Current Projects; Anakronistik / Empires Kollapse / PanArctic / The Reckoning

Past; Tokamat 2.O (Bass), Sleaze Motif (Bass), Impala (Guitar), Taillicker (Programming), Arizona Gold (Guitar)

Dhangsha (Bengali for ‘destruction’) is an electronic musician engaged in disruption at the interface of bass music and experimental noise. Employing minimalism, repetition and fragmentation, he juxtaposes sparse but heavy beats with 'alien' synth motifs. Various distortions impel each track towards a sense of impending collapse. He has released a number of albums including "Live at Spirit of Gravity,” "Aberrant" on label Hard Return and most recently, the cassette “Broadcast Signal Intrusion” on Brachliegen Tapes.  Dhangsha has contributed to compilations for Avon Terror Corps, The Wire, Iklectik, Industrial Coast and the vinyl "Disruptive Frequencies" on Nonclassical. He has played throughout the UK and Europe including with electronic/rap duo Yao Bobby and Simon Grab. He performed at respected experimental festivals “Supernormal,” UK in August 2024 and Bone-Iklectik in Barcelona, June 2025. 

https://brachliegentapes.bandcamp.com/album/broadcast-signal-intrusion

https://nonclassical.bandcamp.com/album/disruptive-frequencies

https://hardreturn.bandcamp.com/album/aberrant

https://dhangsha.bandcamp.com/album/live-at-spirit-of-gravity

https://www.youtube.com/watch?v=WCDYKMBn_g0

creating music (T!M)
playing music (mister Phonky)
i bet you look good on the dancefloor

sound~space emanates from a world seemingly on the edge of collapse, where empathy is all but extinct, language has failed, interaction reduced to ‘diss’ and ‘cuss.’ Using discarded frequencies, a sonic resistance creates militant meditations designed for spirit renewal, punctuated with pulses to facilitate bodily propulsion. Tonal analysis reveals tools required for struggle, both internal and external. 
Though you sometimes walk like living ghosts, mourning the future, know that beauty exists in places you wouldn’t dare to look

DSPSSSSD ("dispossessed") is the non-metric noise project of Aniruddha Das and sister project to "Dhangsha."

Das has taken the dub template of his previous work and mutilated it beyond recognition, with extreme minimalism and a particularly fractious approach to improvisation. He noticed he could create similar textures, pulses and energy to 'harsh noise,' but through a different route, namely that of a very aggressive take on 'granular synthesis.'  He has consciously re-calibrated the frequency range towards the bottom using heavy equalisation and low pass filters. As such, this music is designed to be performed on dub sound systems.

Followers of Guy Graulus