<3 https://ilovethistrack.com/m/19 | https://spoti.fi/2HxgMWV

found this song when i walked into a plant store. 👍🏼🌱

oído en https://beta.mixcloud.com/pierre-raingeard/onceaweek-0008-by-miss-prebo/

esto es un sentimiento... aquel que no sé cómo explicar. ¡Son increíbles! ¡Les envío buenas vibras! 💪 🇵🇷 🌴 🐚 🌍

chevere, diferente de la version que escuche en NPR

Out Tuesday, September 23rd
Pre-Order the LP, CD or Digital: http://wonderwheelrecordings.bandcamp.com/album/amansara

Argentian producer Pedro Canale aka Chancha Via Circuito returns from a three-year sojourn with his long awaited third album, Amansara.  Originally coming out of Buenos Aires's famed digital cumbia scene, Chancha has notoriously broken way outside those boundaries to forge unprecedented mergers between Brazilian rhythms, Paraguayan harp, Andean mysticism and the solitude of Argentinian folklore - all processed through his own futuristic style of post-dubstep.  Chancha's sound is without question truly unique and instantly recognizable to the point he has become a key reference point for an entire crop of artists that have begun to carry his genes.
 
Hailed by the Washington Post, The New York Times, Pitchfork, NPR and countless others, Chancha Via Circuito defies even the shrewdest of marketing geniuses.  On one hand, he is something of a cult artist within micro-circles of electronic music, having been invited to perform at Montreal's MUTEK as well as the Roskilde and Vive Latino Festivals. At the same time, Chancha's music has found broad appeal outside of the avant-garde, most notably his magnificent remix of José Larralde's "Quimey Neuquén" which was heavily featured in 2013 as part of the final season of the critically acclaimed television series Breaking Bad. Fans of the show undoubtedly remember Walter White burying his millions in the desert, soundtracked by the wide and gentle grooves of Chancha Via Circuito.
 
Amansara is a natural progressing of Chancha's special strain of electronic South America. Lead single "Coplita" features the haunting vocals of previous collaborator Miram Garcia, while "Sueno En Paraguay" merges Andean folklore sounds with bleeps and blips and pounding drums in a way that sounds completely natural and ordained. "Jardines" features the driving vocals of Lido Pimienta merging with heavy synths, percussion and bells into an unforgettable track, while both "Tarocchi" and "Guajaca" ramp things up into deep, electronic dancefloor inna rainforest territory.
 
Art for Amansara comes from Argentinian psychedelic folklore painter Paula Duro who has crafted the look of all of Chancha’s previous releases.
 
Amansara is out on September 23rd CD, digital and LP in North America and Australasia through Wonderwheel Recordings.


Amansara

Sueno en Paraguay

Sueño En Paraguay

DUBNL - SMOKE THE WEED DUB * [ Michael Palmer - Smoke The Weed ]
DUB BY DUBNL 
MASTERD
2024 THE NETHERLANDS

Not for commercial purposes

DUBNL - SMOKE THE WEED DUB * [ Michael Palmer - Smoke The Weed ]

"House of Love (Ogbe Yekun)," ÌFÉ's second single is a ghostly, beckoning musical offering. Recorded live using improvised electronic instruments, ÌFÉ mixes Cuban Rumba with the digital sounds of Jamaican Dancehall, creating a musical space and expression altogether its own. At times tender, at other moments seductive and flirtatious, the song is an invitation / an offering to those forces that walk among us and a reminder that life is nothing if not a constant act of giving to receive.

OFFICIAL VIDEO: https://youtu.be/fmYYm0s-uws
BANDCAMP: https://grupoife.bandcamp.com
ITUNES: https://itunes.apple.com/us/album/house-love-ogbe-yekun-single/id1072947224
SPOTIFY: https://open.spotify.com/track/6HfR62fhMBIBYPoDvOh6pv
WEBSITE: http://www.ife-music.com

MANAGEMENT
LAURÉNE CHANSON
ife.alovesupreme@gmail.com

US PRESS CONTACT: 
PAUL DRYDEN 
paulfdryden@gmail.com

BOOKING:
ETIENNE ZILLER
e.ziller@3pomprod.com

HOUSE OF LOVE (Ogbe Yekun)

Pre-order (World)
LP/CD/Digital: http://bit.ly/2qoP6Xo
http://www.wonderwheelrecordings.com

Pre-order (Italy)
LP/CD: http://latempesta.bigcartel.com
Digital: http://apple.co/2qYKWsj
http://www.latempesta.org/international

Populous is Andrea Mangia, a producer hailing from Lecce, a small city on the heel of Italy's boot. In 2003, he made his first jaunt into the music world with the album Quipo (via Morr Music). In 2005 he released Queue For Love, influenced by his reggae/hip-hop-infused surroundings (Lecce is known as Italy's Jamaica, as reggae and dancehall are extremely popular there) and in 2008 he released Drawn in Basic. Both albums were widely received by international critics, earning him a spot on the global music map. He became known for the way he seamlessly blends digital sounds with the analog warmth of soul/hip-hop/whatever else he's influenced by at the time.

In 2014, he released Night Safari via Bad Panda Records. The album, for Populous, was the embodiment of a dream. "This record is an imaginary nighttime safari to discover uncontaminated landscapes, strange creatures, wild animals, and mysterious lights," he told Thump Magazine. The record received praise from international media outlets, and was revered for its ability to sonically transcend borders.

