love the atmosphere ,depth and strange sense of movement!

this track is for me like sailing in a calm sea but knowing that the storm will soon arrive

Great atmosphere! The undercurrent has a lot of tension. I like it a lot!

Here's the demo mix that the final version came from - a bit different! 
And if you haven't heard the more dignified version 🤪 ---- you can hear it here ----->  https://soundcloud.com/cat-came-back/clay-piano-version.

We're also just finishing up mixing a couple of brand new songs which we really like, and the next one we'll be posting after this one is a candidate for my (Graeme's) favourite CCB song so far and Gina really shines on it......stay tuned!!


You won’t hear me ask you if it’s right
I know what it’s like the other side
You won’t see me kiss the day goodnight
I will meet you only in the light

No more losing ground
Not for us
Not this time around
Take in everyone
That we can

She was trying to guide it to her dream
The clay was unaccustomed to her hands
She had yet to find the surest way
To make perfection from the falling clay

She was just trying to make good things come true
With parts and pieces bending upside down
He just knew he’s found the surest way
To keep from getting caught in falling clay

It's Only Time

Keep me forever

Clay (Boombox Version)

In respos to: naviarhaiku448 – On the field
Three recorded tracks, synths/sequencer for this is Roland D70, Roland Gaia, BARP2600, Korg SQ-64. 

On the field
where evening has died out –
my footsteps

From Marco/Naviar Records:
Given the success of our previous challenge, I decided to share another haiku by 20th century poet Ozaki Hōsai.
Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.
Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku
Deadline: 10th August 2022

haiku by Ozaki Hōsai https://en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai
picture by Amir Kalhor https://unsplash.com/@amirkalhor

The Field [naviarhaiku448]

Maleficarum - The drowning test (Theatre soundtrack)

Blue Rivers In Green Boxes

'Smokescreens And Other - Isms' is a Jazz Fusion track inspired by the awareness of the sheer blanket of untruth covering the true meanings behind most if not all things ending in "isms" (capitalism, communism, socialism, catholisism, etc, etc, etc!)
Nothing personal intended against other's views, only my own observations...So please enjoy this light hearted fusion track, confirming that music is "a way" to circumnavigate these "isms".

To Soon To Tell

Smokescreens And Other - Isms

FOMITOPSIS BETULINA

VISIT TO A CONSPIRATOR

a track by Marco Lucchi reworked by progettosonoro

maggio 2023

progettosonoro & Marco Lucchi - ὁ γ​ὰ​ρ κ​α​ι​ρ​ὸ​ς ἐ​γ​γ​ύ​ς

ー刻時ー奔流_Torrent! (The ticking sound echoes戦闘Mix)

As part of the "analog reflections" series, only analog modules/sound generators are used. There was no digital post-processing.

ar_07_benjolin_TPR_resEQ

I Watched A Documentary

Gustav Lindsten is a composer, multi-instrumentalist and teacher based in Stockholm, Sweden. Having spent most of his musical career as an interdisciplinary artist, Gustav has mainly composed music for the theatre and the stage. 

Through his electronic as well as acoustic works, Gustav explores themes of
nostalgia, introspection, beatitude and the interpolation between nature and 
technology. Gathering most of his inspiration from the imperfections of lofi-gear, field recordings, modular synthesis and his own background in the contemporary classical music scene in Stockholm.

Maleficarum - The drowning test (Theatre soundtrack)

Gustavlindsten

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