This show was aired on Internet Public Radio on 18/05/21
internetpublicradio.live/residents/dntfck

Tracklist:

Parzubanil - (@parzubanil)

Slikback - FAZA
TSVI - Analog Ambient
Nazar - London Assault
DJ ACABA - Kumpo Kick
DJ P7 - Ultra Medley Drugs
Sueuga Kamau - Trepa
Parzubanil - Traviesa 
EL PLVYBXY - Tu Y Yo Con Tu Amigue

Live every 3RD tuesday of the month on
www.internetpublicradio.live

DNTFCK on Internet Public Radio - Parzubanil

Nueve Variables

𝙻𝚊 𝚝𝚒𝚎𝚛𝚛𝚊 𝚢𝚊 𝚗𝚘 𝚎𝚜 𝚕𝚘 𝚚𝚞𝚎 𝚎𝚛𝚊. || 𝙴𝚊𝚛𝚝𝚑 𝚒𝚜 𝚗𝚘 𝚕𝚘𝚗𝚐𝚎𝚛 𝚑𝚘𝚠 𝚒𝚝 𝚞𝚜𝚎𝚍 𝚝𝚘 𝚋𝚎.
𝟸0𝟻0

Escape 2050

DJ EX-HETERA - Laissemoipenseràproposdeça

sonidero_artificial

@ internetpublicradio

00:00 WRACK
29:53 @satoshi-kajiura

Tracklist:
https://www.instagram.com/p/CUPcuyKFxQ_/

This month's guest mix is ​​by ASTMA, who plays Techno and Experimental Club based in Tokyo.

Internet Public Radio x WRACK w/ ASTMA (Sep 26th 2021)

https://hkcr.live/shows/r000000m-w-icy-flame-06-10-2021

R000000M w/ ICY FLAME - 06/10/2021

E B U (@e_b_u) is the solo music project of Bristol based artist Ella Paine. Her debut album 'Hinge' released on NoCorner in 2019 received critical acclaim; "A bold amalgam of avant-garde electronics, droning ambient and ultra-leftfield r'n'b" (Bleep). E B U's dynamic live show has also garnered high praise, "Disorientating, dissonant, but wonderfully compelling" as reported by Wire. With a strong repertoire of gigs under her belt, sharing the stage with the likes of Wolf Eyes, Moor Mother, Tami T, Oli XL and playing events such as BBC 6 Music Festival and London's Cafe Oto, her unique sound comfortably traverses genres and settings. E B U has hosted radio shows on Noods and 1020 with tracks being played out on NTS, Balamii and BBC 6 Music. A Boiler Room documentary called 'Keep Bristol Weird' focussed on key acts defining Bristol's current music scene, which featured E B U alongside Hodge, Giant Swan, Young Echo and many more. With other releases on Howling Owl and a recent collaboration with Mun Sing on Illegal Data, Paine is currently writing new material, which sees her music incorporate a more software driven contemporary club sound.

TRACKLIST:

01. Arvo Pärt - Psalom
02. Bianca Scout - Cast
03. Bella Báguena - Me pica la cara
04. Elysia Crampton - Crest (feat. Fanny Chuquimia)
05. Kelin - No More Shubz
06. Dis Fig - the hermit
07. Spivak - Bitumen Frenzy
08. oqbqbo & Scandinavian Star
09. NTsKi - Misty
10. Joe Hisaishi - In the Sea of Corruption
11. Tirzah - Sink In
12. Elysia Crampton - Dog Clouds (feat. Jeremy Rojas)
13. Aya Gloomy - CLOUDED
14. John Glacier - If Anything
15. MIca Levi - Monk
16. Low - All Night
17. Lucrecia Dalt - Esotro
18. Sky H1 - Night Fall Dream
19. JVP & E B U - Lure
20. Pauline Anna Strom - The Eighteen Beautiful Memories

Special thanks to @infinitoaudiolabel <3

MIXES

[EGC0.64] E B U > 40:01

Taken from Hypnagogic Surge (GEN043). 
Out now on tape & digital at Genot Centre.