Azulejos, his forthcoming release, has a South American tinge to it (and is even partly in Spanish). He moved to Lisbon, Portugal to start work on the album bringing with him only a laptop, a small MIDI keyboard, and a microphone. "Lisbon became both my studio and my muse," he says. He wandered the city collecting field recordings— from trams to people singing on street corners. He sifted through flea markets for records to use for sampling (exclusively Portuguese and South American). Populous describes Lisbon as a city 'halfway between South American soul and European modernity, African in some aspects, and dramatically melancholic." He channeled these poignant fusions into Azulejos, named for the typical tiled facades in Portugal— simultaneously bright and decaying. The album features collaborations with Nina Miranda of Smoke City and Ela Minus, among others. It's a love letter to Lisbon, and a dreamy quilt of sounds he both grew up with and heard for the first time during his influential stay in Portugal.

Pre-Order

Populous - Azul Oro (feat. Ela Minus)

This is an unofficial edit of 'Let Me Go' by Branko with the great vocals of Nonku Phiri.
You can download it for free by liking and sharing this song via Artist Union. 

All respect goes out to all the artists who worked on this beautiful track.

Kraut bootleg 

Free Download

Branko - Let me go (Kraut Edit) – Free Download

Afro-Latin four-piece @magnuspenya journey into percussive depths for @onthecornerrecords.

Read more & buy: http://www.stampthewax.com/2018/01/05/premiere-penya-iyesa/
Listen on Youtube: http://bit.ly/penya-iyesa

Super Liminal

Listen on Youtube

Penya - Iyesa (STW Premiere)

Paracaídas

A lifelong fan of Golden Age African popular music, Yemanjo provides four dancefloor-ready edits of classic highlife, Congolese rumba and Afrofunk tunes for your listening pleasure courtesy of Colombia's KONN Recordings

soundcloud.com/yemanjo
https://www.facebook.com/yemanjo
https://soundcloud.com/konnrecordings

<a href='https://theartistunion.com/tracks/ca9b11'>Download for free on The Artist Union</a>

George Akaeze And His Augmented Hits - Business Before Pleasure (Yemanjo Edit)

History Of Colour - Rumba Juankita (History Of Colour Interpretation)

The first single from "A Guide to the BIrdsong of Mexico, Central America & the Caribbean" comes from Belize's Garifuna Collective who interpreted the song of the Black Catbird.

This is the first single from an album of music inspired by the song of endangered birds with 100% of the profits going towards organisations working to protect them.

"A Guide to the Birdsong of Mexico, Central America & the Caribbean” is the second Volume in the series following on from "A Guide to the Birdsong of South America", originally released on Robin's old label Rhythm and Roots. Volume I raised nearly 15,000 USD for two birding organisations and featured artists like Nicola Cruz, Dengue Dengue Dengue and Chancha Via Circuito.

For this second edition we have shifted focus north of the equator and to the vulnerability of bird species like the Momoto Carenado (Nicaragua), Ferminia (Cuba) and the Jamaican Blackbird (Jamaica), birds who have dwindled in numbers as a result of the environmental repercussions of climate change, deforestation and trapping for the pet trade.

For the album we chose 10 endangered or threatened bird species and challenged 10 of our favourite producers or musicians from the region. Working with the Xeno Canto birdsong community and the Macaulay Library, we sourced a recording of each bird’s song. Each artist was then asked to create an original piece of music inspired by the bird and its song.

The project would not have been possible without the support of an incredible Kickstarter community, helping us raise £12,599 in August 2019.

Once the costs of production have been covered, all of the proceeds from this album will be donated to Birds Caribbean, La Asociación Ornitológica de Costa Rica and Fundacion TXORI in Mexico. All profits from the sales of the record, music streaming, poster and t-shirt will be shared between these organisations who focus on engaging local communities to help improve and grow the bird tourism sector, create awareness of vulnerable birds with young people and crucially, provide rescue, rehabilitation and breeding programmes.

A Guide to the Birdsong of Mexico, Central America & the Caribbean

A Guide to the BIrdsong of Mexico, Central America & the Caribbeam

The Garifuna Collective - Black Catbird

Untitled # 1

Founded by New Orleans based producer and percussionist Otura Mun, ÌFÉ is a futuristic live electronic music project blending elements of Afro-Cuban folklore and Yoruban religious music with the bass driven sounds of modern day Jamaican Dancehall, Trap and Afro-Beat. The single most important electronic act in Afro-Caribbean music, ÌFÉ’s 2017 debut album “IIII+IIII” revolutionized the way electronic music was conceived and performed, seamlessly combining the intricacies of Afro-Caribbean percussion and song with the power of modern electronica played in real time, no DJ’s, no programming, totally freed from the grid. A groundbreaking reimagination of ancient diaspora music and movement, ÌFÉ’s music explores the higher frequencies while paying keen attention to the lower ones in a way that feels equal parts riot and ritual. Their highly anticipated sophomore album is slated for release in Spring 2021. 

Management:
ife.alovesupreme@gmail.com

Booking US/LATAM: 
dlandau@tbaagency.com
adavidman@tbaagency.com
 
US Press Contact: 
Paul Dryden 
paulfdryden@gmail.com 

Website: http://www.ife-music.com

HOUSE OF LOVE (Ogbe Yekun)

ÌFÉ

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