study sesh

Paganini Cantabile

Tchaikovsky. Sleeping Beauty. Valse

http://en.wikipedia.org/wiki/Introduzioni_(Vivaldi)

Filiae Maestae Jerusalem RV 638  II. Sileant Zephyri (Antonio Lucio Vivaldi)

Swan Lake - Tchaikovsky

Bach  Brandenburg Concerto No. 2 In F BWV1047  Mov. 233

Vivaldi - Concerto For Mandolin In C Major RV425

Israel Muniz (oboé d'amore) e Camerata Filarmônica
Concerto gravado ao vivo em agosto de 2013 no auditório da UFMG.

J.S. Bach - Concerto for Oboe D'amore in A Major BWV 1055 - 1. Mov

Wolfgang Amadeus Mozart: Violin Concertos Nos. 1, 3, 4
Rondo K. 373, Andante K. 261

Artists: Frank Peter Zimmermann (Violin) 
Kammerorchester des Symphonieorchesters des Bayrischen Rundfunks, 
Radoslaw Szulc (Conductor)

1 CD - Full Price

Order-No. 98.039
EAN 4010276027041

• Frank Peter Zimmermann - one of the best Violinists of his time.
• Zimmermann’s triumphant return to Mozart's concertos since his legendary EMI-recordings from over 30 years ago. 
• The first of three installments which will contain, when completed, all of Mozart’s works for concertante violin. 

Today, when Frank Peter Zimmermann says that Mozart has always been easy for him, he needs only call to mind his debut concert at the age of ten – when he played Mozart's G major Concerto K. 216; or when, some 30 years ago, as a fresh 20-year-old, the same FPZ  made his first recording of the five concertos for EMI; and then if one factors in that over the years that each of these Mozart works has passed through his hands nearly 300 times in concert, then one can begin to appreciate the intense physical and spiritual experience that Frank Peter Zimmermann brings to these new recordings.

One will immediately hear on this CD the experience that a master can bring to these works, because no one else plays these works with the same incredible, almost balletic, weightless elegance and rich tone, reaching a degree of intimacy, without any obstacle between the performer and the listener, as does Frank Peter Zimmermann.  Mozart’s every wish is perfectly fulfilled! The Chamber Orchestra of the Symphony Orchestra of the Bavarian broadcasting company serves both masters admirably.

Frank Peter Zimmermann‘s Mozart edition will be released on 3 CDs; the second CD will be released in February, 2016 and will include the Sinfonia concertante (with Antoine Tamestit), the Violin Concerto No. 2 D Major K. 211, the Rondo in B-flat Major KV 269 as well as the Haffner Serenade K. 250 in which the violin plays a big role. The third CD is planned for February, 2017 and will contain the Concertone for two violins, the Violin Concerto No. 5 and the Kassation K. 63.

Music:
excerpts from:
Violin Concerto No. 1 in B flat Major K. 207
I. Allegro Moderato  

Adagio in E Major K. 261 

Rondo in C Major K. 373 

Violin Concerto No. 4 in D Major K. 218
I. Allegro	

Violin Concerto No. 3 in G Major K. 216
III. Rondeau. Allegro

Frank Peter Zimmermann Plays Mozart Vol. 1

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3. Violin Concerto in D, Op. 61 - Ludwig van Beethoven
	I. Allegro ma non troppo
	II. Larghetto
	III. Rondo (Allegro)

4. The Lark Ascending - Ralph Vaughan Williams  

Produced by Raphaël Mouterde
Executive producer Dave Stapleton

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Beethoven - Violin Concerto In D, Op.61 - II. Larghetto

