Oh oui ça intéresse!!!
Je dirais même que c’est passionnant!!!❤️

C’est passé tellement vite, tellement passionnant!

🙏 Follow 🙏 Kochoo
► @kochooo
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Choirs

Dans cet épisode, je vous raconte mon histoire d'amour avec une fort belle Les Paul et la façon dont l'expérience de Matthieu Lucas m'a fait revoir ma vision de la guitare. par Julien Bitoun

Steve Vai - Little Pretty
Elvis Costello - The Boy Named If

#176 - Ma Les Paul et l'après-Matthieu Lucas

Dans cet épisode, je vous explique pourquoi je mets en vente mes plus beaux instruments, je vous raconte mes dernières écoutes et je vous explique pourquoi Yamaha n'est pas une marque cool. par Julien Bitoun

Maxime Even - The Omen
Soho Riot - Square One

178 - Pourquoi je revends mes plus belles guitares

Back in the Paleolithic Era, Suss Müsik had a day job in a print shop. It was stressful, physically demanding work; the craft of mechanical reproduction requires meticulous attention to detail and firm adherence to bulk scheduling. It was not uncommon for tensions to erupt during the course of a working day: yelling, crying, illness, threats, even the occasional fistfight.

Still, there was also something comforting about the work’s repetitive nature: an almost soothing glow that takes over the mind and body, not unlike the euphoria experienced during vigorous exercise. One felt a sense of camaraderie, of being an essential component of a successful process. We were merely cogs in a machine, yes, but it was our machine and together we cultivated an ability to convert stress into sedation.

Walter Benjamin (author of the seminal essay The Work of Art in the Age of Mechanical Reproduction) once wrote: “The relationship between life and purposefulness reveals itself, seemingly obvious yet almost beyond the grasp of the intellect, only if the ultimate purpose toward which all single functions tend is sought not in its own sphere but in a higher one.” This piece attempts to explore this process of manifestation.

A sonic facsimile of mechanical process was “played” using a simple melody. The same melody was then replicated using a “breathy” glass harmonium voice, amplified into a rhythmic synth pattern. The effect is calming by nature, its native rigor gently evolving while not disrupting the pattern. The glitched voiceover is a recording of a factory worker, describing how he had been given a warning after arriving at work three minutes late during a snowstorm.

The piece is entitled Jeckel, named in honor of a former coworker who sadly passed away in 2013. This effort is dedicated to the the laughs, frustrations and wisdom we shared during our time together.

More on this 538th weekly Disquiet Junto project — Guided Decompression (The Assignment: Get someone from tense to chill) — at: https://disquiet.com/0538/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0538-guided-decompression/

Jeckel [Disquiet0538]

Loopdiggers Sunday Roulette 88 "TV Series"

Dans cet épisode, je vous raconte la vie du papa de la guitare qui porte son nom, Les Paul, suite à une interview passionnante avec un de ses amis proches. par Julien Bitoun

Les Paul and Mary Ford - How High The Moon
The Prize - Cirkus

179 - La solitude de Les Paul

Long Dream

This is for the Loop Diggers x Midnight Wax Beat Tape.

When The Shadows Leave--Loop Diggers x Midnight Wax Beat Tape

Le podcast Guitare Obsession parle de guitare, de rock, de matos et de musique. Il est animé par Julien Bitoun.

179 - La solitude de Les Paul

Guitare Obsession - le podcast par Julien Bitoun

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