13/04/17

R&B Cover of Erica Campbell's I Luh God
http://youtu.be/ohLIp1Q5V-o

I Luh God- Erica Campbell [R&B Cover]

Out now on iTunes, Amazon, BandCamp and to stream on 
Apple Music & Spotify.

iTunes: https://itun.es/gb/H9as9
Amazon: http://amzn.to/1HKgqie
BandCamp: http://bit.ly/1JgjCJK

MADE IN LONDON
artwork by Asia Ella

E3 Nights

Keyshia Cole - Don't Waste My Time Ft. Young Thug (produced By London On Da Track)

More here: http://www.factmag.com/2015/11/13/meet-florentino-the-swing-ting-producer-bringing-colombian-rhythms-to-uk-soundsystems/

Florentino - Domina

Ritual Dingers - Hotline010

I Know (feat. FKA Twigs)

http://www.keyshiacole.com 
www.facebook.com/keyshiacole 
https://twitter.com/keyshiacole

Keyshia Cole - Missing Me

Keyshia Cole - Why Lie

What gets us coming back to grime every time is its sense of melody. When rhythm or timbre are the pursuit of much dance music, melody can be swamped, or indeed purposefully neglected in favour of different, more functional elements of music. Grime functions differently in this way, it’s one of the few dance genres that is made with an MC in mind; it wasn’t made to move bodies the weekend long in Berghain. The aching, melancholic melodies of Ruff Sqwad’s 'Anna’ and ‘Functions on the Low’, Rebound X’s ‘Rhythm 'n' Gash’ or Kamikaze's ‘Ghetto Kyote’ bleed into the mind, dwelling in its coldest corners. As Ruff Sqwad's Dirty Danger says, "no one else knew how to put melodies in such dark music." Spooky invades the melody receptors in a similar manner, his method, however, is attrition warfare rather than seductive gloominess. His tracks are assaults on the body, templated meditations on rhythm and melody, on the pure and simple power of repetition and a restrained sonic palette.

Read more: http://truantsblog.com/2013/spooky-party-package-vol-1-and-2
Spooky: https://www.facebook.com/spookybizzleofficial

I Know (feat. FKA Twigs)

Hakilma