Your motto really shines in all your pieces.

Great track, I love the sound-mixture. And a wonderful elaborated story, it was great fun to read.

Disquiet Junto Project 0717: Generation Gambit

The piece has commissioned as a result of Ö1 Talentebörse Kompositionspreis 2024 provided by the Oesterreichische Nationalbank (OeNB)

Helena Sorokina, Alt;
Samuel Toro Perez, E-Gitarre;
Raffael Dolezal, Violoncello;
Georg Hasibeder, Schlagwerk;
Severin Neubauer, Saxofon

Conductor: Clemens Flieder 
Recording: Fridolin Stolz

Definition of Oneself

Enjoy this with the visuals on the halF unusuaL YouTube channel at https://youtu.be/wkS2xkqAu-Y ... 

We recently unearthed a VERY rare set of tin cylinders with some of the creations from my unusually great uncle - dated 1910! I've taken the opportunity to riff on top of his proto-EDM - with sounds WAY ahead of their time! No way would they have found an audience in his lifetime ... Let's try again 😜

Family legend has it that my Great Uncle Crackleton P. Valve was not so much born as assembled! His crib rattled with loose copper coils, his lullabies were hummed through wax cylinders, and his first word was said to be a faint but distinctly glitchy “bzzzzzt” ...

By the turn of the last century, when most men were proud to own a sturdy hat, Uncle Crackleton was already soldering strange contraptions in the garden shed, where every evening the glow of red-hot valves spilled out into the hedgerows. He refused to play the piano “like a commoner,” preferring instead to hammer phonograph needles against tin cylinders until they shrieked, warbled, and sang with a peculiar beauty only he seemed to understand.

The neighbours swore they could hear his experiments late at night: a ghostly stutter of sound, like church bells melting, or a brass band tumbling downstairs. He called it Music of the Future, although others called it a dreadful racket.

It’s said he once built a mechanical echo chamber out of two bathtubs, a bicycle pump, and a dozen mismatched radio valves. When he cranked it up, it produced a looping hiccup that terrified the vicar's cats and made their milk curdle. Even so, he declared it his masterpiece.

Though none of his recordings were thought to have survived, until now (most cylinders were repurposed as makeshift candle holders), family lore insists that without him, modern glitch music would not exist. Every time a record skips, a tape warbles, or a speaker crackles, somewhere, faintly, Uncle Crackleton P. Valve is smiling.

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/

visuals (YouTube)

halF 1910 [disquiet0717]

Recorded, edited, mixed & mastered on 25 Sep 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Synths, effects

Photography/Art - Jim Lemanowicz, 30 Oct 2015, Central Park, Manhattan, NYC, USA

Music & art © 2015, 2025 Jim Lemanowicz

---

This original version of “You Dance Like A Paranoid Old Goat” was submitted as part of Disquiet Junto Project 0717: Generation Gambit. The Assignment: Layer two eras of recordings, one of them imaginary.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.

Discussion - https://llllllll.co/t/disquiet-junto-project-0717-generation-gambit

Patreon & Soundcloud - blisterpop
YouTube - Jimmy Lem
TikTok - jimmlem
Bluesky - jimmylem.bsky.social

You Dance Like A Paranoid Old Goat  (disquiet0717)

Ancient or ancestral dance rhythms emerging from the mists of time and combined with a modern drone. Or is it an ancient drone with modern rhythms?

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.





Ancient and Modern (disquiet0717)

This week's Disquiet Junto, number 0717, invited us to collaborate with an ancestor. I recalled my kinship with a certain pioneering electronic musician, my reclusive great aunt Carly Wendos. (Her catalog is strangely absent from most streaming services, but she was something of a sensation in classical music.)

The piece is a favorite of hers, an interpretation of Beethoven's Piano Trio #5 in D Major, Op. 70 No.1, the so-called "Ghost Movement". Aunt Carly rocks the Moogs while I supply the string section via live electric violin.

In all seriousness, this one is dedicated to my trans elder Wendy Carlos. Thank you for making a way for us. 

(Cover photo is a shot of her studio circa 1968.)

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.

Ghost Movement (with Carly Wendos) (disquiet0717)

This is my submission to this week's Disquiet Junto assignment. 

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.

Fujara [disquiet0717]

yes, i have only been a non-addict for less than a week,
since quitting nicotine candy
but i have compassion for all yous guys
zero addiction i have, not even phone or drug or p*rn or junk food
suddenly i am tall, and alone
it okay
i did not even realize until i was done
that i have got the last one
made with casio keyboard multitrack
(is remix of old song)
zoom h1, and NCH

i am a giant standing on a mountain looking down at the tiny addicted persons

made with stylophone, pump organ, zoom h1, and NCH

just playin around with the stylophone and the pump organ

made with looper, other mic, amp zoom h1 and nch and stylophone
TTTTTTTTTTTTTTTTTTTOOOOOOOOOOOOOOOOOOOOOO
MMMMMMMMMMMMMMMMAAAAAAAAAAAADDDDDDDDDD

but fr0g,how Do you REALLY feel (warning - not pleasant)

Ongoings

Small Talk

KEY VII

Potshotsera Freonsone

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
https://trampelfad.bandcamp.com


Rec.name : " Electronic Rips Part 3 /71 -Nature Sucks "
credit :
date : 1-11-2025

Laser Synthesizer Experiment at LCEEM :
https://www.youtube.com/shorts/oMeAgWANZA0

Shorten  Winter Suffer

z00m out

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

halF 1910 [disquiet0717]

halF unusuaL

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