Soleil Rouge introduit Premier Rayon. Une compilation réunissant artistes présentés et artistes à venir. Depuis 2020, Soleil Rouge se caractérise par la rencontre d’esprits souhaitant penser et partager des espaces de création sincères et sensibles au regard des bouleversements que nous connaissons. Premier Rayon résulte de la première édition de Paturia. Un séjour en communauté s’établissant à Mazirat (03), ayant pour cœur la découverte et la promotion d’arts musicaux et visuels.

Sorti au mois d’Août 2021, affilié à Soleil Rouge - Paturia. Direction artistique par Marie Desseauves & Antoine Odin. Mastering par Guillaume Lespinasse. Artwork design par Elioth Joris, Jules Rousselet, Paul Peyrolle, Raphael Amiet & Vincent Bentolila. Remerciements tout particuliers à Marie-Hélène et Dominique Desseauves, ainsi qu’à toutes les personnes impliquées dans ce projet. Durée totale : 53:43. Impression offset limitée à 250 copies. SR001, Soleil Rouge Records, tous droits réservés.

HAJJ - RAGE OF EMPIRE

2nd single from Pause/Stutter/Uh/Repeat. To be released on Genot Centre on tape & digital on July 4, 2021.

"A striking work of hi-def sound design, which intends to explore the intricacies of the human voice, and the significance that can be found in the oddities and interruptions to be found in our speech patterns." (https://soundcloud.com/djmag)

https://soundcloud.com/rami-abadir's Pause/Stutter/Uh/Repeat (GEN046) is a collection of gravity-defying tension build-ups and releases, crammed grimey patterns and blasting overdriven kicks setting the stage for an acousmatic, digital treatment of the human voice as a raw sound source. Vocal snippets, elusive traces of dialogs, ghost notes between utterances, modelled or resampled choirs all form the basis of this approach. On these tracks, high definition focused sound beams, charred high-res textures are complemented by intricate drum rolls sizzling, rushing up, bending beyond their breaking point joined by the clang of metallic, synthetic objects colliding, deforming, rupturing.
The release is accompanied by a handful of remixes, including a staggering diagonalization by https://soundcloud.com/frktl, a bass heavy club ready edit by https://soundcloud.com/ice_eyes, a frenetic, bouncy reimagination by https://soundcloud.com/fausto_mercier and a luminous big drum-powered rendition by https://soundcloud.com/zulimusic.

Recorded, produced & mixed by https://soundcloud.com/rami-abadir.
Album tracks mastered by https://soundcloud.com/fausto_mercier.
Remixes mastered by https://soundcloud.com/wimdehaen.
Artwork & tape design by Sam Lubicz (of https://soundcloud.com/333boyz)

Limited edition of 55 C46 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

// https://soundcloud.com/rami-abadir about Pause/Stutter/Uh/Repeat (GEN046)
“Uh, um, ah, urgh, so, well, I mean, indeed—in everyday conversation, we stutter, pause, prolong a syllable beyond its actual length, sigh, click our tongues and lips, laugh, and repeat. Such interjections utterances and fillers may be considered superfluous to our interactions, even interrupting our flow of ideas. But, if we listen closely, we’ll find them loaded with deeper layers of meaning and affect: hesitation, thrill, discomfort, uncertainty, surprise, shyness, contemplation, or the agonizing search for meaning. 
As I extracted those recurrent utterances from supposedly coherent conversations, and the more I listened to those shards of sound in isolation, I came to the realisation that our semantic exchange has always been fragmented. This overpowering sense of fragmentation inspired a collage structure and infused the production with a deconstructed, dramatic and cinematic sound. In this sense, the collage technique in composition reflects how we construct meaning out of tiny utterances in our speech. “Pause/Stutter/Uh/Repeat” is a distillation of overlooked communication, implicit expression and elusive meaning, all of which could be reduced in a one-syllable utterance. The end result was a canvas of revisited meaning.
I submitted this work as my graduation project for the MA program “Digital Media” at the University of Arts Bremen.”

