Cut from Jeremy Olander Live from Vivrant | City Hall in Stockholm, listen here:
soundcloud.com/jeremyolander/sets/city-hall

Jeremy Olander's Socials:

Soundcloud - @jeremyolander

Instagram -

Twitter -

Facebook -

Beatport -

If an artist, label or stakeholder has an issue with an upload please message and it will be removed immediately.

Jeremy Olander - Sound LA 2022 ID

Out now: orcd.co/lnoe157

Follow Sasha:
SC: @sashaofficial
IG: instagram.com/djsashaofficial/
FB: facebook.com/sasha

Follow Sentre:
SC: @sentre_music
IG: instagram.com/sentremusic/
FB: facebook.com/sentremusic/

Even by his own high standards, electronic luminary Sasha is in a superb run of form that has already yielded some stellar singles in the last year, both solo and in collaboration with like-minded talents. TheGRAMMY Award-nominated artist is renowned for pushing musical and technological boundaries, as well as for platforming exciting sounds on his Last Night On Earth label. The next release finds him working with Sentre, aka Dave Gardner & Dennis White, who have been electronic mainstays for many years. They have plenty of major credits under their belts, including working with Sasha on his seminal ‘Involver’ album and also 'Track 10' which they made with Sasha many years ago. It was Pete Tong’s Essential New Tune at the time and is one of many gems from these self-confessed studio nerds. 

The release of ‘Glastacy’ also marks a new approach for Sasha and LNOE as they extend their relationship with fansbeyond just the music. For the f irst time, along with the single release, fans will be able to collect and own the single artwork for free. The label has always sought to marry together music and art across its releases and now fans get the chance to own a piece for themselves. Using pioneering technology, those who claim the art will also be able to convert it to a smartphone wallet pass which will bring with it future benefits and surprises from Sasha and LNOE.

'Glastacy' is their latest collaboration, and it works angelic, wordless vocal sounds into heavenly loops that shimmer in and out of focus. Deft hi-hits and a supple bassline bring movement as a lead synth motif rises up out of the mix to bring dramatic tension and take dancers to the stars. It's emotive, hypnotic techno of the highest order, with a spine-tingling breakdown leading towards more trance-inducing musical pleasures. The Intro:Outro Mix is an ambient tool stripped of beats.

Buy/Stream

Sasha & Sentre - Glastacy

Official Audio

My Friend's Socials:

Instagram: www.instagram.com/myfrienduk/

Twitter: twitter.com/myfrienduk?lang=en-GB

Facebook: www.facebook.com/myfrienduk/

Beatport: www.beatport.com/artist/my-friend/667955

Soundcloud: @myfrienduk

If an artist, label or stakeholder has an issue with an upload please message and it will be removed immediately.

Benny Benassi - My Satisfaction (My Friend Bootleg) [Official Audio]

Jeremy Olander - Christmas In Bed ID

OLING - DJ Mag ID 03

First Layershow of 2025.

Hope you enjoy it and let me know what you think.

Tracklist: https://www.1001tracklists.com/tracklist/1qkbk941/layer-j-layershow-007-2025-03-13.html

Stay up to date with Layer J:
@layerj
www.facebook.com/layerjmusic
www.instagram.com/layerjmusic

🎶 Buy Layer J music:
www.beatport.com/artist/layer-j/716824

LAYERSHOW 007 | Layer J

'Wanna Wou' - Stream on Spotify https://vivrant.ffm.to/viv051

After a steady rise as one of Vivrant’s most promising new voices, Swedish artist OLING returns to the label with his most anthemic work to date.

“Wanna Wou” flirts unapologetically with the iconic energy of 80s dance music, blending shimmering synth textures, groovy drums, and a powerful emotional chord progression. The track builds patiently toward a towering final drop, bursting with cathartic release and peak-time intensity. Anchored by a catchy vocal loop that immediately grabs the listener’s attention, “Wanna Wou” has all the ingredients to become a breakout summer anthem.

