Name: Claire by Gunther Benedict in 樂天則
Duration: 12 min 51 s
Description: This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a nightly improvisation that started out in search of some musical idea but quickly developed a desire for swing.

Fantastic Improv from start to finish Gunther, Christoph and Mario! Cool drumming, bass and keys guys! Much enjoyed

Great track, I especially like the drums, the bass and the keys. :) Jokes aside, great job from everybody!

Ich mag es sehr https://on.soundcloud.com/QKcwPSMR5aHL0b4re4

So sweet and swinging, a pleasure to hear!

Just great swing vibes creating an amazingly refreshing atmosphere!

樂天則

"feel" is a smooth and soulful track that blends lush melodies with a laid-back rhythm, creating a deeply emotive and immersive listening experience. Rooted in neo-soul and R&B influences, the song incorporates ambient textures and intricate electronic beats to craft a soundscape that feels both intimate and expansive. Its flowing structure and groovy undertones evoke a sense of reflection and tranquility, making it perfect for a late-night drive, relaxing moments, or simply vibing to its rich atmosphere.

feel

#unique #music #electronic #odd #mood #happy #sad #creepy #producer #artist #triphop #downtempo  #originalmusic #exciting   #bass  #music #musicplaylist #spotify #listen #recomendations #fun #musicproducer #rock #release #outsider #wfh #lofi #lofibeats #instrumental #beats

room 220

Composed and performed by „HIN UND WIDER“ (Gunther Benedict – drums, Othmar Eichinger – tenor sax, Axl Hansal – guitar, Christoph Musil – bass, Mario Palaschke – keyboards).

Pancake Groove

A contemplative descent into a lucid dream state of being — part ambient echoes, part neon lit dance pulse. It builds from subtle piano and synth interplay into a low-burning electronic movement that feels like moving through a memory with a lapse of time. 

Noema is my 49th upload on Soundcloud and one I have really tried to spend the vast amount of work lost in the small details on.  I hope this resonates with everyone and all who have supported and followed me over the years on this journey of music creation. I truly appreciate each and every one of you so much! 

Noema

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a nightly improvisation that started out in search of some musical idea but quickly developed a desire for swing.

Claire

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

The third track from my EP CHEMICAL is SCARY TRUTH. 135 BPM. 9m39s. The longest track in this EP. But this is the most psychedelic and rave-like, so this is perfect for listening to while swaying back and forth. In short, this can be used as a good BGM. CHEMICAL Link in Bio!

SCARY TRUTH

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

ROCK

(黎明~短編)のフルサイズです。
This is the full-length version of (Reimei-Short Stories).

江戸時代の天保期を題材にしています。
The subject is the Tenpo period of the Edo period.

黎明

The fourth track of CHEMICAL is BEGINNING 3. 140 BPM. 6m1s. This is avant-garde and lacks any clear scale-based melody. In that sense, this may be similar to Polygon Window QUOTH. Dance music consists only of beats, sound effects, and noise. I guess I just hate common sense and preconceived notions. CHEMICAL Link in Bio!

BEGINNING 3

'ghetto falsetto' with Harmful if Followed and sixstring mac 

Isaac and the apple:
Mac: music, lyrics and vocals
Harmful/Shane: lyrics, vocals, backups 

one man verity show:
Scotty: lyrics, vocals, backups, art 

Well the night’s effervescent and I’m on fire
Full of anti depressants to blunt my ire
Well aware of the presence of my desire
It feels very pleasant as I get higher
And I’m clad in a fashion to catch the eye
So why does everyone ignore me as I walk by
It would be a different story for a different guy
But I’ll never find the glory unless I try
So why do I lie so low 
Why don’t I let them know
Let them bask in the glow
Of my ghetto falsetto 

Most are fucked up from the drugs they take,
and don't care to interrupt all the love I make,
but I can't quite erupt so, I'll simply fake,
and make believe
that I have climaxed, because all the noise
that keeps me far from relaxed and trapped in the void, 
I've always had a clean nose but perhaps I'll toy 
with singing in falsetto. 

These streets are full of cackles and high pitched screams
A ghetto manifesto haunting my dreams
Monotone narration to a story I know
A baritone ending won’t leave me alone
I’m not crazy it’s the world around me
I’ll deal with the shit eventually 
Then get past the truth I know
That I’m too low for ghetto falsetto 

But it don’t mater how high or how low 
Unless you mean it nobody will know
All you need is the seed and the get go
Let go of the ghetto falsetto

ghetto falsetto (with Harmful if Followed and sixstring mac)

Eyes of the sage

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a late-night improvisation over a poem by German writer Christian Morgenstern (1871-1914). 
Cover: Ink drawing by Gunther Benedict

Der Wasseresel

Can't Get Bayou (But I Can't Get By Without You Either)

Created as a contribution to a drone created by Pete Swinton.

soundcloud.com/peteswinton/sets/srigala-for-jm-basquiat-a

Rework ; Henry Koek

For JM Basquiat  Pete Swinton Rework Henry Koek

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Here I would like to present music composed and produced by myself (multitracking guitars, bass, and drums) and pieces that were created in the context of various bands since 1990. Some of the tracks are completely worked out, some are demos, some are from jam sessions, and some are live recordings. When relevant, in each single track the band name is given, the respective players are listed, and details as to the background of the music are presented.
All drawings and paintings were done by myself and, in some cases, by my wife, Andrea.

Claire

Gunther Benedict

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