// https://soundcloud.com/rami-abadir's bio
AِBADIR (Rami Abadir) is a music producer and sound designer born in Cairo, Egypt.
His work focuses on experimental, glitch and ambient music, and he's one half of the duo 0N4B. Together with the visual artists Nurah Farahat and Islam Shabana, he co-founded the audio/visual collective "Mapping Possibilities", which has been active in promoting A/V events since 2016. ABADIR is also the editor of the electronic music section of the Arabic music webzine Ma3azef, where he also contributes as a writer on critical theory, music history, reviews and interviews.
Previously solo released on Hush Hush Records, Yerevan Tapes, Kaer‘Uiks, D.M.T. Records, and through 0N4B on Kaer’Uiks, ANBA, Aural Electronics.

Pause/Stutter/Uh/Repeat

pre-order

ABADIR - IV (GEN046)

EQUINOX (Feat. Stasya @eccestasya) Remix by Van Boom (@realvanboom). Taken from Miss Jay (@m1ssjay) new EP Nocturnal, out June 30, 2021, via UNIZONE (@unizonelabel)

Read: https://bit.ly/2TdqpA6
Pre-order: https://bit.ly/3dmCbPw

Art direction by Ver
instagram.com/_nismo95/

Mastering by Wim Dehaen
soundcloud.com/wimdehaen/

Released by UNIZONE

Miss Jay - EQUINOX Ft. Stasya (Van Boom Remix) [UNIZONE]

Taken from Prettybwoy (@dj-prettybwoy) new album Tayutau, out September 17, 2021, via SVBKVLT (@svbkvlt)

Read: https://bit.ly/2YiBFND
Pre-order: https://bit.ly/3zr5oBV

Prettybwoy’s debut is entitled Tayutau ( 揺蕩う), a traditional Japanese term often used in haiku and literature, meaning ‘waver’ - a state of indecisiveness, to lose determination or purpose, often temporarily, or to drift or sway to and fro. Made over the last two years whilst dealing with isolation, job loss, burnt hard-drives and almost losing the whole project, the album has seen several phases and degrees of anxiety, uncertainty, hope and frustration.

‘Too many things have changed since starting to make this album, and I think that is reflected in the production. The album can be split into three parts – tracks I made before the pandemic when things felt stable, tracks made during lockdown in isolation, and tracks made during the cautious and conflicted opening up and the lead up to the Olympics. There has been so much confusion and changes back and forth, but I want to have hope and try to keep focused, which at times hasn't been easy’

As well as drawing from external causes, 'Tayutau' also comes from a place of internal uncertainty.

'This is a trip in search of my new identity, or maybe to understand my current one. I am Japanese, living in Japan, but my music is only released by labels from other countries. I am a member of SVBKVLT (China), and also Polaar (France), but where or who am I in Japan?’

Tayutau is a 10 track album, featuring two vocal appearances from lIlI and a collaboration with Primula, and comes with artwork and video from Wang Jingxin. A separate EP of remixes will be released shortly after the album.

Cover Design: Wang Jingxin

Mastering: Raphael Valensi

Released by SVBKVLT

Tayutau

Premiere: Prettybwoy - Mikoshi [SVBKVLT]

TAR150
@iamxato
@sv1

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar

Crystal-Clear Plastic

Buy / Stream

xato - "7378" (feat. sv1)

all tracks produced, mixed & mastered by @maxdahlhaus
remixes by @lilianechlela @najibmusic @TSUMUTSUMU @xliks
artwork by Luna Woelle

The core of 'A Cracked System' resonates from the urgent need of change and immediate self-care. “It's an EP with ups and downs, surprises and different states of feelings, all wrapped into soundscapes,” says Berlin producer and audio-visual artist Max Dahlhaus about his new EP, which takes a different sonic paths than previous releases 'Short Morrow' (Infinite Machine, 2021) 'Be A Glitch' (Hyperboloid Records, 2021) or 'Glacier' (self-released, 2022) and which was also heavily influenced by the series of lockdowns.

MAX DAHLHAUS - STYMIED CYCLE (NAJIB REMIX)

Nobody Owns The Future is the first release on POSTWORLD, an evolving decentralised label concept and a hub for an expanding network of neoteric artists.

