Vocal Ambient

The Quiet Club

ethereal voices

Sweet gems to help you slow down and savor your day.

Soft   Slow

Wilco Recommends

Ambiente

Sadcore/Slowcore

Pitchfork's Best New Music

The Killing Fields

The Killing Fields (feat. John Leventhal)

Waysides

The Wave

A Cat b/w Aran in Repose

A Cat

Movements

Burnt

An Open Suspension ( Long Journey )

Other You / Reflection

Other You

Shade

Ode to the blue

Despierta, Remedio, Cuenta

Orgias de Bordados

The Other Side of Life: Piano Ballads

Sleep Apnea (Piano)

How Long Do You Think It's Gonna Last?

New Auburn (feat. Anaïs Mitchell)

Certainty

Live Is The King

The Old Country Waltz (Live in Chicago, IL - January 2021)

Catch92 - Wake 
FOLDED003 
Folded Music
Release: 28.01.22

Buy/Stream: https://ffm.to/wake_single

Wander EP

Catch92 - Wake

Rembihnútur (Liminal re-work by Paul Corley)

Time Escaping

Diaspora Problems

Gold Chain Punk (whogonbeatmyass?)

June

Warm Chris

Ennui

Drift Below

Simulation Swarm

Billions

I Could Be Your Dog / I Could Be Your Moon

I Could Be Your Dog

Written and Produced by Brian Leeds
Featuring SIR E.U
"Plonk IX" Mixed by Chris Wang
Mastered by Anne Taegert
Design by Jonathan Castro Alejos - www.jonathancastro.pe

"Plonk IV" is taken from Huerco S.' Plonk LP
PREORDER: Vinyl 2x12"/CD/Digital:
huercosplonk.bandcamp.com/album/plonk
Out February 25th, 2022
INC-015

Huerco S.
@huercos
huercosplonk.bandcamp.com/album/plonk

Sir E.U 
@hippodramidan

Incienso
www.inciensorecs.bandcamp.com
www.instagram.com/inciensorecs
www.incienso.nyc

Huerco S. -  Plonk IX (Feat. SIR E.U)[INC-015]

phases of the moon

venus mist

AOI - venus mist [GODMODE]

YEET (feat. Yeat)

Now (Lisa Morgenstern Rework)

hear you

A Gathering Of The Tribe

A Gathering Of The Tribe (feat. Vylana)

Coming Correct Is Cheaper

I Could Live In Hope

Lullaby

Nepenthe

Labyrinthine

Able Bodies

Comfort Chain

stream/download

comfort chain

Jingle Bells

Jingle Bells, Pt. 1

Noel Gallagher's High Flying Birds - Everybody's On The Run

Late Night Tales: Agnes Obel

Stretch Your Eyes (Ambient Acapella)

All songs written, performed, recorded, mixed, and mastered by Mike Schmidt. Not like anyone would try to take credit for this anyway.

Blue Dome Glowing

Warped Window

PROTO

Frontier

Ode to Joy

Love Is Everywhere (Beware)

Strong, Calm, Slow

Dreamcycles - Future Lights and Archetypes

sitequeeste.bandcamp.com/album/future…d-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

Future Lights & Archetypes

Dreamcycles - Final Goodbye