𝗱𝗼𝗻'𝘁 𝗵𝗲𝘀𝗶𝘁𝗮𝘁𝗲 𝘁𝗼 𝗰𝗮𝗹𝗹 𝗺𝗲 𝗳𝗼𝗿 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴!

FREE DL: https://hypeddit.com/vxguvd

CALL ME TO FIND OUT HOW DEEP THE PAIN GOES

from Kuthi Jin • Satyrikon

clam-pressure.bandcamp.com/album/satyrikon

@kuthijin

Satyrikon

KUTHI JIN - TRIKZ

TRAUMA

Dis - till - action (2014)

direct v1.0 presque en forêt

(
SynthDef(\fordiph, {
    arg fnd = 80, amp=(-5), out=0, pan=0, f1=300, f2=750, f3=2300,f4=4600, mult=0.5, fact= 5/4, dura=3, lagTime=5, atk=0.1;
    var sig, env, dipho, f1d, f2d, f3d, f4d, vibra,formvar;

	env = EnvGen.kr(Env.perc(atk, dura, 1,[0,-4]), doneAction:2);
	vibra = SinOsc.ar(0.03).linlin(-1,1,-1.5,1.5);

    sig = Formant.ar(
		fnd.lag3(3)+vibra,[
			f1.lag3(3),
			f2.lag3(3),
			f3.lag3(3),
			f4.lag3(3)],
		fnd.lag3(3)*5, 1);

	dipho = Formant.ar(fnd.lag3(lagTime), [
        f1.lag(lagTime)*fact.lag(lagTime),
        f2.lag(lagTime)*fact.lag(lagTime),
        f3.lag(lagTime)*fact.lag(lagTime),
        f4.lag(lagTime)*fact.lag(lagTime),
    ],
    fnd.lag(lagTime)*6,
	SinOsc.ar(0.1).linlin(-1,1,0.1,0.3)+mult.lag(2));

	formvar = SinOsc.ar(25).linlin(-1,1,0.02,0.1);

	f1d = RHPF.ar(dipho, (f1*fact.lag(2)-1), 0.5, 0.5);
    f2d = Resonz.ar(dipho, f2*fact.lag(2), formvar, 0.4);
	f3d = Resonz.ar(dipho, f3*fact.lag(2), formvar, 0.3);
    f4d = Resonz.ar(dipho, f4*fact.lag(2), formvar, 0.3);
    dipho = (f1d +f2d +f3d + f4d).sum;
	dipho = FreeVerb.ar(dipho, 0.33, 0.3, 0.5);

    sig = (sig + dipho).sum;
	sig = sig + RLPF.ar(LFSaw.ar(fnd.lag(3),0.2,0.3), fnd.lag(3), 0.05, XLine.kr(1, 0.001, dura+1));
    sig = sig * env * amp.dbamp;
    sig = Pan2.ar(sig, pan);
    Out.ar(out, sig);
}).add;
~t = 3/2; //tierce
~q = 5/4; //quinte
~o = 2; //octave
~ot = 2 + (3/2);
~oq = 2 + (5/4);
)


(
f = Dictionary.new;
//i
f.add(\iF1 -> 275);
f.add(\iF2 -> 2585);
f.add(\iF3 -> 3815);
f.add(\iF4 -> 4521);
//e
f.add(\eF1 -> 405);
f.add(\eF2 -> 2553);
f.add(\eF3 -> 3346);
f.add(\eF4 -> 4325);
//a
f.add(\aF1 -> 830);
f.add(\aF2 -> 1438);
f.add(\aF3 -> 2900);
f.add(\aF4 -> 4065);
//u
f.add(\uF1 -> 291);
f.add(\uF2 -> 779);
f.add(\uF3 -> 2648);
f.add(\uF4 -> 3980);
)

(
~test = Synth(\fordiph, [
	\fact, ~o,
	\mult, 0.5,
	\dura, 6,
	\amp, -20,
	\f1, f[\iF1],
	\f2, f[\iF2],
	\f3, f[\iF3],
	\f4, f[\iF4],
	\fnd, 130]);
)

(
~x.stop;
~x = Pbind(
	\instrument, \fordiph,
	\dur, Pseq([1/64],inf),
	\amp, -30,
	\dura, 0.02,
	\f1, Pseq([f[\aF1], f[\eF1], f[\iF1], f[\uF1]],inf),
	\f2, Pseq([f[\aF2], f[\eF2], f[\iF2], f[\uF2]],inf),
	\f3, Pseq([f[\aF3], f[\eF3], f[\iF3], f[\uF3]],inf),
	\f4, Pseq([f[\aF4], f[\eF4], f[\iF4], f[\uF4]],inf),
	\mult,0.1,
	\atk, 0.01,
	\fnd, Pseq([85,130,90,90,110,80,100,130], inf),
	\fact, Prand([~ot,~oq,~o], inf),
).play
)

~x.stop;

(
~bass = Synth(\fordiph, [
	\fact,~t,
	\dura, 90,
	\amp,-25,
	\mult, 0.6,
	\atk, 3,
	\fnd, 249]);
)

~bass.set(\fnd, 0.5);
~bass.set(\fact, ~ot);


(
~r2 = Routine({
    inf.do{
		~play = Synth(\fordiph, [\fact,~q, \dura, ((5..100)/10).choose, \amp,-25, \mult, 0.3, \fnd, (1..250).choose]);
		((1..15)/10).choose.wait;
};});
~r2.play;

~r = Routine({
    inf.do{
		~play.set(\mult, ((1..10)/10).choose);
~play.set(\fact,  [~t,~q,~o,~ot,~oq].choose);
    ~play.set(\fnd, (1..100).choose);
		~play.set(\f1, (150..540).choose);
		~play.set(\f2, (550..2500).choose);
		~play.set(\f3,(2600..4500).choose);
		((1..10)/10).choose.wait;
    };
});
~r.play;
)

(
~r2.stop;
~r.stop;
)

ca devait être des formants diphoniques

[HEEL002] KROLIK – EPIPHANY

"Epiphany" is a moment of realization, so big it signifies the dusk of Krolik's path, finally complete, long awaited. So these last remnants stand testimony of the ever flowing state of things and its never ending evolution. It's a set of heavy bass, chopped samples and cheesy melodies infused with a touch of irony that set the surroundings for a sweet ending, seeding a new beginning, as the ears become the beak.

Edition of 200 copies on transparent red vinyl, with a silk-screen print on the PVC sleeve.
credits
released October 3, 2019

Recorded, Mixed, Mastered (only digital version) and Produced by Krolik
soundcloud.com/voronhil
Graphic design by Gianluca Lonigro
www.gianlucalonigro.net
Produced by HEEL.ZONE

© 2019 HEEL.ZONE RECORDS
www.heel.zone | heel.records@gmail.com

ca devait être des formants diphoniques

gros plan sur la pierre

Related tracks