Drone // Dark Ambient

Bandcamp

This king of ash and cinder

From the album "Animism" released on Six Shooter Records (May 2014). 

Credits: 

Tanya Tagaq - Voice
Jean Martin - Drums and Electronics
Jesse Zubot - Violin, Viola, Electronics, Synths, Drums, Bass Sounds
Michael Red - Laptop, Soundscapes, Live Programming
Anna Pardo Canedo - Operatic Voice 
Jeremy Berkman - Trombone
Steve Denroche - French Horn

Produced by Jesse Zubot 
Additional Production by Juan Hernandez

Horn and String arrangements by Jesse Zubot

Main sessions recorded by Eric Mosher at The Warehouse Studios (Vancouver, BC)
Assisted by Steve Dave Graham

Additional recording and editing done at Private Ear Recording (Winnipeg, MB) and The Britannia Beach Bunker (Britannia Beach, BC) by Jesse Zubot
Flight recorded by Juan Hernandez at Ronett Studios (Combarro, Galicia, Spain)

Technical assistance at Private Ear Recording by John Paul Peters
Editing at Private Ear Recording by Matt Peters

Mixed by Jesse Zubot at the Britannia Beach Bunker (Britannia Beach, BC) and at the Laboratoire audionumérique de recherche et de création (LARC, www.larc.oicrm.org), Université Laval, 2-11 September 2013

Free access to LARC was made possible thanks to grants from l'Observatoire interdisciplinaire de création et de recherche en musique (OICRM) and from Université Laval for an art-research project conducted under the supervision of Sophie Stévance, head of Groupe de recherche-création en musique (GRECEM, www.grecem.oicrm.org)

Umingmak & parts of Caribou mixed by Juan Hernandez at Ronett Studio (Combarro, Spain)

Uja mixed by Sheldon Zaharko at ZED Productions (Vancouver, BC)

Serge Lacasse: mixing advisor, timpani and cymbals on "Caribou" at LARC

Serges Samson: technical assistance and additional recording on "Caribou" (voice, timpani and cymbals) at LARC

Sylvain Mailloux: technical assistance at LARC


I would like to thank Canada Council, Manitoba Music, Six Shooter Records, Jesse Zubot, Jean Martin, Michael Red, Juan Hernandez, Anna Pardon Canedo, All The Humans That Contributed Via Indiegogo, Sophie Stevance, Serge Lacassse, Felipe Ugarte (Aitaxo), Sam Balden, Mary Balden, Casey Balden, Jeremy Takada Balden , Masayo Takada Balden, Helen Britton, Shauna DeCartier, Jen Rogers, Daniel Brooks, Emily Smart, Rick Gillis, Mary Gillis, Carson and Sandi Gillis, Chris Kalluk and Dee Oliktoak, Naia Tategak Ugarte Gillis and Inuuja Mary Kavvik Balden-Gillis.

It is with deepest condolences and sense of loss that I dedicate this album to Loretta Saunders and all of the missing and murdered aboriginal women of Canada. Love. Light. Revolution.

We acknowledge the support of the Canada Council for the Arts, which last year invested $157 million to bring the arts to Canadians throughout the country.

Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 157 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.



Tanya Tagaq - Uja

Aight guys here is another ~SaD~ that i did for https://soundcloud.com/eze-huf , if you didn tcheck him out yet please do he is amazing :)&#13;
&#13;
[Original]https://soundcloud.com/eze-huf/club-noah

<a href="https://theartistunion.com/tracks/629fc6" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Free DL♥

☁Club ♛ Noah~SaD☁

http://poshisolation.net/collections/frontpage/products/f-e-denning-cities-of-light-lp

F. E. Denning - "Cities Of Light"

Arriving on the scene in 1993 with their self-titled demo, Yen Pox immediately made their presence known with an ability to create monumental, light devouring soundscapes that transcended all that had come before it.    Proceeding releases, including their debut CD, Blood  Music, 2000's New Dark Age, and the collaborative CD with Troum only solidified their standing and reputation. With Between the Horizon and the Abyss just being their first full length recording in over 15 years, Yen Pox will never be accused of being prolific. After all, with the two members spread out between Indiana and Washington State, creating new material doesn't exactly lend itself to convenience. But on the rare occasion that recordings do arise, it's nothing short of masterful, reminding listeners why they've achieved such notoriety with such a limited discography, and why their recordings are consistently recognized as benchmarks within the dark ambient genre.

Time between releases has been well spent, with the new material taking the early template and expounding upon it greatly, adding layers of industrial churn and structure to the infernal kosmische sprawl they're so adept at creating. And yet throughout its entirety, Between the Horizon and the Abyss is remarkably polished and fluid.  Within its realm, no seconds feel wasted, and every sound feels purposefully placed, even as it moves and flows in perpetual motion; strains of a distant angelic choirs fall beneath a complex array of arcing tones, liquidous, molten textures, & harrowing orchestral shimmer, with fervent masses of malevolent atmospherics billowing forth in glorious detail.

While this technically falls under the banner of dark ambient,  what Yen Pox has managed to create goes far beyond genre specifications and boundaries, crafting a  new benchmark and adding a high water mark to an already stellar discography.

Out May 5th, 2015 on Malignant Records. TumorCD85
www.malignantrecords.com
www.facebook.com/malignantrecords
https://www.facebook.com/YenPox

Grief Ritual by Yen Pox

Compilation track taken from V.A. VI Congresso Post Industriale CD. Released 2009. 

This king of ash and cinder

HɅSHMɅLVM