Music by Rebeka 
Lyrics by Iwona Skwarek 

Rebeka are: 
Iwona & Bartek  

Produced and recorded by Rebeka 
Mixed and mastered by Bartosz Szczesny 

Cover photo by Arek Nowakowski & R2D2 
Artwork design by Iga Kucharska 

Contact: 
World: emi@whatsthere.pl 

Breath

Lemurs (Hannova Short Play)

Buy on Bandcamp

Zalenn - Lemurs (Hannova Short Play)

DJ D.A.M.S.77 DICE Lepsy VIP IBIZA 2025

Order Red Vinyl /CD: 
http://hyperurl.co/y68dga
Bandcamp: https://bit.ly/2ARvL4F
Spotify: https://spoti.fi/2IsF17q

http://bad-stream.com/
https://www.facebook.com/badstream/?fref=ts https://www.instagram.com/bad_stream/

https://www.facebook.com/badstream/?fref=ts https://www.instagram.com/bad_stream/

Having grown up with and on the internet, Martin Steer (1986) has transformed its pull into a concept album that is just as immediate and intangible as the digital world. Bad Stream is guitars and machines vanishing in the spaces between Radiohead, The Notwist and Nine Inch Nails only to reemerge amidst Ambient, Noise, and Drone. Bad Stream, then, is his modus operandi – a soundtrack to the feelings of resignation, isolation, and cynicism within neoliberal cyberspace and to that strangely numbing comfort of bodies transmuting into zeros and ones in real time.

 “I look at my phone even when I play guitar,” says Martin Steer, “and that isn’t even entirely voluntary. The 2010s really changed my perception of how digital technologies and social media affect me as a musician. Through Bad Stream I want to make sense of this particular kind of anxiety, and to use sensory overstimulation as a way to develop an independent and progressive musical language.” 

The past seven years took Martin and his laptop and guitar from Berlin to Mexico and Nepal and, as a founding member of Frittenbude, into the German charts and to various festival stages. And yet, Bad Stream is a “Berlin album,” with real drums and programmed beats, with shoegaze guitars, piano, smartphone synths, violins and field recordings from the darknet.

The first single is the album’s central piece: Already Dark is distinctly post-industrial in composition, commenting in its seven minutes on our accelerating world of face recognition, big data, species extinction, mind hacks and human uploads. It is a psycho collage about a time, where everything seems to be overheated, simulated and programmed - digital capitalism, polar icecaps, hypertransparent individuals dazed by networks and the total alienation by artificial intelligence and virtual reality. Already Dark is an anti-utopian hymn for a posthuman transition into digital slavery.

The music developed in dozens of recording sessions over a period of more than 2 years. It was inspired by artists like Health, Alessandro Cortini, Daniel Avery, Synthesizer Soundtracks and countless experimental/techno nights in berlin. The song connects styles like Electronica, Shoegaze and Pop Appeal with instruments like piano, theremin, the unique sound of the Tempest Drumsynth and Martin´s distinctive voice.

The mechanical beat pulsates and marches, acoustic and synthetic sounds melt into each other and shape this powerful but vulnerable construct which swells and swells - just till everything implodes in the peaks of a (post)brutal noise nirvana. In it´s eclectic and transformative artistic language Already Dark orchestrates the key-coordinates of Bad Streams vision of future-facing songwriting and progressive sound design.

The music video, produced by Fabian Tschöpl visualizes this very dark metamorphosis of the self and the world with all it´s details symbiotically with glitch techniques, 3D Body Scans and digital distortions.

Already Dark will be released on january 12th digitally including a radio edit and exciting remixes by long-time fellows of the ANTIME Records Cosmos (Felix Primc, Kaigy Etix, Simon Dübel, Dot, Unifono, Blurred Vision,  ^L_,)

Bad Stream - Already Dark

This remix is mixing various elements of Arandel's “In D”. 
Taken from InFiné Exclusive (iF3017)

Arandel - In D (Spitzer remix)

More experiences from 200o when the band was bound to make new path musically due to the departure of all the singers and the lyrics writers.  Gusgus did not go down this progressive trans path but it has, however, lingered.

Exp 2000-09

One of the demos from early 2000 when Gusgus had yet not collapsed and the search for the right feel for the 3rd Gusgus album was heading the electro way.

Slibber

The period between Forever and 24/7 was the era of exploration.  Here is one exploration embedded in a remix we did for Tómar R. Einarsson.

Tomas R Einarsson - Bassachachacha (GusGus Remix)

During the 24/7 period much was tried as some transformation was eminent from the album forever.  Here is one in shuffle beat..

Demo 121

Anne Clark & herrB - Fairytales From The Underground 
Format: EP/CD

★ Darkest Hour 
★ Eye Of a Wolf
★ When You Think Your Time has Come

Order your copy on http://www.anneclarkofficial.com/shop.html

http://www.facebook.com/anne.clark.music
http://www.facebook.com/pages/herrB/129451977135462
http://soundcloud.com/herrbisda



Anne Clark & herrB Fairytales from the Underground

David Divine remix of "In Disguise" from our upcoming album.
Free download!

Original production: Dead Astronauts
Written by: Dead Astronauts

Remix: David Divine https://soundcloud.com/daviddivine

Dead Astronauts - In Disguise (David Divine Remix)(free download)

Live Bookings: scumeck@mct-agentur.com 
Management & Contact: management@gusgus.com

BIO:
The Icelandic band Gus Gus originally spawned from a shortcut made by Siggi Kjartansson and Stefán Árni (a.k.a. Arni & Kinski) called “Pleasure”. Initially the band was acclaimed as an avant-garde collective of musicians, producers, filmmakers and performers. They mixed together different mediums to create a unique mixture of sound and vision. Their trademark style is combined with funky bass, streamlined synths and the intelligent use of technology and art. Árni & Kinski did the visual part and the musical side was driven by Birgir Þórarinsson (a.k.a. Veiran), Stephan Stephenssen (a.k.a President Bongo), Magnús Guðmundsson (a.k.a. Herb Legowitz). The live band was fronted by singers Daníel Ágúst, Hafdís Huld and Magnús Jónsson (a.k.a. Blake).

Gus Gus is an electronic soul band formed in 1995. A short break in a making of the shortcut made it possible for the first Gus Gus self-titled album to be born. In 1996 the band signed to 4AD Records that released their widely acclaimed second album “Polydistortion”. "This Is Normal" followed in 1999 and finally "Gus Gus vs T-World" appeared in 2000. During the 4AD years, Gus Gus started touring massively, stirring the music world with their powerful live-show. The touring life was stressful for the nine some and eventually called for changes within the line up. Six original members left and the three remaining producers (Veiran, President Bongo and Herb Legowitz) soon found hope in a new female singer, Earth aka Urður Hákonardóttir. The band has ever since focused on being a musical entity. 

In 2002 Gus Gus re-appeared with their 4th studio album "Attention" which includes their most successful dance floor hit “David”. On the album the band teamed up with the legendary producer Gareth Jones and Finnish multi-instrumentalist Jimi Tenor. The album demonstrates a sharply focused club-band full of creativity and even more energetic than ever. Daníel Ágúst

Gus Gus released there 8th studio album, Mexico, on Kompakt, Germany in June 2014