As músicas remetem a temática popular e rural utilizando afinações e técnicas de dedilhados ao violão de aço criadas e difundidas na música do interior no início do século passado tanto no Brasil como na América do Norte.
O conjunto acústico recebe o nome para homenagear os irmãos Armando, Stênio e Afonso Osório fundadores e integrantes do Bando da Lua.

Balinger, c’est une hydre. Un monstre tricéphale qui ne choisit pas entre la caresse et la morsure. « On cherche la projection de l’énergie du live, on est dans l’immédiateté » : pour preuve, en trois ans d’existence, avec déjà près de soixante-dix concerts à son actif dont Solidays, Rock en Seine, le Rock Dans Tous Ses Etats et le Printemps de Bourges, la formation ne s’est jamais laissée le temps de souffler. Sa musique invoque le Radiohead de the Bends et d’Ok Computer, Jeff Buckley ou encore les brillants Band of Horses : parce que le groupe excelle dans la mélodie et l’utilisation parcimonieuse des harmonies, on est balloté sur une mer d’huile qui soudain se déchaine, s’apaise de nouveau, se refusant à toute immobilité. L’album LET GO est sorti en Février, et il n’est pas trop tôt pour diffuser dès à présent l’avis de tempête.
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Since 2012, Balinger have been one of the foremost up and coming bands in the alternative-rock music scene in Paris.
Known for their powerful live performances; likened to bands such as At The Drive In and contrasted with a tenderness and melancholic ambiance similar to Jeff Buckley, Balinger reminisces with originality, the ghosts of grunge music and the nostalgia of folk melodies.

After releasing their debut EP in 2013, Balinger have performed in many of the largest music festivals in France, including Solidays, Printemps de Bourges, Rock en Seine and Le Rock dans tous ses Etats. 

2014 saw them create their own record label ‘Moonkeeper Records’, with which they produced their first album ‘Let Go’ in collaboration with producer Christophe Pulon and Deaf Rock Studio (Colt Silvers, 1984, Mutiny and the Bounty), set for release in October this year.

Eivind Opsvik is a Norwegian musician who’s been living in New York for close to 200 years. His main instrument is the upright bass, but he also spends time playing lap steel guitar, old keyboards and drums, composing music, recording, mixing and producing, and running a record label.

Gui Duvignau is following