Produced by @amselysen.
Mastered by @wimdehaen.
Album cover by eurasiandesert.
Limited edition of 55 C29 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

HYPNAGOGIC SURGE (GEN043) by AMSELYSEN is a dense setup of signal interferences, of jacked up, spliced, reconstructed digital snippets, of outbursts whose amplitude overcooks the microphone's defenseless circuitry. Anxious with unreleased energy build-ups, the music is always pregnant with a double quality, something like a dagger made from ice, the possibility to shatter or crumble into a thousand shards combined with the looming threat of clean rupture posed by the blade's edge. Digital distortion is used here to unmask materials, to frontally attack them and expose their shimmering metallic face; pitch-time processing dilemmas get dodged by exploding into the high frequency gleam embedded but hidden in their algorithms. Completely removed from the "Lo-Fi" paradigm seeking warmth or nostalgia, the present degradation-reconstructions result in newly audible chirp figures, the sparkle of aliasing and the descent into the grainy territory of microscopic sound events. From a more panoramic perspective, these tracks are continually transforming contraptions, with looping frames accelerating, doubling, halting or stuttering, overloading, seemingly struggling to buffer, sometimes mixing with immiscible materials to form a glistening suspension of new sound material.

// Hakeem Lapointe (Amselysen) about the album
"Stemming from confusion, indignation, and feeling disoriented, Hypnagogic Surge appeals to dream-like lenses that reinterpret the everyday world; words lose clarity and are reduced to phonemes and their perceived energy, well-known advert jingles and hit songs are obfuscated and develop into undecipherable melodies, feelings ranging from relief to aggression flash quickly into succession without rhyme or reason. In the awareness gaps of the dream state, information is made up and averaged into confusing erroneous approximations — here translated in the poised presence of aural artifacts such as bad mp3 bit rate shimmer, 1/8in inlet pops, bad aliasing and interpolation, unshielded cable radio interference, fake stereo, inverted polarizing, etc
Amselysen’s nightmarish interpretation of the hypnagogic state is heavily informed by tropes surrounding hardcore music, only this time the tropes are removed from their context and reimagined before reappearing into the album, thus resulting in a hyperreality; a simulacra of hardcore, intensity and dynamism. Remediating genres like punk, techno, metal, rap and noise through distant mimicry and radical sampling, Hypnagogic Surge approaches liminal reverie with a garish maximalist attitude."

// Amselysen artist bio
Amselysen is Montreal-based intermedia artist Hakeem Lapointe’s latest musical project. It focuses on approaching experimental electronics with a critical lens, bridging the gap between conceptual spaces typically reserved to institutional practices and accessible aural aesthetics. Usually described as an outsider artist, never privy to the music academia and alien to most of the underground scene, Lapointe sheds all concerns for musical conventions and pursues their own sonic obsessions, which commonly sit in the leftfield genre. Their current work process ponders on indeterminacy, plunderphonics, hyperrealities, cultural foraging, and hypnagogia.
Works, outside of their own visual practice, include scores and sound design for short films, performances and installations in various exhibitions, including the After Hours at the McCord presented under Kent Monkman - Shame and Prejudice: A Story of Resilience.

Hypnagogic Surge - Garden Of Failure [Genot Centre]

Painted World

Perdido en agua

https://undrwght.bandcamp.com/track/perdido-en-agua

Perdido en Agua

" ℌEXOℜℭℑSMOS is an uncanny link between ancient and contemporary sound technologies. Prehispanic sound artifacts from ancient México, contemporary brain-computer interfaces and hand crafted electronic instruments blend together to situate the listener in a teknoXamanistic ritual of rhythmical noise soundscapes which addresses the politics of colonization and occupation – whether it be on the dance floor or interactive immersive sound installations.
 
He's an alumni of the Red Bull Music Academy held in London, UK (2010), participated as a guest composer at ElektronMusikStudion in Stockholm, Sweden (2014 & 2017), played in Boiler Room México, and has participated in the Tijuana, Mexico City and Berlin editions of Music Makers Hacklab by CTM festival. " 

• contact: hola [at] moiseshorta.audio

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sonidero_artificial

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