busyfrozenfeels

@yyyooouuuttthhh
ALL TRACKS WRITTEN AND PRODUCED BY FLORENT HADJINAZARIAN IN ST FONS, FRANCE.
INSPIRED AND DEDICATED TO "MELANCHOLIA DER ENGEL"
MASTERING BY DANIEL MUMBERSON
DESIGN BY MON


"Highly regarded around these ways for introducing the likes of Ronce on his Dawn Records label - with whom he collaborated on the ‘Aquatics’ LP - and a string of ace compilation cuts, visual artist-turned-producer Hajj renders his most ephemeral yet affective conception of a negative ecstasy in ‘Drag Me Into the Void’. The three tracks reprise the billowing introspection of his 2020 debut for Brothers From Different Mothers , ‘Dédicace À Personne’ with a subtly refined palette and sound design, dematerialising traces elements of late ‘90s trance and up-to-the-second trap into thee gauziest, gently buoyant ambient space.

The trio of tax slot neatly into YOUTH's cross section of contemporary bedroom/living room/imaginary club space with a breezy mutability. ‘Drag Me Into the Void’ appears in subtly alternate mixes, bathing a trance siren vocal refrain in anaesthetising reverb and vapourized traces of emo-rap drums with a sublime sense of deferred gratification on the original, while nipping/tucking to more elusive allure in the ‘Euphoria’s death edit’. In the middle ‘Reverse Catharsis’ augments the syrupy ambient rap aesthetic with more pronounced woodblock percussion hinting at Burial hitting the downstroke, and lit up with killer, trancey hyper-blooz synth plucks. "
Boomkat

BUY CD

Drag Me Into The Void

Myth

Darkness Finds Home With U (GhostPhone008)

https://faithinself.bandcamp.com/track/scapegoating

SCAPEGOATING

world (bob sinclar, florence sinclair, majoire w.c. sinclair)

TRYCE @3yyccee and Xenia Reaper @xeniareaper collaborate on Dream-Fighter, a limited 7" lathe cut, due for release on Unguarded February 14th.

Drawing from a collection of recordings made throughout 2021, the two producers bring to life a cold, icy two-track single spanning precision-cut breaks, breezy pads and fluttering digital arpeggios, laced together by laser tight impacts.

Written, produced & mixed by TRYCE & Xenia Reaper
Mastered by Tim Roth
Artwork by TRYCE
Cut by Disc Archive

Fighter (Echo Mix)

Dream (Velocity Mix)

ghost bird (oklou x jjjacob x burial blend edit)

Cotton Mouth - Jökulhlaup

Type: EP
Format: Digital
Releasedate: May 14th
Cat. number: SLA25
Artwork: Oliva Rawlings
Master: Norman Orro

If you listen to the breeze long enough, a song will emerge.
The air hangs on the cusp of rapture.
It will have you foraging in existential void, identity-gardening for a better future...
realworlding.

––––

Hiding in relative obscurity, Music For Your Plants – the sonic environment tended by Tallinn's Norman Orro – originated in late 2000s as a library-music-obsessed prog-rock collective in the dusty attics of the Estonian Academy of Arts. The project has since shed its initial kraut-informed sprawl, evolving through junglist, breakbeat hyperstitions toward a sort of post-anthropocene chamber music: densely layered, rhythmically unstable, and emotionally euphoric.

MFYP maintains a fascination with nonhuman perspectives and systems,
expressing this through forgotten esoteric plugins or operating 90’s hardware with the casual precision of someone peeling particularly stubborn fruit. Despite surface affinities with ambient or post-club sonics, Orro’s output eschews the genre’s more pristine tendencies. MFYP’s productions are texturally grainy, often abrasive in detail – the residue, perhaps, of early-digital workflows and a background in tape-saturated, longform rock improvisation.

Where Hassell sought hybrid utopias, MFYP’s trajectory leads deeper into what Orro has referred to as “Fifth World sonics,” creating a deliberate babel of "world musics" – sometimes deploying reflective detachment, elsewhere earnestly attempting to reconfigure music for an age where the concept of "world" is in crisis. This approach, crystallised on the 2013 Humanity EP, helped cohere the “eco grime” microgenre through holographic, deconstructed folktronics and mutations of UK bass DNA.

On Aeolian Software, we find bit-crushed fretwork and pop-leaning structures, if only briefly gasping for air. MFYP’s current phase appears concerned with breath and density, melodic cells surfacing through mist before dissolving again – as if uncertain whether to take root or vanish.
New Age textures creep in sideways, only to be clipped by loose 2-step scaffolding, while vocal trance fragments pockmark the air like overheard dreams. Somewhere between the PS2 boot sequence and a pan-global spiritual, it's panglossia for the post-everything listener.

Download

Music for your Plants — 'Earth Jump'

Honcho of @dawnrecords
1/3 of @one_legacy
BOOKINGS : dawnonselim@gmail.com
Lost pilgrim with an internet address
florenthadjinazarian@gmail.com

Drag Me Into The Void

HAJJ