Libyan disco pop anno 1983. Taken from the album "Mots D'Amor"

Visit my blog, Jo/No's Audio Delights for more info as well as agreat modern remix of this tune made by Prince Language:

http://jonosaudio.blogspot.com/2009/10/libyan-disco.html 

Ahmed Fakroun - Soleil Soleil (1983)

Habibi Funk  حبيبي فنك  Douaa – Haditouni

Introducing Kamal Keila: Kamal is a Sudanese singer active since the late 1960s (الترجمة العربية أسفله). He incorporated a wide range of influences from afro beat to funk to his often very political songs. He recorded both in Arabic and English. We just signed him to Habibi Funk this week and will release a full album of unreleased music later this year. "Agricultural Revolution" is taken straight off a master tape Kamal found in his basement. Shout of to Yasir (AFRODUB) and Larissa for the help. نقدم لكم كمال كيلا: كمال مطرب سوداني بدأ رحلته الموسيقية منذ أواخر الستينات. 
 .لقد دمج انواع موسيقى كثيرة ومتنوعة كالفانك والأنغام اللإفريقية مع أغانيه ذات الطابع السياسي. سجل موسيقته باللغتين الانجليزية والعربية . هذا الأسبوع، قمنا بالتعاقد معه لاصدار ألبوم يضم أغانيه الغير منشورة وسوف يتم اطلاقه نهاية هذا العام. الأغنية "ثورة زراعية" مأخوذة من شريط وجده كمال في قبو منزله.

Introducing: Kamal Keila - Agricultural Revolution (Sudan, 1992)

** OUT ON 30 JUNE 2017 **
http://www.piranha.de/piranha/various_artists/can_i_get_a_witness

Piranha turns 30!

Can I get a Witness? Yes, we can! Get a witness and listen to music from all over the world, one piece at a time, in a single scintillating session of two and a bit hours.

Local roots and international hybrids. Tradition and avant garde. Spiritual ecstasy and zest, political activism, purely psycho-physical dance crazes: Piranha Records has had it all for 30 solid years now – and counting!

From Nubia to Cairo

Ali Hassan Kuban - Mabruk (Congratulation)

Sudaniyat

Azara Alhai

Pre Order: https://habibifunkrecords.bandcamp.com/album/habibi-funk-007-an-eclectic-selection-of-music-from-the-arab-world

"About a year ago we started talking to Sharhabeel, one of our favorite Sudanese musicians, with the help of his son and our colleague in Khartoum, Larissa, about re-releasing some of his old music. I had never been to Sudan before and despite some great help in making the release happen we figured it would be a good idea to actually visit Sudan and finalize the release with Sharhabeel. In preparation of the trip I started to dig deeper into Sudanese music trying to identify artists and sounds to dive into. On Youtube I found a musical blog dedicated to Sudanese jazz bands run by Amin Rabih (who is a music researcher, currently writing a book on the history of jazz music in Sudan) and Yassir Awad. The Sudanese interpretation of jazz is fairly different to the Western but it opened up a new world for me of around a dozen bands and singers that I wanted to learn more about. Luckily Yassir, a Sudanese IT expert living in Khartoum, was more than happy to help me prepare my trip and learn about the musical scene of the nation’s capital in the 1970s. Kamal Keila was a name that came up here and there, coined the James Brown or Fela Kuti of Sudan. When I asked Yassir about him he said that he has extended family ties with him and that he could set up a meeting. We spent an afternoon in Kamal’s living room somewhere in the dusty outskirts of Khartoum. In our conversation it turned out that even though his career started in the 1960s, he had never released a record on vinyl and that (apart from one album which still remains to be found, he can’t remember about a cassette tape release either). He did however record sessions for Sudanese radio.
In Sudan the radio stations were not allowed to play the recordings produced by music labels on air, therefore they had their own studios and invited musicians to record music for their program. In most cases the musicians would not receive a copy of the recordings out of fear that they would release the music themselves. But luckily Kamal Keila had gotten his hands on two sessions and had kept those two studio reels all these years. Both ta- pes were in the most horrible condition with mold everywhere and obvious signs that they had gotten very wet at some point. But to our surprise they played very well. Each included five tracks. One with English lyrics and another with Arabic ones. Musically you can hear the influence of neighboring Ethiopia much more than on other Sudanese recordings of the time, as well as references to Fela and American funk and soul. His lyrics, at least when he sings in English, which indicates more freedom from censorship, are very political. A brave statement in the constitutional climate of Sudan of the last decades, preaching for the unity of Sudan and peace between Muslims and Christians. Be on the look out for the full Kamal Keila album later this year, from whom we also licenses the music from."
written by Jannis Stuertz

IG: habibibfunk
FB: facebook.com/habibifunk

Pre Order

Kamal Keila - Al Asafir (Habibi Funk: An ecclectic selection of music from the Arab world)

Pre-order and infos: https://habibifunkrecords.bandcamp.com/album/habibi-funk-008-muslims-and-christians

Kamal Keila - Muslims And Christians

We're super happy to announce our 13th release by Sharhabil Ahmed, the actual King of Sudanese Jazz (he won that title in a competition in the early 1970s). Sonically it sounds very different from what Jazz is understood to sound like outside of Sudan. It’s an incredible unique mix of rock’n’roll, funk, surf, traditional sudanese music and influences from Congolese sounds. Original copies of Sharhabil recordings are often hard to find, so we’re happy they will now be widely available, including a booklet with liner notes, interviews and unseen photos from Sharhabil’s personal archive. The release is licensed from Sharhabil himself and he receives 50% of the profits of the sales.

Pre-order

Sharhabil Ahmed - Argos Farfish (Off Habibi Funk 013, dropping in July)

Hada Wagty

Najib Elhouch - Ya Aen Daly

Habibi Funk's 13th release by Sharhabil Ahmed, the actual King of Sudanese Jazz (he actually won that title in a competition in the early 1970s). Sonically it sounds very different from what Jazz is understood to sound like outside of Sudan. It's an incredible unique mix of rock&roll, funk, surf, traditional sudanese music and influences from Congolese sounds.

The King of Sudanese Jazz

Sharhabil Ahmed - Zulum Aldunya (Habibi Funk 013)

label, dj and platform for a wide range of underappreciated music from north africa and west asia

Sharhabil Ahmed - Argos Farfish (Off Habibi Funk 013, dropping in July)

habibi funk - حبيبي فنك