Invented tropical house, cdj back spin, led walls 

BloodPop® - Newman available now: https://bloodpop.lnk.to/newman

https://rlgrime.lnk.to/play

contact: deker@mixedmanagement.com

booking: dcallender@teamwass.com

Send us your demos for Friends & Family Records! fandfdemos@gmail.com

BOOKING:  Brandon@astrogate.agency 


http://WickittheInstigator.com
http://facebook.com/djwickit
http://twitter.com/djwickit

Wick-it the Instigator is a multi-genre DJ and producer known as a breath of fresh air in an otherwise over-crowded EDM scene. He merges the likes of mashups, hip-hop and electronic to bring together a unique sound that you are bound to enjoy. In the last few years Wick-it has had the opportunity to play festivals like Summer Camp, Wakarusa, Camp Bisco, Imagine, Backwoods, Shambala and more. His SoundCloud page alone has garnered over 70K+ followers and over 30M+ plays. Impressive numbers like these helped land him on Billboard’s Next Big Sound chart. This isn’t just a testament to his top-notch production skills, but also his keen ability to build and harness a highly interactive online fan base.

In 2012, Microsoft recognized that direct audience connection and chose Wick-it to produce a song for their Windows 8/Angry Birds: Star Wars commercial that they blasted to millions of prime-time viewers. Even before that in 2010, Big Boi of Outkast picked up his mashup project ‘The Brothers Of Chico Dusty’ which helped projectile his popularity. To add even more fuel to the fire, in 2015 Sia picked Wick-it’s remix to be her official remix for ‘Elastic Heart’. Since then he has done official remixes for the likes of Kesha, ZZ Ward, KC & The Sunshine Band and Figure.

With successful headline tours supplemented by huge sets playing with Skrillex, Pretty Lights, GRiZ, Herobust and others, it’s obvious his talent and success extend far beyond the studio.

https://iamhwls.com

Management : 
hwlsmusic@gmail.com

Booking : 
AUST/NZ/EURO : hwlsmusic@gmail.com

USA / CANADA / SOUTH AMERICA : hwlsmusic@gmail.com

FUNKY MUSIC: https://soundcloud.com/kiinjo

MANAGEMENT
adam@2plus2.net

NA/SA BOOKINGS
hunter.williams@caa.com

EUR/ASIA/AUS BOOKINGS
paul@primarytalent.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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