Me gusta mas la calidad del sonido de este track. Denle buena vibra.

Fue como escuchar Screaming Trees, Cornell, QOTSA, quiero más temas!

You can now stream "First Regret / 3 Years Older" taken from Steven Wilson​'s new album "Hand. Cannot. Erase."

"Hand. Cannot. Erase." will be released on 27th February in Germany, 2nd March for the UK & RoW and 3rd March for USA & Canada.

http://smarturl.it/HandCannotErase
http://smarturl.it/SW_HCE_DOWNLOAD

Hand Cannot Erase (Deluxe Edition)

First Regret / 3 Years Older

Buy Album

MIKE MAJKOWSKI - BRIGHT ASTONISHMENT OF THE NIGHT
https://mikemajkowski.bandcamp.com/album/bright-astonishment-of-the-night
CD release October 2015, Bocian Records

1. SLEEP AND OBLIVION (48:28)
2. ULTRAMARINE (18:00)

mike majkowski: double bass
recorded july 2014 in berlin by mike majkowski
mastered by werner dafeldecker

SLEEP AND OBLIVION (excerpt) from 'Bright Astonishment of the Night'

Basurita

Juno will improve our understanding of the solar system's beginnings by revealing the origin and evolution of Jupiter.

Juno: Crossing Jupiter's Bow Shock

Track #3 taken from the upcoming "Nameless Hideous Manifestations" CD, due out on April 24th, 2017 through Memento Mori (Spain).

Produced, recorded and mixed by J. Reyes and J.H. Wilschrey at Magia Negra Studios, Valparaíso, Chile.
Mastered by J. Control at Enormous Door, Austin, TX, USA.
Artwork and concept by Juanjo Castellano.

Nameless Hideous Manifestations

From My Grave

- Álbum "Patrimonio" (álbum Azul) - "Heritage" Album (Blue album).
- Año (Year): 1999 / Reedición (Reissue): 2005 
- Compositor (Composer): Ismael Cortez A. y Francisco Cortez A.

Patrimonio

Valparaíso Psicodélico - Overtura (Psychodelic Valparaiso - Overture)

Jean-Luc Guionnet & Daichi Yoshikawa - Intervivos
Format: LP / DIGITAL
Cat.No: EE002
Mastered by Rashad Becker at D&M
Release Date: 09 February 2018

Empty Editions is pleased to present Jean–Luc Guionnet and Daichi Yoshikawa’s collaborative debut, Intervivos, to be released February 9th, 2018. Recorded during a week-long residency at Hong Kong’s Empty Gallery, Intervivos (Latin for “between the living”), refers to the vital and unexpected acoustic synergy that developed between Guionnet’s extended alto saxophone techniques and Yoshikawa’s feedback systems during these sessions.

Although Guionnet and Yoshikawa both come from prolific backgrounds in free jazz and electroacoustic improvisation -- Guionnet plays in The Ames Room with Will Guthrie and Clayton Thomas and Yoshikawa studied with AMM’s Eddie Prevost -- Intervivos sees them developing an approach to improvising which seeks to escape the increasingly narrow stylistic confines of these musical provinces. The album is characterized by a brutal foregrounding of process and material lacking from the experimental music of so many of their contemporaries. Rather than seeking refinement or resolution through existing structures, Guionnet and Yoshikawa prioritize a sort of collaborative musical searching in which the aural entanglement, layering and folding of their scorched intonations creates an emergent musical form -- a non-linear music which sounds both ancient and futuristic. 

Corruscating alto saxophone riffs appear suddenly, before disintegrating amidst slabs of feedback and flurries of metallic percussion. Other times, Yoshikawa and Guionnet conjure shifting clouds of sustained tones from the timbral meshing of their instruments - yielding a sound somewhere between the dense textures of Iancu Dumitrescu and the floating harmonics of Gagaku. Far from improvisation as we know it, this album instead gestures towards a speculative “electronic” music created through the ritualistic misuse of acoustic instruments. 

Intervivos is a fierce, undecorated triumph in the ruinous expression of instruments -- exalted in both its turbulence, and in its extreme testing of improvisational reality. Put summarily by Seymour Wright in the album’s liner notes: “You don’t need me to tell you how it sounds, or how to listen [...] this record begins when you play it.” 

The release is mastered by Rashad Becker at D&M, featuring artwork by Jean-Luc Guionnet and liner notes by saxophonist Seymour Wright. The LP is produced in an edition of 500 on 180 gram vinyl in a letterpress on Foldkraft paper sleeve.

Intervivos

DEMO 2012

G R I S U - Por Ti

Alvin Lucier: Music for Piano with Two Slow Sweep Pure Wave Oscillators
Sebastian Berweck, piano

Alvin Lucier: Music for Piano with Two Slow Sweep Pure Wave Oscillators

Rock Band from Viña del Mar-Valparaíso, Chile.

G R I S U - Por Ti

GRISOU

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