ENGLISH TEXT FOLLOWS

Auf der CD "Sprühweißquellgold verleih mir Flügel" (Eigenverlag, 2022)

Weitere Veröffentlichung der Komposition auf der CD "Lautgedicht" (Musique moléculaire label, August 2024)

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Programmnotiz
Im Sommer 2015 verbrachte ich zwei Monate (Juli und August) in der NES Artist Residency in Skagaströnd, Island. Jetzt, sechs Jahre später, habe ich ein elektroakustisches Stück komponiert, das ein wenig von Island inspiriert ist. Die Komposition besteht aus bearbeiteten Perkussionsklängen und unbearbeiteten Klängen (nur wenige Sekunden) von der CD „Duo Svanni – RÆTUR“ von Hildur Wågsjö Heimisdóttir und Júlia Traustadóttir Kondrup und der CD „Sounds of Island“ von Hafdis Bjarnadóttir.
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On the CD "Sprühweißquellgold verleih mir Flügel" (Eigenverlag, 2022)

Further publication of the composition on the CD "Lautgedicht" (Musique moléculaire label, August 2024) 

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Program Note
In summer 2015 I spent two months (July and August) at the NES Artist Residency in Skagastrrönd, Iceland. Now, six years later, I created an electroacoustic composition, which is a little bit inspired by Iceland. The composition consists of edited percussion sounds and unedited sounds (just a few seconds) of the CD „Duo Svanni – RÆTUR“ by Hildur Heimisdottir and Julia Traustadottir and of the CD "Sounds of Iceland" by Hafdis Bjarnadottir.

I finished this work in January 2022

Sprühweißquellgold verleih mir Flügel

Bl.22.t

RESTRAINED GUITARS

https://xu-substance.bandcamp.com/album/six-piano-things

I recently came across a number of "abandoned" recordings on my old macbook. These are tracks or sketches dating back to various periods (from around 2018 to 2020) and they all have piano as their main audio source.
The original recordings (some previously dubbed on tape) were then heavily processed in Ableton Live and recently reworked to make them (more or less) consistent with each other.

The result is in some way a collection of raw sounding sketches which, however, well represent my interest at that time in creating an opus starting only from piano sounds and loops. Only a few processed field recordings have been added (however recorded by acting on the body of the piano) and just a touch of Minibrute on track 2 and Volca FM on track 3.

Six Piano Things

Then You Run The Faucet

Then You Run The Faucet - from "Six Piano Things"

2023-02-11

Collaboration Janjòrsteen + Trampelfâd
2022-2023

visit 
https://soundcloud.com/user-526356403

Serial 34  [Collaboration Janjòrsteen + Trampelfâd]

Melmac

Original version:
https://soundcloud.com/senmove/puro-fracaso-turbio
Drawing by  
Ivons

SenSen - H3770 JULS

FADE IN [or ECHOES OF SILENCE?]:

INT. THEATRE - NIGHT [or DARK ENSEMBLE?]

The curtains slowly rise on the blank stage, revealing an enigmatic presence fixed in a trance-like state. Emerging gradually from the shadows, the unidentified figure initiates their art with an opening chord. Instantly, the atmosphere is transformed with a velvet-black ambiance [or twilight abyss?] and a mysterious glow that seems to swirl and dance in the background [1].

CUT TO:

AN INTRICATE TAPESTRY OF VERNACULAR [or LANGUAGE LABYRINTH?]

We hear a cacophony of colliding sounds and reverberations, accompanied by a palpable intensity that fills the chamber. The camera pans across the chaos of cross-talking and crests and troughs as the music ebbs and flows, before settling on a serenely secret scintilla of spliced synesthesia that emerges from the pandemonium [2]. A suggestive sprightly spillage of entwined euphony ignites the air with an escalating fervor as the music hums and hastens, with rogue and ruse rippling in a raft of rabble [3].

CUT TO:

A SYMPHONY OF CHUCKLES AND CHISELS [or LAUGHTER AND LITERARY LINES?]

A deliriously dissonant chaos of cloverleaf cloistering, a melodious medley of sparks and embers that arise and swirl with each crescendo [4]. We hear the enigmatic energy taking form, bewildering and befuddling with its bold babbling. It blurs and then burgeons into a symphony of chuckles and chisels, each sculpting and savoring its way into a sonic sensuality [5].

CUT TO:

A BIZARRELY BEGUILING VISTA [or ENCHANTING EERIE LANDSCAPE?]

The journey winds through a warbling world, whirling through wryness, whimsy, and wit before finally delivering us to a bizarrely beguiling vista [6]. The camera lingers on this strange and foreign place, capturing its surreal and disorienting beauty [7].

CUT TO:

INT. THEATRE - NIGHT (LATER) [or REVERBERATING RUINS?]

The enigmatic figure is now in full view of the camera, but their identity is obscured by the atmospheric distortion that now fills the room [8]. The music has reached a frenzied crescendo, and the camera shakes and shudders with the vibrations [9]. Suddenly, there is a loud crash, and the figure disappears from view.

CUT TO:

INT. THEATRE - NIGHT (MOMENTS LATER) [or POST-APOCALYPTIC AFTERMATH?]

The music has stopped, and the atmosphere is beginning to clear [10]. The camera pans across the stage, revealing a scene of chaos and destruction. The unidentified figure is lying on the ground, their instrument shattered into pieces.

DIRECTOR (off-screen)
Cut! Cut! What the hell was that?

CAMERAMAN (off-screen)
I don't know, man. It just went to hell.

DIRECTOR (off-screen)
We can't use any of this. We need to reshoot the whole thing.

CUT TO:

INT. THEATRE - DAY (NEXT DAY) [or MORNING MOURNFULNESS?]

The curtains rise once again, and the enigmatic figure initiates their art anew. This time, the music is slow and mournful, and the camera focuses on the shattered remains of the instrument on the ground [11]. As the music continues, we see the figure begin to piece a campfire from the broken fragments of their creation [12].

CUT TO:

A GENTLE FADE OUT [or THE FINAL NOTE?]

As the music fades to silence, the curtains slowly close, and the camera lingers on the crackle of the [1].

[1] Flames? Or more of an ethereal light?
[2] Maybe a more specific example of the synesthesia? Or focus on the harmony?
[3] Consider simplifying this sentence - too much alliteration?
[4] Sparks and embers seem repetitive - change one?
[5] "Salivating" could be "savoring"?
[6] Mention specific visuals?
[7] How can we show this beauty? What does it look like?

[9] What if the camera's shake is more subtle?
[10] Could the smoke clear to reveal a specific image/message?

[13] Does the guitar need to play a significant role throughout?

https://www.youtube.com/shorts/KbHTR5DusbM

‘˘ •Øö Oπ°∑ø˚'¨

Love Will Return In Another Way

text : (1+ 213 376 4286)

follow everywhere @__tiaro__

2023-02-11

Clara Invisible