Vivaldi, Concerto in D Major for guitar and strings 1. Allegro 2. Largo

Premiere Symphonie des Noels
The French composer and organist Michel Richard de Lalande (Paris, 1657 – Versailles, 1726), a contemporary of Jean-Baptiste Lully, was music teacher of the daughters of King Louis XIV and was appointed Court Composer and conductor (Maître et compositeur de la chapelle royale, surintendant et compositeur de la musique de la chambre). His music was a harmonious synthesis of the French and Italian styles. He mainly composed ballet and religious music (numerous motets), as well as some famous orchestral pieces such as the famous 'Symphonies pour les Soupers du Roi' and the four Symphonies de Noëls (Christmas symphonies). The latter are orchestrations of traditional French Carols sung at Christmas Eve in the chapel of the castle at Versailles. Désiré Dondeyne, conductor of the Paris Metropolitan Police Band (Musique de Gardiens de la Paix) from 1954 to 1979, wrote this fine arrangement for symphonic band.

https://www.molenaar.com/details/1/8938/en

Première Symphonie des Noëls (arr. Désiré Dondeyne) - De La Lande

The Atlanta Baroque Orchestra live in concert, Sunday, 13 February, 2011 at Roswell Presbyterian Church in Roswell, Georgia. Julie Andrijeski, Karen Clarke, violins, and Stephanie Vial, cello.

Grand Concerto in G, Op. 6 No. 1, G. F. Handel, Movement 2

1-07 Bach  Cello Suite #2 In D Minor

Kaunas Chamber Orchestra, Silvano Frontalini - Benedetto Marcello 12 Concerti Grossi Op. 1
Upload By HC WSB

Benedetto Marcello -  Concerto No. 1 from 12 Concerti Grossi Op. 1

A. VIVALDI: Lauda Jerusalem RV 609, Les Agrémens

Vivaldi- Concerto for lute, violin & b.c. in G minor (RV 85)

hänssler CLASSIC - more than 800 recordings of Classical Music.

Subscribe to our monthly newsletter to receive notifications of SPECIAL OFFERS and our FREE MONTHLY DOWNLOAD.
http://www.haenssler-classic.de/en/newsletter/hc-nl/

hänssler CLASSIC is one of the most successful independent labels for classical music in Germany and throughout the world. With an average of 50 – 60 new releases a year, the hänssler CLASSIC catalogue now includes over 800 recordings on CD, SACD and DVD. In our catalog, you will find virtually every musical style, period and form – from music of the Middle Ages to the music of Today, from historic recordings from the 20th centuries greatest artists to the great young artists of tomorrow; you are guaranteed to find something you will love!

It is not only our goal to offer standard repertoire but also to offer the adventurous listener opportunities to explore unknown or recently discovered works. From hänssler CLASSIC’s beginning, we have been committed to offering musical firsts – from the first complete recordings of the complete Cantatas of J.S. Bach to the first recording of Osvaldo Golijov’s critically acclaimed Pasion seguin San Marco. Experience and enjoy the world of hänssler CLASSIC, and hear for yourself what has earned the loyalty and praise of critics and lovers of classical music all over the world.

Numerous national and international awards - such as the “Preis der Deutschen Schallplattenkritik”, the “ECHO” awards, the Cannes Classical Awards as well as the Grammy Award - illustrate this worldwide recognition.

We are grateful that the work of our label is so highly esteemed. Moreover, we know that our success is also due to the diligence and outstanding quality of all our artists, technicians and engineers.

With pride and gratitude, we look back on our achievements: The epic Bach Edition, recorded under the direction of Helmuth Rilling – the complete works of  J. S. Bach on 172 CDs. Critics enthused about it: „A milestone of the music industry“. hänssler CLASSIC’s innovative Digital Bach Edition for the Apple iPod®, released in 2008 in celebration of Helmuth Rilling’s 75th birthday marks a step into the future for classical music. While the presentation and packaging of classical music has changed, people’s love for the music itself is timeless and unchanging. 

Since 2000, hänssler CLASSIC has worked in cooperation with the Südwestrundfunk (SWR), one of Germany’s largest broadcasting networks. This collaboration has both provided a showcase for the ensembles of the SWR as well as historic and archival recordings from the vaults of the SWR. Appearing under the logo of SWR music, you will find hundreds of critically acclaimed recordings for your listening enjoyment. 

Discover our world of classical music and share with us the passion we feel for it!

Frank Peter Zimmermann Plays Mozart Vol. 1

haenssler CLASSIC

Related tracks