For release on December 30, 2022
Written, Produced, and Mixed by Haley Fishberger 
Strings performed by Hannah Wyatt
Mastered by Christal Jerez

Home (305)

All I Have

Lights Down Low

Ce titre, composé originalement en 1994 et réarrangé en 2024 pour Marie-Christine Tremblay, parle des états d'âme d'une femme qui vient d'être trompée et qui est triste et fâchée. Le rythme soutenue démontre une force de caractère de la femme face à cette trahison. La pièce est interprétée par le duo MCDC (Marie-Christine et moi-même) avec l'aide de quelques musiciens chevronnés. Marlène Claveau au sax alto, Michel Otis au sax ténor et au Clavinet, André Lessard à la trompette, Martin Tremblay au trombone. Je suis à la programmmation, à la basse et la guitare et au back vocal. Mixé et masterisé par Martin Larose au Studio Septentrio.

This title, originally composed in 1994 and rearranged in 2024 for Marie-Christine Tremblay, is about the moods of a woman who has just been cheated on and is sad and angry. The sustained rhythm demonstrates a strong character of the woman in the face of this betrayal. The piece is performed by the MCDC duo (Marie-Christine and myself) with the help of some experienced musicians. Marlène Claveau on alto sax, Michel Otis on tenor sax and clavinet, André Lessard on trumpet, Martin Tremblay on trombone. I’m on programming, bass, guitar and back vocal.


Infidèle (Ft: MCDC)

Infidèle (Ft : MCDC)

6 a.m. on a March day, when the air is "freezin' cold" and a "new season's begun" - these lines capture that brief moment of change. Words like "winter" and "spring," paired with the echoing refrain "But where is my sun?" hint at both a promise of warmth and an elusive light that remains just out of reach.

The lines leave a gentle mystery—a pause that invites reflection. The repeated question softly lingers, suggesting both anticipation and a search for a light that may yet be undefined, without spelling out exactly what that light should be.

Musically, the song is carried by a warm piano and a deep, dark male voice. It unfolds slowly while maintaining a memorable, steady rhythm. The melody and the iconic refrain work together as an understated challenge—a quiet invitation to explore the balance between the expected and the unknown.

Where is my Sun?

ORENT - Last night

Join us as we continue our deep dive into the iconic Australian band INXS, as well as frontman Michael Hutchence's solo work, and his side project Max Q. Paying tribute to Michael after losing him in 1997. 

Outrageous Intro
Suicide Blonde
Original Sin
Way Of the World (Max Q)
Rooms For The Memory (Michael Hutchence)
Guns In The Sky
On A Bus
Hear That Sound
Here Comes II 
Move On
Kill The Pain
Don't Lose Your Head
The Strangest Party (These Are The Times)
Flesh And Blood (Michael Hutchence) 
Ot-ven-rot (Max Q) 
Freedom Deep
I'm Just A Man 
Underneath The Colours
Newsreel Babies 
All The Voices
To Look At You 
Kick
Baby It's Alright (Michael Hutchence)
Tight (Max Q) 
The Swing
Different World 
Show Me (Cherry Baby) 
I'm Only Looking 
Face The Change
Simple Simon
Wishy Washy
This Time 
Faith In Each Other
Devil Inside
Everything
Monday Night By Satellite (Max Q)
Kiss The Dirt (Falling Down The Mountain)
Never Tear us Apart 
Outrageous Outro

INXS Michael Hutchence Max Q 2

Join us for the3rd and final deep dive into INXS / Michael Hutchence / Max Q. Covering all of INXS's material, and Michael's solo and Max Q recordings. 

Outrageous Intro
Black And White (Extended) 
Bitter Tears
Heaven Sent
Tiny Daggers
Searching
By My Side
Concrete (Max Q) 
Let It Ride
Melting In The Sun
A Straight Line (Michael Hutchence) 
Follow
Listen Like Thieves
Please (You Got That) with Ray Charles
Shining Star
In Vain
We Are The Vegetables
Don't Save Me From Myself (Michael Hutchence)
Buckethead (Max Q)
Shine Like It Does 
Old World New World
Building Bridges
Full Moon Dirty Hearts ft Chrissie Hynde
Johnson's Aeroplane
Fair Weather Ahead
Strange Desire
Days Of Rust
The Trap
Lately
Learn To Smile
Time
Wishing Well
Beautiful Girl
Slide Away (Micheal Hutchence ft Bono) 
Sometimes (Future mix) (Max Q) 
Need You Tonight
Mediate
Burn For You (Extended) 
Don't Change
Outrageous Outro

INXS Michael Hutchence Max Q 3

Modern Greek Pop Production

Lyrics

Ghost in my skin, whisper my sins,
I feel you crawl under my ribs.
You never left, I never healed,
You're the wound that never seals.

Φάντασμα μέσα στο δέρμα μου, ψιθυρίζεις τις αμαρτίες μου,  
Νιώθω να σέρνεσαι κάτω από τα πλευρά μου
Ποτέ δεν έφυγες, ποτέ δεν γιατρεύτηκα,  
Είσαι η πληγή που ποτέ δεν κλείνει.

Ghost Under Skin

Welcome to the opening episodes of our Autumn 2025 Series!! Once again we take you on an eclectic adventure in music!! 

Outrageous Intro 
Remaining / Antarctic Wastelands ft Marine Eyes (plays in background of intro dialogue) 
Soaring (ft Cephas Azariah + IKSRE), Oscillating (ft We Dream Of Eden), Colliding / Antarctic Wastelands 
Human / Matt Dusk
The Devil Smiles / Under The Rug 
My Life / Rebo
Holding On / Ryan Oliver
Skinny White Boys / The Jessica Descent
I Won't Follow / Seph Ortha
Again / Riverine 
Peace Somehow, Set Me Free / Avi Kaplan 
Call Me When You Get In / Harrison Storm + Emily Rink
Sweet Heart / Amistat
Secrets Unfold, There's Always Tomorrow / Mark Jo 
What It Means, Intentions / Brad Wolfe 
This Charming Life / Julian Shah Tayler 
That's Why I Adore You, I Never Bet On Myself, I'm Gonna Shoot Down Your Drone / JUNK 
Sorrow Replaced (ft Midge Ure), Love Is Love, Rocket To The Moon / Kim Wilde 
Outrageous Outro 

Autumn's Golden Gown 1A

NickJC Take Me Down Ft ProdbyQT

“i call shotgun” is the third release from our MIXUPS tape—a messy, ride-or-die anthem for late night drives and reckless love
This time we got La Roux x The Weeknd x Nero in a blender!

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i call shotgun!!!

Haley Fishberger is a bold singer-songwriter & producer who found her zest in Miami, and brought it to LA. Her genre is Persona Pop: pop with a cinematic spice and a lot of character. She delivers each song with expansive melodies, dramatic hits, biconically honest lyrics, unfiltered humor, and a true warmth that allows people to connect to themselves and each other. 

Haley's wild artist journey began with 2am open mic slots in alleys at the age of 14, followed by her first official gig at an ‘all you can eat crab night.’ No matter how eccentric the venue, playing original music for people lit an ever-growing spark. This fueled Haley as her venues expanded to the Viper Room and the Hotel Cafe. Her latest project is “Seltzer,” an empowering track that she produced and mixed independently, as well as choreographing the music video. You can find Haley navigating LA by performing throughout it, and producing new music that encapsulates the messy, yet beautiful experience of being human.