The Cacklettes: Wild Hunt

Electronic midtempo composition with synths, strings and percussion

Far away

Oneself on fire ver.2 SP(it! Demo take

(apologies for not being on Soundcloud much these days... I plan to get back to replies & checking out as much new music out there as I can soon!)


This is a stripped down version of a song written by J.J. that the Eclectic Collective gang made a few months ago. A few differences include no drum or bass, no sax solo, no slide guitar intro, an alternate guitar take, and alternate vocal performance by J.J. A sign of a great song is how it still sounds great even with just a simple instrument arrangement, and JJ's original song is a good example! 
Thank you for listening   :)

here's a link to the original version (which includes the rest of the EC gang):
https://soundcloud.com/user-432503709/that-dusty-road-the-eclectic-collective

--- --- --- --- --- ---
Cast of Characters:

J.J. Terrell-- @j-j-terrell—JJ-- Original piano composition, vocals, lyrics
TexMex Shaman– @texmex-shaman –Stephen– electric and acoustic guitar, production
Mistermark – @user-432503709 – Mark – harmony vocals, organ, shaker, mix, production

That Dusty Road - 'unplugged' (Eclectic Collective)

https://www.beatport.com/artist/xfa/589219

MMXXIXICHMSTR

Part of the Naviar Records Haiku Challenge: https://www.naviarrecords.com/naviarhaiku576-amongst-the-rushes/

YT Short: https://youtube.com/shorts/ZWNxLhw8HK0?si=WGY6WAoj_Sq-YP5k

heron in winter-naviarhaiku576

Dremblindous

Track notes here: https://llllllll.co/t/disquiet-junto-project-0681-drama-course/70495/11

[Disquiet_Junto_0681] Neon Illuminated Bonehead Runner

Working with Martin Howse's TOAD circuit for this as the description of "resonant, clanging and metallic sounds" made me think of bells. By virtue of patching it with other ERD modules to allow chaos a more firm grip on the proceedings, I imagined the resultant sputtering to be in some sort of alignment for the deconstruction of a peel o' bell.

"TOAD can also model a mass-spring-damper system, or series of damped oscillations, which also can be used as a state variable filter.

Here the equation is: x’’=1/m(-(Dx’ + sx) with m as mass, D as damping coefficient and s as springiness. This is a simple equation to begin with, and can produce resonant, clanging and metallic sounds.

x represents the vertical displacement of the spring, x’ is the first derivative of x (which would be speed) and x’’ is the second derivative (which would be acceleration). We patch the equation by feeding the lower derivatives (x’ and x) produced by the first two integrators into the collector. Paying attention to norms, this can be seen in the next diagram. We can use the first multiplier pair as VCA for our input"

Disquiet Junto Project 0682: Unring a Bell
The Assignment: What if you could?

There is just one step to this project. The idea that one cannot “unring a bell” is a fairly common saying, at least in English. But what if you could? What might it sound like? And what use might the unrung bell serve in the making of music. Please record a track in which you try to unring a bell.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/


Unring a Bell disquiet0682

Ohh la la (new edit & remastered4)

orchids by night –
within their fragrance looms
their blossoms’ white!

night orchids | NaviarHaiku597

GROUNDFORMS

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