I’ve been revisiting an old recording technique I named - “Dragged Mics” - it is what it’s called! I drag two dynamic mics behind me on various surfaces. This one is from my lawn this morning, where the grass was frosty. No edits to the recording. Works great with headphones so you get the full effect of the crazy stereo perspective.

Dragged Mics Frozen Grass

[disquiet0482] Through The Gate

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Show sample for 5/4/21: TOMORROW WAR

The Double Toasted podcast review a new movie today called JOHNNY ENGLISH STRIKES AGAIN.

JOHNNY ENGLISH STRIKES AGAIN - Double Toasted Audio Review

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi

Vanessa Pettendorfer & Bruno Gussoni - dunes de sable

All across the sky
A star has burned itself out
Above the cold sea

haiku by Inan
picture by Jarrod Pimental https://unsplash.com/@jarrodpimentals

For more information visit http://www.naviarrecords.com/about/naviar-haiku

tubular föhn

halF burnouT [naviarhaiku340]

กระทิง แม่ทัพแห่ง KBTG ปักธง 5 ปี นำกสิกรขึ้นสู่การเป็นธนาคารดิจิทัลชั้นนำแห่งภูมิภาค เปิดเผย 4 กลยุทธ์การทรานส์ฟอร์มองค์กรที่มีความ Agile สูงอยู่แล้ว ให้รวดเร็วยิ่งขึ้นไปอีก

เคน นครินทร์ คุยกับ กระทิง-เรืองโรจน์ พูนผล ประธาน Kasikorn Business-Technology Group (KBTG) ในรายการ The Secret Sauce

ติดตามซีรีส์ The Secret Sauce: Beyond the Future by KBTG ได้ตลอดปี 2020 ทุกช่องทางพอดแคสต์

The Secret Sauce EP.292 “เราต้องเป็นช้างที่เต้นได้” กระทิง KBTG ปักธง ธนาคารดิจิทัลแห่งอาเซียน

1st Section: Bb Major
synthesizers performed by DD

2nd Section: A major/minor. 
Performed by
Flute (Bobby Rangell, Denver USA)
Percussion (Nico Arnicho, Montevideo Uruguay)
Fretless Bass, bowed basses drone (Daniel Diaz, Buenos Aires, Argentina)

Recorded circa 2007 in Paris, reworked and remixed Friday November 13th 2020.

Photo by Louis Maniquet 

For this challenge:
Step 1: Think about how a gradient functions, as one thing transitions into another.

Step 2: Make a short piece of music that aims to explore the idea of a gradient in sound.

As mentioned on a previous junto, lately, when I have time, I’m recycling old masters I got back this summer from a publisher deal, I have dozens of 10 or 15 years old tracks to re-listen, re-work and release or use at will.
For this junto I decided to do a gradient between two old tracks: one completely electronic (synths and treatments) and one acoustic (live in the studio performance with actual musicians and instruments)
It starts with the electro-drone song , and instead of just crossfading volumes between tracks I decided to make my own interpretation of gradient: the second song’s tracks start unmuting one by one, starting with the flute and some percussion, then bass, etc, while the first song’s tracks start fading or muting one by one.
To make things interested, the first song is in the key of Bb major, while the second plays around A major and A minor, so the long middle section of this track, where the mutation happens, is in two superimposed keys, providing dissonance and instability instead of the original track’s clear mood.

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…aking-the-gradient/

Two Memories Gradient (disquiet0463)

Peter Morel raconte dans l'épisode 47 de Passion Médiévistes ses recherches et l’histoire des capitaines mercenaires, appelés les Condottières, dans les XIVe et XVe siècles dans les espaces centraux et septentrionaux de l’Italie.

▪ Infos sur le podcast

Créé et produit par Fanny Cohen Moreau depuis 2017.

➡ Soutenir le podcast > passionmedievistes.fr/soutenir/
➡ Instagram > instagram.com/passionmedievistes/
➡ Facebook > facebook.com/PassionMedievistes
➡ Twitter > twitter.com/PMedievistes
➡ Plus d'info sur cet épisode > https://passionmedievistes.fr/ep-47-peter-condottieres/
📩 Si vous êtes intéressé(e) pour être invité(e) dans l’émission envoyez un mail à passionmedievistes@gmail.com avec un résumé de votre sujet.

Les extraits diffusés dans cet épisode :
- War – Paolo Buonvino (Medici Soundtrack)
- Les Médicis (2016), saison 2 épisode 4
- Italian Ars Nova – Music of the Trecento by Gherardello da Firenze
- Kaamelott, Livre V, épisode 10 « Les Recruteurs »

Illustration : Din https://dineuh.wixsite.com/hello

Préparation, enregistrement, et mixage : Fanny Cohen Moreau
Montage : Jonathan du podcast Ozef
Montage et mixage du générique : Moustaclem
Musique du générique: Johannes Schmoelling - Time and Tide https://youtube.com/watch?v=RvVpjQJQweo

Extraits sonores du générique:
- Interview de Jacques Le Goff en 1991 (INA) https://youtube.com/watch?v=Y9R6ZvoeA4Q
- On connaît la chanson (1997) de Alain Resnais

Si vous lisez cette description jusqu’au bout... sachez qu'en janvier vous aurez 10 nouveaux épisodes à écouter !

Épisode 47 – Peter et les Condottières

Bass synth, stompboxes, hard panned left.

The Sand Gets Everywhere (disquiet0472)

I went for a relatively simple approach attempting to leave space for other contributors. Only two parts: a bass and a melody (in need of rhythm and harmony) at 102 BPM in E minor. This version is stereo, but you can download a mono version hard panned left here:
https://soundcloud.com/chalkwalk-junto/jam-time-1-left-only-disquiet0472/s-sa4u6mxsbth
---
More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

Jam Time 1/3 (disquiet0472)

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Show sample for 5/4/21: TOMORROW WAR

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