0521 31 Lv 1 Crsh Arg 1 (egress)

extr : 8’35’’ -  1978 – CD: Cultures électroniques 14-27° concours international de musique et d’art sonore électroacoustique -
                                                  série Imeb / UNESCO / CIME 2000 - voix : Mercedes Cornu

Echos - extr : 8’35’’ - 1978

Dali Muru & The Polyphonic Swarm - live ateliers claus

38slow2two

Outreach3

From my 'Start To End' ep on La Beauté Du Négatif.

Jenesis   (La Beauté Du Négatif) (2018)

„Cyborg Barbie” takes form as four songs released on an edition of forty recycled cassettes and deals playfully with an imagined post apocalyptic future. In these eerie art brut pop songs Omen combines modular synthesis, samples, field recordings and her voice to deliver dystopian dream-like musings carried by minimal beats.

On a scarcely inhabited planet earth, between floods and droughts, a machine programmed to manufacture plastic buckets to collect rain water is unable to stop. The surviving humans long to be more like their robot peers, who unlike them cannot grieve for the end of life itself. The mysterious self-replenishing ability of ecosystems become mythological. Every last human struggle has long since been commodified by the ghost of capitalism. One can only try to find solace in the redemptive force of love or the hope of being rescued by benevolent aliens.


Recorded in Berlin in 2022
Mastered by Olle Holmberg
Cover image by Czarnobyl
Words of "Where My Love" by Ursula Le Guin
Available on Bandcamp: omenuniverse.bandcamp.com/album/cyborg-barbie

Bucket Rain

"Pre-Memory Fatal" is the opening track of Vanishing Standards III. The third installment of our compilation series releases on December 18 on tape & digital at: http://amekcollective.bandcamp.com

Artwork by Nikola Kostov.
Mastering by Marius Costache.

Vanishing Standards III

Deffektegg - Pre-Memory Fatal

After the emergence of last year's diverse 12 track various artist album, Codonopsis, we are stoked to be back with our second VA release - Rumex. What awaits you this time are another 14 uncompromising tracks from artists based within and beyond Swiss ground - a project that has taken shape quite literally from all over the globe in more ways than one. Musically, it spans wide from ambient to experimental, noise, electro, breaks and techno - inviting you into an introspective, eerie kind of realm without losing the groove that pushes you right back out again. On a personal and collective level, it's been an intense year with a heavy dose of pain and suffering, Rumex leans into this melancholia, journeying between the light and the dark in what can only be explained as a sonic catharsis.

Support

grantig - MOSFET

collapsed program + chemnitz zither
"can a shaman amortise coins he collects from the ground?"

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Grischa Lichtenberger’s music stands for broken rhythms, for high-density manipulations that emphasize the digital and fractal nature of its working process. A mindset that grew closer to contemporary jazz in recent years. Since free jazz, this genre also sought to overcome musical standards and looked for possibilities of an individual artistic expression. Within this context, the collaboration between Lichtenberger and jazz saxophonist Philipp Gropper as well as the resulting album are documents of this development. It also offers both musicians the opportunity to expand their familiar environment by breaking with expectations.
The foundation for »re: phgrp« were pieces from the album »Consequences« by Philipp Gropper’s band PHILM which Lichtenberger reinterpreted without giving up their original character. He rather looked for figures, subjects and reference points in the compositions to reflect and condense them. As »Consequences« was recorded with all the instruments in one room at the same time (like a classical jazz recording from the 1950ies), the extraction of individual instruments was a challenge which Lichtenberger took up with shifts, distortions and rearrangements of the original temporality of the material. Except for a few synthesizer sounds and an additional piano recording, he remained largely true to the source material, even though the tracks develop their own unique voice throughout the album.
»Re: phgrp (reworking ›consequences‹ by philipp gropper’s philm)« will be released in cooperation with Whyplayjazz in a limited edition of 500 CDs on October 25, 2019. The cover was screen printed and shows a compositional notation by Grischa Lichtenberger. The album marks the beginning of an encounter between Lichtenberger and Gropper that promises to continue in joint improvisational concert situations and further recordings in the future.

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grischenka

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