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from Kuthi Jin • Satyrikon

clam-pressure.bandcamp.com/album/satyrikon

@kuthijin

Satyrikon

KUTHI JIN - TRIKZ

TRAUMA

(
SynthDef(\gong, {
	arg freq = 200, dur = 4, amp = 0.5, decay = 1, out=0, harmofact=0.05, panRate=0.8,  harmolowfact=0.15, verbTime=1.5, atk=0.001, wetDelay=(-1), delayTime=0.1;
    var atkHarmo, noise, envelopedSound, sig, harmo, harmo2, delay;

	atkHarmo = EnvGen.kr(Env.new([0,1,1,0],[0.5,1,dur-1.5],(-8)));
	
	harmo = Formant.ar(freq/4, freq, freq/3)*harmolowfact * atkHarmo;
	harmo2 = Formant.ar(freq/2, freq*3, freq*2)*harmofact* atkHarmo;
	harmo = harmo+harmo2;
	harmo = FreeVerb.ar(harmo, 0.9, 1.5, 0.7) * EnvGen.kr(Env.new([0,1,1,0],[0.2,1,dur*1.5],(-8)),doneAction: 2);
	harmo = Pan2.ar(harmo, SinOsc.ar(panRate,mul:0.3));

	sig = (SinOsc.ar(freq, mul: amp) * Line.kr(1, 0, decay));
	envelopedSound = sig * Decay.ar(SinOsc.ar(10, mul:0.01),dur-0.2, 0.01);
	sig = sig * EnvGen.kr(Env.new([0,1,0],[atk, dur*verbTime], [8,-8]));
	sig = sig + envelopedSound;
	sig = LPF.ar(sig, 7000);
	sig = Pan2.ar(sig);
	sig = sig + harmo;
	sig = HPF.ar(sig, 120);
	
	delay = CombL.ar(sig, SinOsc.kr(0.2,mul:0.8), delayTime,2);
	
	sig = XFade2.ar(sig, delay, wetDelay); 

    Out.ar(out, sig);
}).add;
)

(
~freq = Array.fill(10, {rrand(1500, 2500)}); //freq for high and bass
//high
(
~gonghigh = Routine{
	var period3 = Array.fill(20, {rrand(7.0,15.0)}).choose.asStream;
		0.5.wait;	
	inf.do{
	var freqhigh =  ~freq.choose;
		var fact = Array.fill(10, {rrand(0.0,0.02)}).choose;
		var delT = Array.fill(10, {rrand(0.01,0.2)}).choose;
		var wet = Array.fill(100, {rrand(-0.5,0.5)}).choose;
		Synth(\gong, [
			freq: freqhigh,
			dur: 2,
			amp: 0.2,
			decay: 5,
			harmofact: 0,
			harmolowfact:fact,
			verbTime:3.5,
			wetDelay: wet,
			delayTime: delT,
		]);
				period3.wait;
			}
		};
		~gonghigh.play;
);
//medium
(
~gongmedium = Routine{
	var period4 = Array.fill(20, {rrand(15.0,25.0)}).choose.asStream;
		0.5.wait;	
	inf.do{
		Synth(\gong, [
			freq: 500,
			dur: period4/4,
			amp: 0.2,
			decay: period4/4,
			harmofact: 0,
			harmolowfact:0.005,
			verbTime:period4/8,
		]);
				period4.wait;
			}
		};
		~gongmedium.play;
);
//bass
(
~gong = Routine{
	var period = Array.fill(20, {rrand(10.0,15.0)}).choose.asStream;
		0.5.wait;           
			inf.do{
		var harmostyle = Array.fill(20, {rrand(0.05, 0.2)}).choose;
		var pan = Array.fill(20, {rrand(0.5,5.0)}).choose;
		var freqGong =  ((~freq.choose)/15)-20;
				Synth(\gong, [
			freq: freqGong,
			dur: period + (period/2),
			atk:0.01,
			amp: 0.4,
			decay: period,
			harmofact: harmostyle,
			panRate: pan,
			verbTime:period/2,
		]);
				period.wait;
			}
		};
		~gong.play;
);
)

Ça aurait dû être un gong

Dis - till - action (2014)

direct v1.0 presque en forêt

[HEEL002] KROLIK – EPIPHANY

"Epiphany" is a moment of realization, so big it signifies the dusk of Krolik's path, finally complete, long awaited. So these last remnants stand testimony of the ever flowing state of things and its never ending evolution. It's a set of heavy bass, chopped samples and cheesy melodies infused with a touch of irony that set the surroundings for a sweet ending, seeding a new beginning, as the ears become the beak.

Edition of 200 copies on transparent red vinyl, with a silk-screen print on the PVC sleeve.
credits
released October 3, 2019

Recorded, Mixed, Mastered (only digital version) and Produced by Krolik
soundcloud.com/voronhil
Graphic design by Gianluca Lonigro
www.gianlucalonigro.net
Produced by HEEL.ZONE

© 2019 HEEL.ZONE RECORDS
www.heel.zone | heel.records@gmail.com

Ça aurait dû être un gong

gros plan sur la pierre

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