  Hailing from a southeastern suburb of Paris, Jean philippe Bien Aka Killbeatz has been on a long music journey that has led to become France’s next big DJ/Producer in this forever evolving age of EDM. Currently residing in Creteil, France, Jean Philippe first began his  journey  at age 18. Driven by his passion for soul, funk, and hip-hop, he made his first footprint in the music industry as Hip-Hop DJ/Producers at the age of 20 years old forming the band called “Kontrast.” With their success coming as early as 1999, they were signed by Sony Music and even produced tracks with the famous French producer, Mariano Beuve. After having a good run in the Hip-Hop industry, Jean Philippe saw it was time to follow another passion of theirs, house music. Starting with producing club tracks in 2005, he started out with the name “Early Reflection” where they received early support from Bob Sinclar. One short year later, he changed his name to KillBeatz in honor of Quentin Tarantino’s masterpiece, Kill Bill, and started his own label, Boom-Rang Records. With the motto, “Ain’t nutting like house music,” Jean Philippe  main focus now is to promote new artists through his label and share his passion for house music with the whole world. Since his name change, KillBeatz have already garnered huge support for their latest track, “Heroes,” by the likes of Hardwell, Thomas Gold, and Sebastien Drums. Following his early success, KillBeatz is hard at work planning his releases for the rest of the year. Expect for more progressive/trancy tracks influenced by the greats such as Daft Punk, Eric Pyrdz, Axwell, Sebastian Ingrosso, and Steve Angello, in his forthcoming projects.  

This is Dada Land. Get ready to arrive beautiful and leave ugly. There are no rules, but the rules of Dada. Don't look back in the past. Always go forward. And whatever you do: don't trust us.

2 brothers who make music

AUS
LuckyEnt

MGMT: tyjamestaylor@gmail.com
demos: newworldsoundrebirth@gmail.com

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

🚨REBORN✨ - New album out: http://linktr.ee/kavinsky

Official Store: http://store.kavinsky.com
> Varsity & satin jackets, t-shirts...

Former Discothrill Records music producer from France.

RHYTHM COMPOSER

Motorbass then Superdiscount then tempovision then superdiscount 2 then Commercial eps then the cube then Superdiscount 3. 

Etienne de Crécy is a key figure of the international electronic scene.
Whether for his live shows, his recordings production or marketing around his projects, Etienne De Crecy has always been considered as a pioneer, thanks to his conceptualized, unique and innovative work.

For those too young to remember the 90s, Etienne de Crécy was the guiding hand behind the albums Super Discount (1997) and Super Discount 2 (2004), featuring contributions from Alex Gopher, Air, Cassius and DJ Mehdi. In that collective venture and in his solo work, Etienne de Crécy has always rejected the facile, remaining fiercely loyal to old-school house and choosing to extensively explore electronic music’s underground labyrinths rather than tread the beaten paths of commercial success.

During his 20-year rise to the summit, the French producer has cut some of the world’s most influential electronic albums: Pansoul (with Philipe Zdar under the name Motorbass), Super Discount, Tempovision and Super Discount 2.

After five years spent blitzing a string of venues with his legendary Beats N'Cubes show - a lavish installation and a live experience as visually brilliant as it was sonic, leaving clubbers and festival-goers dazed - Etienne de Crécy has revived his Super Discount project, ten years after the last, second opus.

contact (at) etiennedecrecy.fr

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