https://pascalsavy.bandcamp.com/album/colour-fields

Originally released on Audio. Visuals. Atmosphere. https://audiovisualsatmosphere.com October 5th, 2018 (AVA62, C57, Edition of 55). 

From the original press release: 

A manifold of hypnagogic frames balancing wind, wave and star. Symmetric pearl timbres touch the seams of the three-dimensional world. 

Volcanic sound transcending its temporal limits, only to be found at the rim of the pyramid. As the wheel turns the balance is attached to the crescentic stone and snow-covered ridges. Sustained pitches acknowledge the spectral phenomena carved in chroma rooms. The mesa of the moon drains diffused energy as pastoral currents break the ocean’s vector.

Colour Fields

A Solarised Vortex

:: OUT TODAY ::

Here's the 4th track of my new 7track ambient album entitled "her name is a whispered lullaby" I wrote, composed, performed, recorded, mixed and mastered between December 2020 and March 2021.

SOLD OUT, Digital copies are available:
shimmeringmoodsrecords.bandcamp.com/album/her-name-is-a-whispered-lullaby (Shimmering Moods Records' Bandcamp), thechildofacreek.bandcamp.com/album/her-name-is-a-whispered-lullaby-out-now-on-shimmering-moods-records-the-netherlands
(My Bandcamp)

The album was released by Shimmering Moods Records in a wonderful edition of 40 cds.

Instruments performed, recorded, processed:
Piano, Electric Piano, Organ, Synthesizers, Acoustic Guitars, Electric Guitars, Voice, Field Recordings.

Album cover by my lady and myself.

FALLEN:
Bandcamp: thechildofacreek.bandcamp.com
Soundcloud: @fallenproject
Instagram:_the_child_of_a_creek_fallen
Twitter: The Child of A Creek/ Fallen
YouTube: Lorenzo Bracaloni The Child of A Creek

SHIMMERING MOODS RECORDS (The Netherlands)
Bandcamp: shimmeringmoodsrecords.bandcamp.com/album/her-name-is-a-whispered-lullaby
Soundcloud: soundcloud.com/shimmering-moods-records
Instagram: shimmeringmoodsrecords

04 your hand in mine_by FALLEN_ALBUM OUT NOW on Shimmering Moods Rec_CD

Air, in both its stillness and its movements, is what compels INVASIVA, the latest release by multidisciplinary artist Dorian Wood.

In early 2022, Dorian set out to investigate the root of her anxiety—and how her breathing is both affected by, and complicit to, her mental state—during an artist's residency at Loghaven in Knoxville, Tennessee. Upon touring the campus, she learned of the Whittle House, an abandoned cabin on the grounds that had not been inhabited for many years, set apart by the other nearby, fully-restored cabins. In encountering this site, Dorian connected with the idea of isolation as a catalyst for disrepair. She came to understand how separation could trigger a fear of losing self-awareness and the inability to escape. 
 
INVASIVA is a document of the artist meandering physically and mentally between two forms of confinement: "mandated" and "self-imposed". Like an abandoned house, the composition is filled with a stillness that seems both uninhabited and anticipatory. Gradual shifts in tone build an atmosphere of meditation, and droning notes are sustained like a deeply held breath. And yet, despite the fear of quiet isolation which permeates the piece, INVASIVA swells with slow respiration, revels in the wind, and echoes with gentle reminders of outside life. 
 
The work is one that emulates a contemplative state which is constant threat—and perseveres.  Comprised of the recorded stillness within the Whittle House, and sounds captured in the office lobby of Dorian's breathing specialist in Los Angeles, INVASIVA is a quiet, ethereal triumph over suffocating loneliness. It is a piece that is filled with inhalation, anticipation, reflection,  exhalation, release—it is filled with air.

Invasiva

Dorian Wood - Invasiva (excerpt)

Light . Everywhere | Album 'LIGHT'

A track from "Oblio", album released by ROHS! Lontano series.
https://lontanoseries.bandcamp.com/album/oblio

"Oblio" (italian for "oblivion") is a collection of 7 tracks, of which one doesn’t exist. The album is a short study on abandonment, sweetness and melancholy associated with the progressive disintegration of memory, the loss and irreversible modification of the mind: an album about the sense of the end of things, up to the fulfillment of oblivion. Symbolically therefore the last track (the titletrack) is an empty space, it's missing as if it never existed, or as if it was composed in the past who knows by whom ... but forgotten. "Oblio" is based on classical piano music loops (Ravel, Debussy, Bartok), taken, internalized, reimagined and made "other", in an attempt to forget them: an almost Zen testbed for the abandonment of the self.

The opening piece "Nostalgia" explores and expands the space between two notes in a particular passage of "Adagio Religioso" from Béla Bartók's concerto n.3 for piano and orchestra, an almost scientific attempt to vivisect that melodic cell and observe it at microscope, to try to understand "what is there", why it is precisely in that micropassage that all the melancholy of the world seems to be enclosed. Also "Remembrance of things past" has the same intent, inspired by the Proustian novel (in particular by Vinteuil's "petite phrase"), and composed using only one sample elaborated from "La Fille aux cheveux de lin" by Claude Debussy. In "La même vieille chanson" the last fragment of an old melody is repeated stuck in the mind, mixing with the resonances of many day lived. It's based on a loop from Maurice Ravel's "Le Jardin féerique". Also the track three, whose title is a quote from a poem by Montale "Forse un mattino andando in un aria di vetro" ("Maybe one morning walking into an air of glass"), where to the sound of a window creaking in a particularly windy day, an apathetic day between many, a chant joins: in search of an epiphany that illuminates and rip the veil of reality. Finally "The worlds behind you..." is a dark lullaby under a dusty blanket of noise, and is based on a loop from the "Passacaille" of Ravel's Trio in A minor op.67; while "... are fading" still uses a fragment from "Le Jardin féerique" in decay. 

Tracklist:

1) Nostalgia [6.47]
2) La même vieille chanson [4.00]
3) Ricordi quel mattino, quell'aria di vetro? [8.56]
4) Remembrance of things past [6.32]
5) The worlds behind you... [7.12]
6) ...are fading [5.04]
7) oblio [∞]

Credits:
Composed, recorded and mixed by Alessandro Barbanera (April 2020 - February 2022)
Mastered by Andrea Porcu

Ricordi Quel Mattino, Quell'Aria Di Vetro?

Owl Cluster

where is my mind? by the pixies
ambient version
slowed down

where is my mind? (ambient version slowed down)

The B side of Dissolution. LP/digital release on Glistening Examples, November 11th, 2016.  25 LPs were special edition, with 35 mm slides embedded in the clear vinyl. Copies of the regular LPs are still available on Forced Exposure
https://www.forcedexposure.com/SearchResult.html?SearchType=Basic&Type=artist&Key=olivia%20block

A Solarised Vortex

Pascal Savy

Recent comments

jorgen.karlsson

Related tracks