Ryong - Unbreakable Bonds [YGK015]
youtu.be/s8xMpekMLdw

1. Split And Tear
2. Horizon
3. Snow That Shapes A Dream
4. Ever And Ever
5. Isolde

Format: Digital/EP
Release Date: 7 May, 2021
'Snow That Shapes A Dream' featuring Eva Tind
Cover by Isak Tind
Mastered by Soda Plains

Ryong - Snow That Shapes A Dream [YGK015]

Olan Monk - Auto Life
Format: Digital (EP)
Cat. No: CANVAS011
Release Date: 1st October 2021

Watch the video for 'Fameless': https://youtu.be/-xndTe8uWrc

Pre-order Auto Life (EP): canvas-index.bandcamp.com/album/auto-life

‘A farewell to idolatry, where culture is absorbed into nature, like a body back into the fertile soil. Written as a 27 club survivor, lamenting the young dead, no longer young and celebrating the spectral presence of iconised peers. Reflexive and self-aware of the problem of over-identifying with the fictional performance of the solo act in various guises or archetypes: the rockstar or trapstar. Auto Life is a practical attempt at a weird re-hybridisation of otherwise seemingly divergent strands of popular music, conflating stylisations usually segregated by genre.

Auto Life was written as a collection of songs for eventual live performance. Recording music is absurd—an act in which you initially perform to no-one. The inclusion of a sample of crowd noise in ‘Fameless’ is the music studio equivalent of a laugh track being added to the soundtrack of a sitcom—unable to give up on disappearing horizons completely and imagining another context for performance in which an actual audience beyond the performer is present.

Autotune Punk—as a music of antagonism that resists from within, bending the lanes of a machine that flattens out the vocal performance to a given scale. I can still express feeling—even angst—but the machine doesn’t care. Refusing its own funeral, emulating the dead—it’s a Rock simulacrum. A renewably performed myth. I broke the spell. I just heard it as it was. The sacred framing of presence makes the pop idol always-already-dead by turning them into a symbol and an image—undead, un-ageing and endlessly reproducible within a commercialist visual culture.

The music which I would grow up listening to would later become a tool towards first facing, maybe later dismantling—or at least bending—the structures in which music was still being written, performed and recorded into existence. My emulation of and interest in pop—and popular—music is not in irony. I love this music—yet I question the context and conditions through which it has come to exist and continues to change shape. Opening up the horizon of pop to a new kind of strangeness, where the familiarity of the pop song disappears into blissful distortions and mixed signifiers towards a world in-between, otherwise unknown’.

— @olanmonk

Written, performed and recorded by Olan Monk

‘Bruised Fruit’ features an instrumental recording by Jam City, additional production and vocals written and performed by Elvin Brandhi
‘Burnout’ features an instrumental recording by Jam City

Tracks 01–07 mastered by Ali Najafi
Tracks 08 and 09 mastered by Jam City

Artwork by Ewa Awe

www.c-a-n-v-a-s.com

Auto Life

Olan Monk - Fameless

Heith - Your Element (a spell of equality)
Label: PAN
Cat.No. PAN 119S
Format: DL
Release Date: 26 July 2022
Purchase: pan.lnk.to/YourElement

X, Wheel

Heith - Your Element (a spell of equality) (PAN 119S)

Inspired by the emotions from introspective solitude, vulnerability, and loneliness, Solo Expedition is a journey through ambient sound with airy synths and delicate piano that float effortlessly over a landscape of simple, steady beats. The unique tones weave a hypnotic tapestry, inviting you to lose yourself in an expansive, dreamlike atmosphere. This track is perfect for unwinding or getting lost in a meditative state, as it gently pulses with a soothing rhythm and celestial vibes.

Solo Expedition

Sequrity (M.E.S.H. Remix)

Edits oh my edits
DL - https://www.dropbox.com/s/spuhfzylujypfa7/ATTACCO%20MIXTAPE.zip?dl=0
bonus track in zip file


Thank you,
Alexis Chan for mastering
Sophia Kuhn for the artwork

ATTACCO MIXTAPE - YANTAN MINISTRY

NEVER ALONE (Yantan Ministry edit)

from the forthcoming album,
@IVVVO — doG
out 15 March 2019

credits:
Written & Produced by Ivo Pacheco
Mastered by Helmut Erler at D&M
Photography by Lane Stewart
Styling by Masha Popova
Artwork designed by Collin Fletcher & Lane Stewart for Halcyon Veil

IVVVO - LAST DAYS ft Maxwell Sterling (HALC021)

The closing track on "Expand," the forthcoming compilation to be released by Danish record label @petrola-80.

"Melancholic ambient, bangers for your woozy late night DJ set, mind-bending sonic experimentation and forward-facing alternative pop cuts - Petrola 80 lay it all down for you on March 20th 2020."

Tracklist:
Yangze - Hold Your Horses
Yearling - Resortplex Guide
Basic House - Sweater Shop
Gel - Antiquit
KhalilH20P - 100 Tears 02:59	
Piag3t - Turn Out Tense 03:09	
Rasmus Juncker - Sauna
Francesca Burattelli - Condition
Lighyer - Awakpo
SATNAV - Floe Wichu
jjjacob - Solitary Defeat

Artwork: Laurits Hanak
Master: Valdemar Kragelund
Format: Cassette, digital and T-shirt

Expand

Pre-Order

PREMIERE: jjjacob - Solitary Defeat [PET-007]

Released on m_division's compilation 'Unity'
Profits from the sale go to supporting cancer patients affected by COVID-19 in Russia.

Thanks for supporting.

https://advita.ru/
https://mdivision.bandcamp.com/releases

Mastered by Aleksandr Matlakhov
Released June 25, 2020

SKY H1 ft. Soho Rezanejad - Animal

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

IVVVO - LAST DAYS ft Maxwell Sterling (HALC021)

Halcyon Veil

Recent comments

saskia smith

User 388583602

TÒLE

Brahma Nadi

Related tracks