'Wanna Wou' - Stream on Spotify https://vivrant.ffm.to/viv051

Stay up on all things Vivrant
www.instagram.com/vivrantmusic
www.tiktok.com/@vivrantmusic
www.youtube.com/@vivrant
www.facebook.com/vivrantmusic
www.twitter.com/vivrantmusic
www.vivrant.nu/

Stay up on all things OLING
www.facebook.com/olingofficial
www.instagram.com/olingofficial
www.tiktok.com/@olingofficial
www.youtube.com/olingofficial

Stream on Spotify 🎧

Wanna Wou (Original Club Mix)

BRAINNER - Saint Joseph

“Berlin Dark Underground” — Kellytranscend (Kelly Hector)

Credits: Songwriter · Music Composer · Creator — Kelly Hector (aka Kellytranscend), Collingwood, Melbourne, Australia.
Link: soundcloud.com/kellytranscend/berlin-dark-underground

The Bottom Line

A dark, rolling Berlin-techno cut that locks the floor with hypnotic repetition, evolving acid inflections, and zero fluff. It’s club-first music—confident, unsentimental, and built to work between 2–4 AM. If you’re into ironclad kick-and-bass, smoke-machine atmosphere, and subtle 303 talkback, this delivers.

First Impressions

Vibe: Shadowy warehouse energy—minimalist by design, tension through restraint.

Hook: The “movement” is the groove itself: incremental filter rides, percussion shifts, and acid phrases that feel alive without grandstanding.

Payoff: Breaks are measured, drops hit with weight rather than fireworks. Functional in the best sense.

Production & Mix (What’s working)

Kick/Bass Lock: Tight relationship; the groove feels welded. Good translation candidate for big systems.

Low-End Management: Sub feels disciplined—never woolly—so the mids can breathe.

Top-End Texture: Metallic hats and controlled clap reverb create a real room illusion without clutter.

Automation Details: Filter, resonance, and decay moves on the acid line keep your ear engaged over long phrases.

Songwriting & Arrangement

Structure: DJ-friendly intro/outro, purposeful build, and a central acid conversation that evolves rather than resets.

Dynamics: Micro-dynamics (mutes, rides, and FX tails) keep it human; the track “says more by saying less,” which suits Berlin aesthetics.

Standout Moments

Acid Bloom: When the 303-style line opens up and bites, it adds narrative without breaking the hypnotic spell.

Air Pocket Break: A short, pressure-drop before the main groove returns—clean, effective, mixable.

If You Like…

Think Marcel Dettmann, Ben Klock, Len Faki on the Berlin axis; with a faint nod to old-school Goa motion (the evolving 303 motifs) minus the psychedelic excess. It’s techno discipline with a hint of acid storytelling.

Constructive Suggestions (Take it from good to lethal)

Low-End Separation: Carve a narrow notch in the bass at the kick’s fundamental; keep everything ≤120 Hz mono for impeccable club translation.

Transient Balance: A touch of transient shaping on the kick and a 30–50 ms attack on bass compression can sharpen punch without chasing loudness.

Presence Pocket (2–4 kHz): Create a small pocket so acid details and percs read clearly without turning the mix edgy.

Air vs. Sizzle (6–9 kHz): If hats feel spicy on bright PAs, tame sibilance here; let “air” live 10–12 kHz instead.

Long-Form Tension: Consider one late-track “false peak” (8–16 bars) where the acid goes percussive-staccato before the final open filter—DJs love that tease.

Release/Playlist Fit

Best Use: Peak-time bridge between harder techno and acid-leaning sets.

Mix Key Friendlies: Works beautifully before/after mechanical, loopy tools; it’s a glue track for momentum.

Verdict

Rating: 8.6/10 — Peak-hour ammo.
“Berlin Dark Underground” proves Kellytranscend understands the club: restraint, architecture, and groove above gimmicks. With a touch more transient definition and a surgical presence pocket, this becomes a certified weapon on large systems.

FAQ

Is this original?
Yes—written, composed, and created by Kelly Hector (aka Kellytranscend). The aesthetic references Berlin techno, but the arrangement choices and acid phrasing feel personal.

Where does it sit genre-wise?
Straight-ahead Berlin techno with acid/Goa-tinged evolution—functional, hypnotic, and DJ-oriented.

Will it work outside the club?
It’s made for the floor. Headphone listeners still get the detail, but this shines on a big PA.

The DØ - Dust It Off (Jeremy Olander Remix)

GG