Booking@DashiusClay.com

      Dashius Clay isn’t just an artist—he’s a movement. Born in Cali, Colombia, raised in the heart of Miami, and armed with a fearless vision, he’s built a career that ignores industry ceilings and rewrites the rules of what an independent star can be. Rapper, producer, songwriter, DJ, and founder of PLTNM COLLECTIVE, The Red Baron is the rare breed who can rock a festival stage, shut down a club, and still make global brands pay attention.

His sound? A high-octane fusion of Hip-Hop, EDM, and raw Miami swagger. His reach? Worldwide. His track record? Stacked. Dashius has worked with Kendrick Lamar, XXXTentacion, Chief Keef, Gunplay, SwaggMan, Kevin Gates, Kodak Black, Lil Boosie, GTA VI, BWA Ron, Mike Smiff, OG Boobie Black, Robb Bank$, Freeway, Desloc Piccalo, Bruno Malii, Hell Rell, and Monk—as well as corporate giants like McDonald’s and Coca-Cola. With over 50 million streams, viral fan engagement, and credits stretching from underground classics to blockbuster projects, he’s earned his spot as one of the most recognized independent names in the game.

But Dashius doesn’t just release music—he builds worlds. As the architect behind PLTNM COLLECTIVE, he curates a fusion of music, fashion, and culture that’s as much a lifestyle as it is a brand. As a DJ, he flips his own catalogue alongside club-shaking remixes, blurring the lines between performer and party starter. His fans, the #Dashaholiks, are more than an audience—they’re an army. From flooding timelines with his drops to rocking his signature Instagram Beard Filter, the connection is real, and it’s mutual.

From landing back-to-back European chart hits with “Touch Me” and “Barcelona” to packing venues across continents, Dashius has proven—time and again—that independent doesn’t mean small. It means uncontrollable, undeniable, and unforgettable.

Dashius Clay talks the talk, walks the walk, and makes the soundtrack for everyone bold enough to do the same.

Bands I've played for...

Wank? (1993-1997)
Stronger Than Me (1996-1998)
The Prestones (1996-1997)
The Beatles - not a tribute band (1997)
Kip (1998-2001)
Broken Sound (2001-2004)
Oami (2003-2005)
Julie Moffitt (2006)
Into Arcadia (2006)
Hello Hello (2005-2007)
Jon Troast (2006-2008)
Stükenberg (2007-2009)
Marathon Nap (2009-2011)
Ideal Homes (2011 - 2011)
Revenge Society (2014-2015)
Bright Black (current)
Myles Coyne and The Rusty Nickels (current)
I'm Not A Pilot (current)

Tracks that are not polished get skipped over. You can afford to have your tracks sound polished. Do you hear muddy tracks getting attention, or tracks with vocals that do not sit right making the beatport top 100? Nope.
You have a passion for EDM production, not mix/mastering. You cannot be the best at something you do not have a hungry drive for. Stop stretching yourself in all directions by doing your music a disservice in learning how to do a marginal mix/master while also trying to stay up to date on what you really love: production. Successful producers know what they are good at and know where they need help. 

Unlike free tutorials on sound design that ensures results if you follow them step by step, GREAT mixing/mastering builds trust in DJ's who have more choices in tracks than they can listen to. Win their trust, and DJ's will buy and drop your tracks again and again; because they know that you release QUALITY. That quality isn't about plug-ins or an SSL, it's about a properly treated room and intuition beyond common knowledge, not some step by step process presented on youtube by someone who is an amateur. 

People have stopped denying the value in a mix/mastering engineer, and those people have tracks that get recognition through blogs, sales, chart placement and headliner support. There is nothing more frustrating than hearing your track sound decent at home and then dropping it in the club only for it to fall flat and muddy. Your mind rushes to frantically take mental notes on how to tweak it when you get home in hopes that you will be able to fix it...but the damage is done and the time is wasted. Not only that, but do you really know how to fix the problems you hear? 

With an education from Berklee and Point Blank as well as internships in highly respected studios with highly respected engineers that wrote real reference letters that you can contact to prove that I am the real deal, you only stand a chance to add value to your music and make a new contact in EDM: me. 

Contact me today, let's talk about a budget that works for you. 

I play the bass and all the tracks are done with just me and my bass

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