix

In the track ‘Fire in the Blood’, there is no ignoring Dialectrix’s raw emotion as he wrestles with nature vs. nurture. He relays his deepest fear; passing alcoholism and violence onto his son. Written in an extremely tumultuous period of his life, he has labelled ‘Fire in the Blood’ “the most raw and honest track I’ve ever made”. Plutonic sets a melancholy scene with haunting vocals, and angry beats.

‘Take Flight’ is a laid-back, vibing number inspired by Dialectrix’s travels around Australia. His lyrics reflect on the beauty he has encountered in the places he’s been, and people he’s met, but also the inherent guilt he feels about enjoying a place which was stolen from its original people. Lounge piano, subtle strings and synth nuances give the track a cruising feel, complete with an airport announcement introduction.

Opening track ‘Shadow in the Light’, is one of Dialectrix’s favourites from the record for its eclectic song structure and next level production. Plutonic Lab brings his explosive percussion skills to the forefront and fuses them with syncopated synth sounds, creating a kind of sonic exclamation mark.

The Cold Light of Day is a quality display of true skill and passion. It is safe to say the future of hip hop is safe in the hands of Dialectrix, Plutonic Lab and DJ 2Buck.

“I'd say our music ultimately is thinking music. It's designed to make someone contemplate what’s around them, and judge things critically. It's meant to do nothing more than talk about one man’s experience in hope of making someone else feel better.” –Dialectrix

Grindin’ is based in Sydney Australia and was established with the aim of releasing, touring and managing quality Australian and International artists. This is reflected in the diversity of artists affiliated with the company and its eclectic style of events produced in Australia.

Since its inception in 2001 Grindin’ has released music from across the globe with a variety of musical styles, all representing the brand to its fullest, and as a result has led to a variety of releases from artists including P-Money (NZ), KillaQueenz (Australia), M-Phazes (Australia), Mystro (UK), J Period (USA), Kohndo (France), JR & PH7 (Germany) and Muneshine (Canada) to name a few. The Grindin’ catalogue has now built up to over 35 releases as of 2010.

Grindin’ is also responsible for producing some of Sydney’s finest Hip Hop events from the annual J Dilla tribute night ‘The Genius Of J Dilla’ to touring the likes of Just Blaze, Blu & Exile (USA), Jehst (UK), DJ MK (Dizzee Rascal’s / Roots Manuva’s DJ) and many more, while also overseeing DJ bookings at venues across Sydney and holding monthly events throughout NSW.

Most recently Grindin’ has ventured into artist agency services, developing careers and booking shows, which has already seen many acts performing at the biggest clubs, tours and festivals throughout Australia and New Zealand. Grindin’ currently manages the careers for some of Australia’s best Hip Hop artists including Dialectrix, Sky’High, Chasm, The Tongue, Diafrix and more.

Throughout the years Grindin’ has also worked with companies such as Nike, Sony, MTV, Alize, Central Station Records and Sweat It Out, along with venues across Sydney using its expertise to consult on individual projects while also helping bridge the gap between corporate entities and its potential clientele. Grindin’ has built a solid reputation on being able to deliver within the music industry.

With over 15 years experience in the music industry Grindin’s mission is to remain competitive in this ever changing industry.