This 4-track micro-compilation brings together artists from distinct geographies whose music is linked by exploratory production techniques and a hopeful perspective of the world to come.

Credits
Mastering: Dadub Studio
Artwork: Asdrúbal Gómez
Logo: Master Chu

Support

AFGA06L - Of Failure And Its Essentiality

Since “Narimasu” EP released last year by label USI KUVO (Tokyo), Tokyo based producer DJ/Producer WRACK has been seeking to make Japanese-style club music. As for the first release on the label, WRACK combines genres like GQOM and GORGE with this 4-track EP album ”Hotto Kotto”, which is also keeping his Japanese scale style and iconic sound on club music description.

WRACK had released many bangers by albums/V.A with labels in recent years, such as NAAFI, Eco Futurism Corporation, Club Late Music, Oxyorange, Absurd TRAX, CyberSonicLA, Babel Records. He also organized club party CHEMICAL MONSTERS in Tokyo which invited NAAFI's Imaabs, Lao, Zutzut, Fausto Bahia, Mexican Jihad, STAYCORE's Dinamarca, Mechatok, Intruder Alert's B.YHZZ etc.

Pre-order via: https://overmybody.bandcamp.com/album/hotto-kotto

https://soundcloud.com/overmybodytw
https://soundcloud.com/wrack90

Pre-order

Premiere: WRACK - Gustom [Over My Body]

@PrisonReligion - RESONANCE IN EXOPLANETARY HYBRIDIZATION (HALC022)
Format: Digital/Ltd USB
Cat.No: HALC022
Release Date: September 28 2018

The Resonance in Exoplanetary Hybridization project sees a crew of T-S cleared engineers working to synthesize new life based on the extraterrestrial group Prison Religion’s base code. Research in the form of sonic imprints lay the ground work for the homogenization of species into an inter-dimensional life form. The research results will be published in physical and digital forms via benefactor and sound house Halcyon Veil.

Tracklist:

MESSENGER (SWAN MEAT REMIX)
ALICIA KEYS (BONAVENTURE REMIX)
ALICIA KEYS (LEE GAMBLE REMIX)
ALICIA KEYS (MELANIN FREE REMIX)
ANSSS1 (RABIT REMIX)
YABBADABBADONT (MY SWORD REMIX)
YABBADABBADONT (GENG REMIX)
NIBIRU (ENDGAME REMIX)

Artwork by false prpht
Mastered by Al Carlson

PRISON RELIGION - ALICIA KEYS (LEE GAMBLE REMIX)(HALC022)

Taken from SBKT031: 33EMYBW - Arthropods
Release date: 11th October 2019
Art Direction by 33EMYBW
Design by Fang Yang
Mixed and Mastered by Raphael Valensi

For the next release on SVBKVLT we are proud to present ‘Arthropods’, the new album by 33EMYBW. 7 new tracks plus remixes from Hakuna Kulala’s Don Zilla, Hyperdub’s Ikonika and NAAFI’s Lechuga Zafiro.

Arthropods will be released on Friday 11th October. 33EMYBW will be premiering her new live show for the album at Unsound Krakow on the same date.

About Arthropods

The soul is a fragment of a dream, the seed of future and past, evolving infinitely on the Arthropods* Continent. We seek out dreams and catch them, to scrape together the new Adam.

*1 ARTHROPODS： Arthropods is the alienation form of GOLEM*, and there is a soul in each metamere. They can upload, download, and link to each other.

*2 GOLEM：A golem is mythical humanlike figure made from clay and magically able to move on its own. In the Bible, Golem is an unfinished human being, without a soul. Through the process of its own evolution and its makers' experiments, a Golem can contain or generate its own soul. It can appear in different interconnected forms and reproduce itself at will. A golem with a soul, in order to speed up its own evolution, will sometimes supersede or devour the original form of life. The album Golem is inspired from this source.

PRISON RELIGION - ALICIA KEYS (LEE GAMBLE REMIX)(HALC022)

Halcyon Veil

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